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  • It's probably not the best biopic ever made but I personally loved this take on Elvis. I loved that it exposed The Colonel's abuse and gave some insight to just how much Elivs worked for the benefit of others. He took care of everyone.

    I'm not gonna give a long review. I just wanted to share how good I thought it was. Austin Butler deserves an award for how brilliant he was in this role. I saw where some reviewers were complaining about him not looking closely enough like Elvis but I thought he was a nice fit. There was only one Elvis folks. We just have to work with what we have and as I mentioned, I believe Austin deserves an award. He put serious thought and effort into playing this role. He wasn't hard on the eyes either!! Great Job!!

    Loved it!
  • Looks like Tom Hanks phoned in his role. His acting, if you can call it that was disgustingly terrible. Austin Butler was the perfect actor to play Elvis. I enjoyed the parts of the movie that he was in without Hanks hovering around trying to steal the scene. The writers needed to delve more into Elvis Presley's early life. Priscilla's character was just a footnote. It was if she was hardly in his life. I would actually watch this movie again if I could delete Tom Hanks from the film. Tom Hanks sucked the life out of the movie as much as Colonel Parker sucked the life out of Elvis Presley and his career.
  • There is a lot to unpack about what I did not like about this movie but I also feel I need to 'fess up about my love of Elvis and growing up a fan as a child. I was 11 when he died and it came as a big shock. In rural Norfolk where we lived mostly 20 years in the past so it seemed that he had only just arrived. I spent a long time after following the legend. The Kurt Russel movie, the odd "That's the Way it is / Was" documentaries - stylistically plundered for this movie and of course all the movies. Owning 40 Greatest Hits was pretty much issued to you growing up. Then Punk Rock and New Wave came and Elvis just became the distant past, even if he did shock his audience in a way Johnny Rotten could only dream. Occasionally American Trilogy would come on the radio and I'd crank it up and do an Elvis impersonator sing-along, "Wisha was, inna lanna cotton" I played it on my excited drive to see this movie I had been waiting for, saying to my partner, "If this song is not referenced in the movie, I'll be stunned, it is definitive Elvis".

    Once the film started, it was the first track we see enacted by the incredibly brilliant Austin Butler who nails it. Sadly, there is not much else good to say about this movie beyond his performance. It makes sense of course that Baz Luhrmann would open with that. Luhrmann is never one to use a nutcracker when there is a sledgehammer he can bang an idea a few times with until you get it. That's my point. This is not really an Elvis movie. It is a Tom Parker movie that wishes it was an Elvis movie. I am not sure you can be that dark and cynical about Elvis life and hope to get away with it considering what baggage the typical audience are likely to bring to the show. For Elvis to be portrayed as this easily manipulated kid, when anyone who watched the documentaries mentioned above knew The King was always in charge. If you tip the weight of the narrative to Colonel Tom you have to reduce the personality of Elvis. Don't get me wrong when I first heard rumours about this movie I was very keen for a Colonel Tom movie played by Tom Hanks but for that movie to work it needs a less important Elvis, that's a tough trick to pull off.

    This movie is only coherent to an Elvis fan. To others not plugged into the folklore, myth and legend, it is long and boring with Luhrmann over egging his point and being cynical and depressive. He either fast forwards too much that is relevant or dwells on insignificance to bolster and pad out the Colonel Tom con artist. There is the art of the conman, the huckster, referenced through this movie. In reality, the biggest card trick is shuffled by the director who promises us a celebration of Elvis but delivers a woeful, tedious tale of a mediocre manager who got lucky clinging to a rocket after it had already launched. Butler is brilliant, no doubt, Hanks is hammy at best. Luhrmann tries to use Elvis to paint Tom Parker which is like I said, using a sledgehammer to crack a nut.

    Fun in places but subtle it ain't. Thang yer verry mush.
  • Firstly Austin Butler was great , he could actually be Elvis as he looked so much like him and clearly worked hard to do Elvis justice , but I didn't really enjoy the movie but can't put my finger on why , the Main actors did a good job but I couldn't really get an emotional connection with them or the story line until the very end , I thought the legend Tom Hanks had too much of a part to play and Elvis didn't get enough , the story seemed to bounce all over the place and to me just felt and bit disjointed , Im no movie critic or expert so I recommend seeing it as lots have really raved about it but I woo the be watching it again.
  • Warning: Spoilers
    Elvis is a movie everyone needs to see! One of the greatest biopics is finally here and it does not disappoint. Fans of all generations will love this film for years to come.

    Elvis is told from the point of view of Colonel Parker (Tom Hanks) who used to be Elvis's manager. He tells the story of how he met Elvis (Austin Butler) and how the singer took the world by storm. The film covers the years of Elvis's life as a young adult until his passing.

    This is an incredible and exciting film. From the opening scene until the credits roll, the movie is a roller coaster of emotions. Austin's performance as the king of Rock n Roll is revolutionary. It's impossible to take your eyes off of him. He truly becomes Elvis with his mannerisms and dancing. Austin's performance is Oscar-worthy, just like the rest of the film. The movie humanizes Elvis, where audiences see him as more than just a performer. It's heartbreaking to see how this larger-than-life legend never lived the life he wanted. The film unites both Elvis fans and non-enthusiasts by showing this icon in a never-before-seen profile. Following Elvis throughout his life and witnessing his love of music made me feel as if he's been a friend of mine for years. Producer/Director/Writer, Baz Lurhmann delivers an incredible film and story here. It is completely engaging, has a perfect mix of modern music and Elvis classics, along with swapping between Elvis and the Colonel's points of view. Archival elements such as newspaper headlines and comic book art are put to good use and the film ends with a video recording of Elvis's last concert. The costumes are spectacular. The scene of Elvis's Las Vegas residency wearing his iconic white suit is beautiful since it looks like the viewers are watching a live performance. This is one movie that you should watch in theaters to capture its greatness. The music blaring; Austin's acting; and the cinematography should be experienced on the big screen.

    Elvis offers several themes, but the most important one is to live the life you want to. Elvis's mother warned him of living a life to please others and that he would eventually lose himself, which is exactly what happened. Elvis never lived his life for himself and, in the end, it consumed him.

    I give Elvis 5 out 5 stars and recommend it for ages 12 to 18 plus adults. It premieres in theaters June 24, 2022. By Heather S., KIDS FIRST.
  • My Review Baz Lurhmann's - Elvis

    My Rating 7.5 /10

    10/10 for Austin Butler's portrayal as Elvis

    Elvis has the Baz Lurhmann brand all over it as it's bound to seeing Baz wrote the story as well as Directed and Produced the movie . Whether that's a good thing or not I'm not so sure but top marks for his choice of Austin Butler to play the title role of Elvis Presley.

    Austin Butler had big shoes to fill and Elvis fans won't be disappointed as he portrays the iconic singer over more than 20 years of his life covering the 50s, 60s, and 70s, eras from his childhood and meteoric rise to stardom to his long, slow decline.

    This biographical movie unlike the 2019 movie Judy I'm pleased to say covers the good years as well as the sad years when Elvis left us tragically aged only 42 under identical circumstances to Judy Garland who was 47.

    Both stars burnt out prematurely both were exploited but their fame and legacy of music and film footage will live on for centuries as they are both true historical cultural icons.

    Austin Butler really does hold the entire movie together for me he gives much more than an Elvis impersonation which so many performers have done before.

    At times and at certain camera angles Austin Butler looks uncannily identical to Elvis Presley and he sings the early Elvis songbook in his own voice to perfection. Austin's voice is only blended with Elvis's own voice in the later Las Vegas years .

    Many other actors in addition to Austin Butler auditioned for the role including Ansel Elgort, Miles Teller, Aaron Taylor-Johnson and Harry Styles but the right choice to play Elvis certainly was Austin Butler in my opinion.

    Unlike Rami Malik who played Freddie Mercury in Bohemian Rhapsody and had the Freddie Mercury teeth he wore cast in gold , Austin Butler's transformation really just relies on eye make up ,hairstyle and the tight pants and flamboyant shirts and capes that Elvis wore during his performances.

    I'm certain Austin Butler's performance is what prompted the Elvis movie to receive a 12 minute standing ovation at the Cannes Film Festival last month. Rami Malik received an Oscar and lip synched the songs so Austin Butler who sings in his own voice should at least get a Best Actor Oscar nomination in 2023.

    There were positives I liked in Baz Luhrmann's Elvis and negatives as much as I admire Tom Hanks as an Actor the role of Colonel Tom Parker who is the storyteller through whose eyes we see the rise and fall of The King of Rock is a despicable and ugly character . While of course he is a central character in the Elvis Presley story I felt telling the story through such an unsympathetic character was unnecessary and I found Tom Hanks Dutch accent and his prosthetic nose a little irritating at times.

    The Cinematography by Mandy Walker is stunning as are the costumes by Baz Luhrmann's 4 time Academy Award winning wife Catherine Martin .

    All biography movies stretch or modify the facts to a certain extent to add more dramatic content and while this story is reasonably accurate Baz has used some poetic licence in some scenes . The emotional meeting of Elvis and the Producer Steve Binder of his 1968 Christmas comeback show at the iconic rusting L. A. Hollywood sign never happened but it's effective.

    The opening introduction scene of Colonel Tom Parker discovering Elvis at the Carnival which I'm sure was inspired by Guillermo del Toro's recent movie Nightmare Alley also never occurred. World events of that time are used as a timeline like the assassination of Bobby Kennedy during taping of an Elvis television show also are fiction but it does add drama to the script.

    There's also a silly hysterical scene where an entire Christmas snow set is built to convince The Colonel that Elvis was going to sing Here Comes Santa Claus in his 1968 comeback show this also apparently was a complete fiction as was the fact that Elvis was persuaded by Parker to enlist in the army rather than being arrested for his suggestive stage gyrations. Elvis did not enlist he was drafted and surrounded by the media when he entered the Army in March 1958.

    Those who love Showman Baz Luhrmann's flamboyant highly individual directing style I'm sure will love Elvis I enjoyed it but didn't love it.

    The supporting cast that includes Olivia De Jonge as Pricilla Richard Roxburgh as Vernon Presley Helen Thomson as Gladys and Kodi Smit-McPhee as Jimmie Rodgers Snow are all good but in my view could have been featured more .

    I personally think he lacks subtlety and while putting on a great show his script in this case focuses to much on the character of Colonel Tom Parker and as I recently referred to heroes as main characters in stories Colonel Tom Parker was no hero. Colonel Tom reminds me more of Rumpelstiltskin in more ways than one Elvis turned the straw that Colonel Tom Parker gave him into gold and like the Princess in the Grimm's Fairy Tale sadly Elvis paid a very high price.
  • If you liked the great Gatsby you will love this. Austin butler puts his heart and soul into this movie. He simply becomes Elvis for the duration of it. Baz Luhrmann does an excellent job staying true to The kings story (unlike a certain Freddie mercury biopic of a few years prior) and the movie never drags. The ending sequence is simply moving and will bring tears to your eyes. The only downside I would say is the portrayal of Tom Parker, Tom hanks is an amazing actor but there is something about his performance that just feels off, it might just be the accent that he completely butchers however it still isn't enough to distract from the spectacle that is this movie. I cannot wait to watch it again.
  • There are certainly times in which Baz Luhrmann's "Elvis" is an engaging and entertaining biopic of rock-and-roll's biggest star. The performance numbers are often incredible and Austin Butler inhabits all aspects/ages of the lead role adeptly. Unfortunately, Luhrmann's let's say "unique" style of filmmaking can't quite get out of its way long enough (especially in the early goings) for this to be a top-notch flick.

    For a very basic overview, "Elvis" tells the story of the titular character (played by Butler) from childhood all the way through his Vegas residency at the end of his career. The narrative frame comes from the voice of Colonel Parker (Tom Hanks), Presley's manager and quasi-abuser (largely in the financial department). Elvis's relationship to "black music", teen heartthrob fame, military service, and late-60s comeback are all given time here, including his marriage to Priscilla (Olivia DeJonge).

    Perhaps the most notable thing to mention about "Elvis" is that the first 30-45 minutes are kind of a mess. Luhrmann is in peak wackadoodle form (granted, what else could be expected from the director of 1996's "Romeo + Juliet"), what with jarring time-cuts, crazy montages (one that turns the proceedings into a comic book!), and quite a bit of time spent on the bizarre Hanks Parker portrayal. There is also a far-too-on-the-nose scene in which a young Presley supposedly learns his later musical style via an R&B jam session and a revival ministry happening concurrently. I'd blame no one for thinking this was a total mess before the 1 hour mark.

    Fortunately, in this case, there is still 2 hours left of "Elvis", and that's when it settles into being a pretty entertaining film. Basically, once all the crazy material is out of the way and audiences can just settle into Butler's portrayal, there is a lot to like. I was really impressed with Butler's ability to portray the young rebellious Elvis, as well as the fat, worn-down-by-life version. The staged musical numbers are every bit as good as those found in recent musical biopics like Rocketman or Bohemian Rhapsody. I'll certainly be revisiting some Presley tunes after seeing this.

    Overall, I can't put "Elvis" in my top tier (Walk the Line, Love & Mercy, & Judy) of biopics because its director seems almost physically unable to "tell it straight" when this film and acting performances would have certainly been good enough for that grounded approach. But it was easily good enough to hold my interest and take me on an interesting journey through the iconic musician's entire career.
  • What a gorgeous, exhilarating, heart breaking film. Austin Butler must be channeling the spirit of The King - his dancing, his voice, his singing, it's all such a beautiful tribute to a legendary performer. The pace of the movie is frantic, in Baz Luhrman's typical style. I got a bit tired of the Colonel's narration, but in a way it adds to the feel of the awful control the man had over Elvis and his career. It's a stunning achievement that could not have been made if Butler didn't perfect his performance. Loved it.
  • Austin Butler is terrific, I want to say that immediately. But, I was waiting for the movie to start, and in the dizzying display of visual pyrotechnics I forgot this was a Buz Luhrmann movie, so it would probable never start. A long, beautifully made trailer that hints at a revolutionary bio-pic. But that's all it is, a hint. Tom Hanks's Colonel Parker is out of a Charles Dickens novel. Yes Fagan. But I must say Austin Butler kept me there. True that sometimes he doesn't look or feel real but neither did the real Elvis. Butler's physicality is astonishing and that's what I took with me and I thought, I would love to see the movie when it comes out,.
  • One of those movies where right after the first sequence you know that you will watch it again and again.

    Movie lasts almost 3 hours but feels like only a few minutes have gone by. Right from the start you are on a roller coaster and there is no getting off till the end of the movie That's typical Luhrmann that once again hasn't disappointed.

    I am glad this this music icon, the man who practically invented rock n roll, the King, was shown in a respectful way and with the credit that this legend deserves, and that the actor has not gone into caricature. By the way, acting is brilliant! The moves, the walk, the voice- that's the closes to Elvis as you can get, without looking as Elvis impersonator.

    Movie is complex and yet very simple, with the moral point - listen to yourself. Be yourself. That's the only way you will be happy.
  • Compared to other musical biopics that have hit the screen in recent years (Rocket Man, Bohemian Rhapsody), 'Elvis' is tad underwhelming. It is a solid film but Luhrmann's direction failed to fully draw me in and impress.

    There is a lot to like about this film however. Austin Butler gives a truly terrific performance and thoroughly shines in the role. He is so charismatic and really embodies everything that Elvis was. Hanks on the other hand is reduced to a bit of a caricature which really didn't work for me. A shame as I am normally a huge fan of Hanks but felt like this casting was a little off.

    Perhaps the biggest draw back for me was the style of film making. The opening 30-40 minutes were very chaotic. The non-linear story telling made the opening act feel unnecessarily messy. Once things were unravelled and we started progressing through Elvis' life chronologically, things somehow felt drawn out yet fleeting at the same time. I think Luhrmann missed the mark on this one a bit.

    I also would have liked to have seen more from a musical perspective. At times the film had the wrong focus and I think it failed to capture just how and why Elvis became the icon he was.

    Despite this the film does a good job of exploring over 20 years of Elvis' life, which is no mean feat. There are some fantastic sequences and brilliant costume work throughout.

    Elvis is a solid film and there is a lot to enjoy, but I was expecting more and feel like with such an interesting story to tell this film could have and should have been better.
  • 'Elvis' (2022)

    Opening thoughts: Elvis Presley was one of the most charismatic, unique and influential singers/performers in his day and even over forty five years after his untimely death he is a major influence and icon in music history. Even when taking liberties with the truth, this reviewer does like a lot of biopics (ie. 'Amadeus', 'The Elephant Man'). Am also an admirer of Tom Hanks and have liked some of Baz Luhrmann's work, 'Moulin Rouge' for example.

    Was really psyched to see 'Elvis', but for me it was a real disappointment. By all means it is not one of the year's worst films, but it is one of the biggest disappointments. A case of one of the best performances of the year deserving a significantly better film and where a few of the main interest points on paper being where the film failed. 'Elvis' to me can never be accused of not trying, in my mind it tried too hard and was too ambitious for its own good.

    Good things: There are definitely good things here. The best thing about 'Elvis' is Austin Butler, who is absolutely sensational as Elvis. He brings so much energy, commitment and nuance to the role and succeeds in making Elvis a complex character and a real person rather than just a caricature and icon. Can't fault the music either, which is an absolute delight and is both beautiful and catchy.

    A real highlight is the ending and the rendition of "Unchained Melody", which really brought tears to my eyes. The costumes and sets are extravagant and colourful without being overblown.

    'Elvis' unfortunately has so much wrong with it. It does try to include too much content and does too little with almost all of it, basically a series of events in short shrift cliff notes form. Elvis had a very interesting and colourful personal life, executed too conventionally and blandly here with nowhere near enough emotion. There are pacing problems throughout, with many scenes dragging and going on for too long. Some very uneventful stretches too confusingly structured, the backing and forthing in timeline feeling disjointed and lacking in cohesion.

    Much of the writing is very stilted, with too much of the dialogue not sounding like everyday conversation or flowing smoothly. Too much of it sounded somewhat anarchronistic, was taken too many times out of the setting and it was like bejng yanked back to modern times constantly. While liking the costumea, sets and period detail, the editing was too frenetic and gimmicky which made it look quite unfocused and the photography has too much of an over reliance of in your face close ups.

    Luhrmann's direction gets props for visual ambition but fails in making the drama interesting or emotionally investable. The support cast perform gamely but almost all have far too little to do in screen time and how the characters are written (very sketchy excepting Priscilla). While Butler gives one of the year's best performances, Hanks gives one of its worst in a rare horribly off form performance. He never comes over as sinister or real and instead too much like a truly bizarre hammy caricature and it felt very out of place in the film. With it being told from Parker's point of view, this was a massive issue.

    Closing thoughts: Overall, didn't care for it.

    4/10.
  • aciessi26 June 2022
    Elvis is really something to behold. It's over-the-top, gluttonously indulgent, shamelessly embellished, dizzying, loud, flashy and in-your-face for the greater part of 2 and a 1/2 hours. But is it entertaining as hell? You betcha. Elvis Presley, somewhere, is smiling down on this gaudy, golden-encrusted tribute of his. This doesn't feel like the biopic of a man, or an artist, but rather, a mythical Greek god. If ever you wanted the King to get his epic due on the big screen, Baz Luhrmann has delivered it in spades. He may have been the best, and only director capable of making an Elvis biopic. But of course, you will need to suspend your disbelief and go for the ride that Baz takes you on. You may need to bring a barf-bag. Elvis quickly breezes through the King's life, from his childhood in Tulepo, MS, to his glory days in Memphis, to the days in captivity in Las Vegas. Shadowing him throughout is Colonel Tom Parker, his devious, greedy and fame-starved manager. He is played here by Tom Hanks. Folks, I don't even know where to begin. This is easily his worst performance ever. He's less reminiscent of the real man, and more like an Andy Kaufman character. That makeup, that accent... my god, man. What were they thinking? It takes you completely out of the movie. Luckily, Elvis is so freewheeling in that classic Baz Lurhmann style, it's easy to forget how bad Hanks is here. Austin Butler on the other hand is a fabulous Elvis. He goes above and beyond your average impersonator, let me tell you. He looks nothing like Elvis, and you still can believe him in the role. We go through his life, through every phase, and yet, we never go deep enough. Sorely underrepresented was his downfall in the 1970's, which, if explored in all of its tragedy, could have put this film on a whole other level. But perhaps that messes with the Elvis myth. Perhaps that would've reminded us that Elvis is and was as human as we all are. Lurhmann clearly disagrees. A mixed bag, but it's a blast. God love the music. The music, the music, the music.
  • I normally am not a fan of Baz Luhrman. I am a huge Elvis fan. I was ready to hate it based on my distaste for his other works. But I was enraptured. This movie is going to sweep the Oscars. I was crying at the end, you can tell Baz Luhrman loves Elvis. Thank you, Baz. This was a joy to experience.
  • Tom Hanks portrayal of Colonel was distracting and aggravating

    Austin Butler was incredible.

    So much about Elvis is glossed over and Baz's direction and edits are distracting to the point you don't feel like you ever get to know Elvis the way you want.

    If this had been directed by someone like Michael Mann who's specializes in layered and complex "people" this may have been great. Baz delivered a mediocre movie and distracting visuals.....

    My biggest gripe is it feels like Baz seemed to concentrate more on visual editing and made Elvis more of a side note in this film.

    Good luck but it's def a cautionary tale of the more famous you are the more alone you'll always be.
  • It was quite a rush! Austin Butler did an amazing job portraying Elvis and should definitely be up for an Oscar! It was one of the best performances I've seen in quite a while. He carried the movie.

    The rest was typical Baz Luhrmann. Flashy montages, quick editing, extravagant sets - basically Moulin Rouge of the 50s/60s. If you love his style, you will love this movie. If, like me, you'd wish he'd slow down a bit and develop characters better, you might get frustrated.

    Also, while I generally enjoy modern rap and hip hop, it was really out of place in this movie. You had all the amazing Elvis, R&B, and early Motown to use here, why on earth are you throwing in a modern soundtrack? Of course, Luhrmann did the same thing in Gatsby, which was equally annoying when he could have just used the jazz of the time.
  • This movie was a little strange for me.

    I came in the theaters expecting to watch an epic biopic but it wasnt anything close to that. Everything was so political somehow and you really felt that Baz Lurhman was pushing down his agenda down your throat. I came here to watch Elvis´ life and biography not have a history lesson on why racism is bad.

    I was expecting something else than what i saw but im not completely disapointed.

    The good: -Austin Butler was simply amazing, and he truly carries this movie. He showed some remarkable acting and he is a very charismatic actor. I would dare to say it was an oscar worthy performance
    • The elvis songs


    The Bad:
    • Terrible pacing and editing. The first half of the movie gave me nausea it felt like everything was going at supersonic speed and the second half was much slower.


    • Tom hanks was simply miscasted. Sorry but his fake dutch accent is not believable at all and its simply annoying to listen to. He should not have been in this movie. Also it felt like he was the main character and Elvis was a side character in his own movie. Tom hanks had too much screen time and his performance was quite bad.


    • modern trap rap songs in a film about Elvis Presley seriously?? What is wrong with the people who made this film? I simply dont understand the choice of some of the songs.


    I wish there had been more of Elvis´ personal life on screen and not merely his relationship with his manager. Also there was not enough Elvis songs in it.

    Its worth a watch but i wasnt blown away. 6,5/10.
  • It's like Austin Butler was no more and I just saw Elvis Presley, you clearly see he did his homework on the man, and it pays off in his performance. Some say he got overshadowed by Tom Hanks who plays Colonel Parker, but I have to disagree, don't get me wrong, Hanks was good has Parker, but I never thought for a second that he overshadowed Butler in anyway.

    Hanks and Butler really had such a dynamic on screen, both really clicked. The musical numbers really come alive when they happen. Olivia Dejonge also shines has Priscella. Baz Luhrmann's direction is pretty trippy and at time disorienting, but effect.
  • A young lad from Memphis discovers early on in life the melodies that will make him shake, the tunes and the beats and the songs that will give him a break, in a world of prejudice and hate, intolerance and injustice, he will strive to jive, sing to swing, shake, rattle and roll, to relieve a generation of the mundane and prosaic, the traditions and stale rituals, the habitual and the conditional, while bringing joy, delight and happiness - all with the help of a crafty, conniving, contriving, self-serving, calculating and cunning craftsman who would swindle and trick and cheat him out of as much of his hard earned wealth as he could lay a finger on, brilliantly portrayed by Tom Hanks.
  • Man O Man.

    A Frantic Fast paced Concert Like Cinematic Experience With The Production and Direction Levels Of The Very Highest Order.

    Key Points -

    1. First Off, The lead. Austin Butler looks absolutely Beautiful to look at. His Performance in this Couldn't of been any better. His Mannerisms and Movements were so Good.

    2. Then we Have Tom Hanks, What A performer he is. He's Just as Crucial to This Movie as Austin Butler is.

    3. The Style of this Movie is Awesome. The Fast Pace, The Dialogue, The little cuts, The Text Graphics, the panoramic shots of Las Vegas and City Hotels. Everything, it's just a Joy To Watch.

    4. The Musical Scenes, I saw this in Dolby Cinema and it was Absolutely Blaring with Sound And Bass. It felt like I was at a Concert.

    5. Finally the Storyline. It's the Rise and Fall of Elvis Presley and Boy, What a Ride it was.

    Overall, Just Excellent.
  • Elvis (2022) : Movie Review -

    Director Baz Luhrmann has teamed up with Austin Butler and Tom Hanks to tell the dramatic life story of one of the greatest singers ever to perform on stage. The musical biographical drama takes you to the Elvis Presley era and leaves you spellbound with his memories. Dubbed as the King of Rock and Roll, Elvis is recognised by the Guinness Book of World Records as the best-selling solo music artist of all time. The man has inspired many, entertained millions, and has been loved by even more people. He deserved a biopic befitting his stature, and we can only thank Luhrmann for providing him with an expedient tribute in the form of this film. Elvis will not only entertain you, but it will also leave you mesmerised over Presley's memories. If you're a fan of Elvis Presley (who's not?), then make sure you catch this great musical show in cinemas near you.

    The film chronicles the life and career of singer and actor Elvis Presley (Austin Butler), from his early days as a child to becoming a rock and roll star and movie star, as well as his complex relationship with his manager, Colonel Tom Parker (Tom Hanks). It also showcases his family life, including his married life with wife Priscilla Presley (Olivia DeJonge). Elvis was a controversial figure in the media due to racial issues in America. His sexually provocative wiggling and over-energized interpretations made him popular among female audiences, but they also brought him a lot of criticism from political and extreme Americanized socialists. Baz Luhrmann and Jeremy Doner's writing takes care of all things to present you with a spicy story which fits into mainstream cinema's template. Sam Bromell and Craig Pearce add fantastic support to the writing duo in this screenplay, which is damn too long (almost 160 minutes), but never tedious.

    The first and most important department in the biographical dramas is the acting unit. Everyone has to look like the real characters and should be comfortable with the transformations. What Austin Butler does on screen is nothing but Magic! Without any doubt, Mr. Butler, Elvis is your best performance so far and will remain one of the best and most memorable ones when you retire. Every frame, expression, and dance step he makes will remind you of Elvis Presley. He is that close. Supporting him is none other than one of the best actors of his generation, Mr. Tom Hanks. I don't know why, but I kind of liked this idea that Elvis's story is told by a sort of antagonist and not the protagonist. Hanks has got quite a changeover in his looks and voice for this character, and he is just superb. Elvis's parents are played by Helen Thomson and Richard Roxburgh, and they have a few good scenes. Olivia DeJonge looks gorgeous as his wife, though her performance doesn't show up over the heavy make-up (even though that was mandatory).

    The second and third most important things about a biopic are production design and technical aspects. Elvis looks lavish though, but it has a few glitches that appear in the beginning with the art design. However, the technical aspects recover the loss, and how! The music is foot-tapping, and so is the background score. You can't expect anything less in this department, and Elliott Wheeler gives you just what you want. Mandy Walker moves the camera smartly and captures many great frames. The editing boosts the final impact with colour and B & W, mixed transitions, and footage-like scenes.

    Bazz Luhrmann has been a very picky man when it comes to directing films. He hasn't directed a handful of movies. He did a countable and a couple of them are really good. His last work was "The Great Gatsby". Well, that was almost a decade ago. That's his best work to date, and may remain so, but Elvis is very close to Gatsby. Now, does that make it clear to you? Yes, Elvis is almost as close to The Great Gatsby as it gets, and it's more authentic, in spite of missing many controversial and infamous events from Presley's life. Luhrmann's sense of cinema is vivid and neat, and that's what I like about him. 8 years of research and he makes a worthy biopic of a music legend, not for himself, but for us. For fans. So, don't miss it. Elvis Presley fans just can't miss it. But even the ones who don't know much about him but want to know, can't miss it. Thank you, Elvis Presley, for providing us with music that we will never forget, and thank you, Baz Luhrmann, for providing a fulfilling cinematic gratitude to the King of Rock and Roll. When words are too difficult to say, sing them. So, let's all sing together with him.

    RATING - 7/10*
  • Somewhere near the halfway point I just couldn't take it anymore.

    Tom Hanks ridiculous accents.

    Elvis made up to look like a teenage girl.

    The hip-hop music - WTF?!?

    The total lack of any real storytelling.

    Elvis' inability to hold his head up.

    Just too, too, much.

    I had really hoped to like and enjoy this movie, but there's just no way. I'd give it a 3 at best and that is only because of the professional overall quality of the film - lighting, camera work, most of the costumes, sound quality, etc.

    However the almost cartoonish overall feel, acting, interaction between characters, and presentation of the story actually had me laughing out loud more than once. Not sure who the target audience is for this, but it definitely is NOT me.
  • Pretty Good movie. The beginning of the movie was paced well but should have been sped up during the second half. Some sections felt like they could have been cut out.
  • I got to see Elvis at the Provincetown International Film Festival yesterday as a surprise screening and I loved every single minute of this film! Austin Butler was astounding as the Late Elvis Presley! Not only did he look exactly like him but he even sounded and had the moves like him! Tom Hanks was also amazing as Colonel Parker giving yet another award winning performance! Like I said go see this amazing film!
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