Sherlock Holmes and Dr. Watson find themselves in 1890s London in this Christmas special.Sherlock Holmes and Dr. Watson find themselves in 1890s London in this Christmas special.Sherlock Holmes and Dr. Watson find themselves in 1890s London in this Christmas special.
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Is this silly enough for you yet? ...It's in the script!... A character (I won't spoil you who that is) says that to Sherlock near the end, but it is addressed to the viewers of this episode too.
This series jumped the shark, the whale and maybe even the ...dolphins. It tries soooooo hard to be different and surpass itself that becomes unbearable.
To tell you the truth I disliked the 3rd season too, but the 4th is abysmal. I liked Irene's Adler episode and the Reichenbach Fall but this series turned into crap.
The main actors have a credibility and a presence but there is nothing else there. The writers are buried under their own creation, trying to be edgy. They don't even have the answers to the questions are presenting themselves.
This is a terrible episode. A complete mess that only some remaining hardcore fans will find "interesting". Holmes is a caricature of himself and in the whole episode doesn't "deduce" or observes anything. He is lost. A puppet. All the hype but zero substance.
The episode sets a million questions "how this?" "why that?" but fails to answer any of them.
There are some cheap humor here and there. Lots of swirly transitions between scenes (without a reason). A few puns. Some "reveals" about Holmes's personality, even his (non-existent?) past with women, but it is obvious that the writers were only trying to fill 90 minutes of "film" to justify the pointless episode.
Overall: After the disappointment of the 3rd season, the fourth is reaching new depths of humiliation for our beloved hero. Maybe I should check if there is any new episode of elementary. At least the U.S. series is far more honest to itself.
This series jumped the shark, the whale and maybe even the ...dolphins. It tries soooooo hard to be different and surpass itself that becomes unbearable.
To tell you the truth I disliked the 3rd season too, but the 4th is abysmal. I liked Irene's Adler episode and the Reichenbach Fall but this series turned into crap.
The main actors have a credibility and a presence but there is nothing else there. The writers are buried under their own creation, trying to be edgy. They don't even have the answers to the questions are presenting themselves.
This is a terrible episode. A complete mess that only some remaining hardcore fans will find "interesting". Holmes is a caricature of himself and in the whole episode doesn't "deduce" or observes anything. He is lost. A puppet. All the hype but zero substance.
The episode sets a million questions "how this?" "why that?" but fails to answer any of them.
There are some cheap humor here and there. Lots of swirly transitions between scenes (without a reason). A few puns. Some "reveals" about Holmes's personality, even his (non-existent?) past with women, but it is obvious that the writers were only trying to fill 90 minutes of "film" to justify the pointless episode.
Overall: After the disappointment of the 3rd season, the fourth is reaching new depths of humiliation for our beloved hero. Maybe I should check if there is any new episode of elementary. At least the U.S. series is far more honest to itself.
I did not fully get it the first time but when I watched it again, it all started making some sense to me. It may be difficult for those who are not devoted fans of this series to fully grasp the craziness of this episode, but once you open your eyes to the genius of the writers' intent on what they were trying to achieve here, I could not keep my eyes off the show and found myself watching it over and over again. If the writers of series simply made this an one-off episode to truly stick to the original storyline, then there would be numerous critical remarks about how the writers settled for the comfort of predictability and made the whole plot so ordinary and boring. Before shooting at the TV screen and calling it 'stupid', one may want to watch it one more time and there will be that "a-ha" moment!
There might have slipped through some spoilers.
This episode takes place in Victorian London, which was in the first place something weird, because we are used that this series takes place in present day. In Victorian Londen we see how Watson and Sherlock would have met if the whole series took place in Victorian London. Then we get a speed forward and we get to know the case of this episode. There was this bride that suddenly started to kill people and thereafter kills herself, but the weird part has yet to come. The bride kills her own husband after she died... Now Sherlock and Watson are put on to this case, to explain the mystery.
The directing and cinematography of this episode was nice, as always with this series. I loved every shot, . The editing was cool to, you had some nice transitions between scenes. Like when Watson and Sherlock are waiting for the 'gohst' to appear, there is this spinning the camera movement, and while the camera is spinning the time goes by. And by this you can see the camera spinning as a clock, which was a fun thing, in my opinion. The make-up was good too, the blown out brains etcetera. The set design was amazing, I just can't understand how they could have changed the city like that, the BBC has done this earlier with 'Peaky Blinders' a less good show, again in my opinion. I loved that they took the apartment where they filmed the original show in, and made it look like it was from the 19the century. The costumes as well were cool. They gave Sherlock his stereotypical hat back, where they made fun of in the rest of the show. The music was nice as always. They took the original theme song, but did a thing different, which I can't really explain.
The acting of this special was very good as always. Sherlock was played by Bennedict Cumberbatch. I think that he is the best person that they could have chosen to play Sherlock. He was a bit stiff in the beginning of the episode (a bit more about this later on), but overall he was good. Martin Freeman played Doctor John Watson. He was good as well, he had some great chemistry with Sherlock, this can also be seen in the rest of the series. Mark Gatis, the writer of the show, and also the actor of Mycroft Holmes, came back as well. I didn't really like what they did with his character. They made him fat. Really, really fat. It was meant as a joke, but for me it wasn't really funny. In the present day he was back as his normal self, and there he acted well. The 'fat-suit' they put him in looked also fake. The actress who played the bride was scary, and acted good.
The script was very nicely written. As I have said earlier, I taught that everything was a bit stubborn, and stiff in the beginning, maybe this was like this, because I haven't seen a Sherlock episode in a while, huh, BBC?, but after a couple of minutes it loosened up and everything went back to normal. What I very much liked is the way why everything is now in Victorian London. It fitted the theme well. The only thing that botterd me is that they left us with a cliffhanger... AGAIN. The jokes they put in there were almost always funny, but the fat Mark Gatis, just didn't feel right for me. The references put in there were fun to spot, and I am not going to spoil them, so you can go find them yourself :).
Anyway, this was a fun and scary episode. Finally we got back a Sherlock episode, and I am glad that that happened.
This episode takes place in Victorian London, which was in the first place something weird, because we are used that this series takes place in present day. In Victorian Londen we see how Watson and Sherlock would have met if the whole series took place in Victorian London. Then we get a speed forward and we get to know the case of this episode. There was this bride that suddenly started to kill people and thereafter kills herself, but the weird part has yet to come. The bride kills her own husband after she died... Now Sherlock and Watson are put on to this case, to explain the mystery.
The directing and cinematography of this episode was nice, as always with this series. I loved every shot, . The editing was cool to, you had some nice transitions between scenes. Like when Watson and Sherlock are waiting for the 'gohst' to appear, there is this spinning the camera movement, and while the camera is spinning the time goes by. And by this you can see the camera spinning as a clock, which was a fun thing, in my opinion. The make-up was good too, the blown out brains etcetera. The set design was amazing, I just can't understand how they could have changed the city like that, the BBC has done this earlier with 'Peaky Blinders' a less good show, again in my opinion. I loved that they took the apartment where they filmed the original show in, and made it look like it was from the 19the century. The costumes as well were cool. They gave Sherlock his stereotypical hat back, where they made fun of in the rest of the show. The music was nice as always. They took the original theme song, but did a thing different, which I can't really explain.
The acting of this special was very good as always. Sherlock was played by Bennedict Cumberbatch. I think that he is the best person that they could have chosen to play Sherlock. He was a bit stiff in the beginning of the episode (a bit more about this later on), but overall he was good. Martin Freeman played Doctor John Watson. He was good as well, he had some great chemistry with Sherlock, this can also be seen in the rest of the series. Mark Gatis, the writer of the show, and also the actor of Mycroft Holmes, came back as well. I didn't really like what they did with his character. They made him fat. Really, really fat. It was meant as a joke, but for me it wasn't really funny. In the present day he was back as his normal self, and there he acted well. The 'fat-suit' they put him in looked also fake. The actress who played the bride was scary, and acted good.
The script was very nicely written. As I have said earlier, I taught that everything was a bit stubborn, and stiff in the beginning, maybe this was like this, because I haven't seen a Sherlock episode in a while, huh, BBC?, but after a couple of minutes it loosened up and everything went back to normal. What I very much liked is the way why everything is now in Victorian London. It fitted the theme well. The only thing that botterd me is that they left us with a cliffhanger... AGAIN. The jokes they put in there were almost always funny, but the fat Mark Gatis, just didn't feel right for me. The references put in there were fun to spot, and I am not going to spoil them, so you can go find them yourself :).
Anyway, this was a fun and scary episode. Finally we got back a Sherlock episode, and I am glad that that happened.
Very different from the episodes that precede it but still very enjoyable and well worth watching. I was looking forward to this episode for a full year and I was not disappointed. Now only another year plus until the 4th season...if I overdose now I should be able to sleep until then. Don't go into this expecting to be blown away. The cinematic intensity of the 9 episodes its elder is not present. The depth and complexity of the plot are less structured. However, even though it's not quite up to par with Sherlock episodes of days past, it is still superior to the majority of television programs and I would say enjoyable enough to watch more than once.
What can I say about the "Sherlock" Christmas special, "The Abominable Bride?" Extremely little, for fear of spoilers.
I will say that I loved it — I'd rate it a perfect 10, as I would just about any episode of this amazing TV show. Also, as good as the trailer was I can say that it offers much more in its story than you'd expect.
I'd also say that it strongly, strongly parallels a movie that I happen to love — right down to its surprise plot device, key character interactions, and a symbolic act by the main protagonist in the climactic scene. The similarities are just too much for this to be a coincidence — it's just got to be a well done (and a damn fun) homage. It's unexpected, too, as the film I'm thinking off probably appeals to a different fan base. "The Abominable Bride" also cheerfully skewers another excellent recent film and the twist employed there.
There's some terrific acting, especially between Sherlock (Benedict Cumberbatch) and our main villain. And the dialogue is as sly and superbly delivered as always. I don't think I've ever watched a new episode of "Sherlock" and not laughed out loud at least once. The stronger, more assertive John Watson (Martin Freeman) that we see is damn terrific. (There's a compelling and sensible reason why this iteration of Watson seems a little different than our usual mild anti-hero, but I just can't say why.)
My quibbles were wholly forgivable. I thought that the Victorian versions of Molly Hooper (Louise Brealey) and Mycroft Holmes (Mark Gatiss) were just so cartoonish that they seemed right out of a "Saturday Night Live" sketch. It "took me out of the movie," and hampered my willing suspension of disbelief. It felt more like farce and silly sight-gags, instead of the dry, dialogue- and character-driven humor that the show is known for.
I also though that the climactic scene occurring among three primary characters, felt a little off. Was it just not staged right? Was the pacing off? Maybe I got the sense that I was looking at a soundstage? I'm not sure.
Finally, I am an inveterate horror movie fan, and I might have liked to have seen the director and screenwriters play up the horror story elements just a little bit more here. The mystery for this episode was a jewel of an opportunity — a garish, fearsome "ghost bride" that assassinates men. It could have been just a little scarier, given that story. I know that "Sherlock" is not a horror show, but its creators did just fine in making their adaptation of "The Hound of the Baskervilles" both a bit frightening and a proper mystery.
But, again, those are just forgivable quibbles. This show remains the best thing on television!
I will say that I loved it — I'd rate it a perfect 10, as I would just about any episode of this amazing TV show. Also, as good as the trailer was I can say that it offers much more in its story than you'd expect.
I'd also say that it strongly, strongly parallels a movie that I happen to love — right down to its surprise plot device, key character interactions, and a symbolic act by the main protagonist in the climactic scene. The similarities are just too much for this to be a coincidence — it's just got to be a well done (and a damn fun) homage. It's unexpected, too, as the film I'm thinking off probably appeals to a different fan base. "The Abominable Bride" also cheerfully skewers another excellent recent film and the twist employed there.
There's some terrific acting, especially between Sherlock (Benedict Cumberbatch) and our main villain. And the dialogue is as sly and superbly delivered as always. I don't think I've ever watched a new episode of "Sherlock" and not laughed out loud at least once. The stronger, more assertive John Watson (Martin Freeman) that we see is damn terrific. (There's a compelling and sensible reason why this iteration of Watson seems a little different than our usual mild anti-hero, but I just can't say why.)
My quibbles were wholly forgivable. I thought that the Victorian versions of Molly Hooper (Louise Brealey) and Mycroft Holmes (Mark Gatiss) were just so cartoonish that they seemed right out of a "Saturday Night Live" sketch. It "took me out of the movie," and hampered my willing suspension of disbelief. It felt more like farce and silly sight-gags, instead of the dry, dialogue- and character-driven humor that the show is known for.
I also though that the climactic scene occurring among three primary characters, felt a little off. Was it just not staged right? Was the pacing off? Maybe I got the sense that I was looking at a soundstage? I'm not sure.
Finally, I am an inveterate horror movie fan, and I might have liked to have seen the director and screenwriters play up the horror story elements just a little bit more here. The mystery for this episode was a jewel of an opportunity — a garish, fearsome "ghost bride" that assassinates men. It could have been just a little scarier, given that story. I know that "Sherlock" is not a horror show, but its creators did just fine in making their adaptation of "The Hound of the Baskervilles" both a bit frightening and a proper mystery.
But, again, those are just forgivable quibbles. This show remains the best thing on television!
Storyline
Did you know
- TriviaIn this episode, the modernised Sherlock catchphrase "The Game is on!" is rendered back to the original "The Game is afoot."
- GoofsSherlock jumps down by the waterfall and his clothes wobble down during the fall. This is against physics and we should've seen clothes skidding upside due to drag created by air.
- Quotes
Dr. John Watson: [being furious with Sherlock] I'm an army doctor, which means I could break every bone in your body while naming them.
- ConnectionsFeatured in Masterpiece Mystery: Sherlock: The Abominable Bride (2016)
Details
- Release date
- Country of origin
- Official site
- Languages
- Filming locations
- Tyntesfield House and Estate, Wraxall, Somerset, England, UK(St Eustace Carmichael's house and Dr Watson's London home)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 29 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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