BMF

Even though this is about big Meech, I don't like his character, I think Lamar is the best character, he's the OG. Plus, Meech swears too much. So much he's incoherent. Also has some corny story to it that doesn't help. Either make it gangster or don't.

Well, acting is good, and there's a good plot too.

Based on true events, howcome some reviewers are ladalling it racist or sterotyped?

The best character is ill explored, and "meech" is, as told by other reviewer, incoherent.

If you like crime stories, worth a watch. But know that is based on true events. It is not racist.

It follows all the previous paint by numbers black crime shows and movies but since this is based on a true story I doubt they could improvise that much.

The production values are good and there is this "feel" and potential to it that it will get better as it goes on.

All in all, 2021 hasn't been that good a year for TV or Cinema and I think this show is better than a lot of the other content put out this year.

"BMF," the crime drama series based on the true story of the Black Mafia Family, delivers a gripping and intense portrayal of the rise and fall of one of the most notorious drug trafficking organizations in American history. Set in Detroit during the late 1980s and early 1990s, the show offers a gritty and authentic look at the complexities of the drug trade and the impact it has on the lives of those involved.

The series is anchored by strong performances from its cast, with Demetrius "Lil' Meech" Flenory Jr. And Da'Vinchi shining in their roles as Demetrius "Big Meech" Flenory and Terry "Southwest T" Flenory, the brothers who founded the BMF. Their on-screen chemistry and dynamic portrayals bring depth and authenticity to the characters, capturing the struggles, ambitions, and conflicts that defined the Flenory brothers' journey to power and wealth.

"BMF" does an excellent job of exploring the complexities of the drug trade, the allure of quick money and power, and the devastating consequences of a life of crime. The show delves into themes of family, loyalty, and betrayal, painting a nuanced portrait of the individuals who were drawn into the dangerous world of drug trafficking and the choices they made along the way.

The series' production values are top-notch, with attention to detail in the period setting, costumes, and soundtrack that immerse viewers in the world of 1980s Detroit. The show's cinematography and editing create a gritty and atmospheric tone that enhances the tension and drama of the narrative, keeping audiences engaged and invested in the story.

While "BMF" excels in its depiction of the criminal underworld and the personal dynamics of the Flenory brothers, there are moments where the pacing feels uneven, with certain subplots and character arcs receiving more attention than others. Additionally, some viewers may find the show's portrayal of violence and drug-related themes to be intense and graphic, requiring a strong stomach to watch.

In conclusion, "BMF" is a compelling and immersive crime drama that offers a raw and unfiltered look at the rise and fall of the Black Mafia Family. With its strong performances, authentic storytelling, and gripping portrayal of real-life events, the series is a must-watch for fans of crime dramas and those interested in the true stories behind America's criminal underworld.

First season was mildly entertaining,thought forgettable being written with so many stereotypes and tropes and being formulaic.

But 2nd season they doubled down on it. 50cent puts not even a single ounce of creativity or originality into it. Even the scenes, the shots introducing a scene its all the most basic 101 handbook. Like dropping a thing out of grocery bag and as shes trying to pick it up you see a hand reach down to pick it up, Or who the traitors are in the game, again 100% as in every 50cent show and based on generic tropes. Also it is so very budget.

Storywise one thing that is super annoying is how they mention how much they are earning(millions) yet they are broke most of the time. Or if the story needs it, or when Terry goes in business with his dad. How can he have ZERO money when he shouldve been a (multi)milionaire already. Where is all the money they making?

But the thing that bothers the most is the forced problem making or how quickly cops could turn a second in command. Also how the main guy is written is ridiculous, his brother helps him out of a serious serious jam and instead of dropping down to his KNEES and thanking him because it could be a huge deal, he curses him out and then punches him. Who writes this nonsense.

50 had a few pretty quality shows, or at least one, but lately given his shows it seems he has no interest in quality anymore, just low budget and little work invested in creation which is easily solved with formulaic generic writing.