When are independent production companies going to realize that audiences are over formula films, particularly in the disaster genre, where the problems of one fictional family that nobody will really cares about, comes just as the world is facing destruction? It's a cliche that goes way past the production of the big screen disaster blockbusters like "The Day After Tomorrow" and "2012". Then take into account the fact that there are no big stars in it and that it takes forever for anything to happen. You're stuck with boring soap opera like elements that try to manipulate the audience into caring, and because you've only known these characters for a few minutes, you really just don't care.
The main story deals with grieving parents who have lost a child and just discovering that they are expecting another. Then word comes out that invaders from another planet are on their way and that sets in panic. Not that the world is going to end its entirety but the fact that a family facing great news will now have to suffer again. Well, you can't suffer when your dead, but the audience must through a good hour of boring stuff before the typical CGI computer-generated effects take over which aren't really all that good to begin with.
With the Asylum films, I knew to keep my finger on the fast-forward button until it look like something interesting was happening, whether it be a stupid looking creature or an asteroid approaching or a sudden freezing snow storm. At least the characters in those films are consistently so stupid that you enjoy laughing at them, but these characters are just boring and staid. In this case, it's a British made direct-to-video film, so at least you have some attractive accents, but that's not really enough to want to stick with it. The family values cliches are sickeningly nauseating and after a while, it just comes down to show me the Carnage!
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