Dope (2015)

R   |    |  Comedy, Crime, Drama


Dope (2015) Poster

Life changes for Malcolm, a geek who's surviving life in a tough neighborhood, after a chance invitation to an underground party leads him and his friends into a Los Angeles adventure.


7.2/10
76,801

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  • Roger Guenveur Smith and Shameik Moore in Dope (2015)
  • Zoë Kravitz and Shameik Moore in Dope (2015)
  • Shameik Moore in Dope (2015)
  • Pharrell Williams and ASAP Rocky at an event for Dope (2015)
  • Roger Guenveur Smith in Dope (2015)
  • Shameik Moore in Dope (2015)

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27 October 2015 | A_Different_Drummer
7
| everything except pacing
If you watch a lot of films, you develop an instinct for what is happening behind the camera. Some films -- heck, most films -- are all about the money, the box office, the payoff.

Not so with auteur Rick Famuyiwa's DOPE. Running at an overlong 1:45, you sense that money might have been the last thing on this writer/director's mind when he crafted the script; created some of the most endearing characters in modern film; carefully snuck into the dialog his puns, life lessons and bon mots; extracted top performances from his team; and ultimately created an experience that more "overwhelms" the viewer with images and ideas than "overpowers."

I liked it. I really liked it. But I go out of my way to catch films that most mainstream viewers don't, because film as a medium fascinates me.

The other IMDb members have done some great reviews and I don't want to repeat what has been said.

I do want to add this: technically the film is almost perfect. There is nothing obviously wrong with any scene, trope, performance ... it all works. And passion? There is tons of passion, nicely hidden in the script, obvious only in the way the film alternates back and forth between fast noisy action, and contemplative self-absorbed scenes of the type you would be more likely to find in a Woody Allen picture. Even with voice-over.

It has everything but pacing -- and that is the critical flaw. Famuyiwa tried so hard to cram so much into DOPE that the film lacks internal rhythm. By the very end, the viewer, while appreciative of the characters and the story, is pretty much lost.

One hopes that in his next project Famuyiwa will pay more attention to the viewers and less to his own "bucket list" of things he wants to cram into the story.

In that way, what starts as merely good ... could be great.

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