Coerced into working for a crime boss, a young getaway driver must face the music when a doomed heist threatens his life, love, and freedom.Coerced into working for a crime boss, a young getaway driver must face the music when a doomed heist threatens his life, love, and freedom.Coerced into working for a crime boss, a young getaway driver must face the music when a doomed heist threatens his life, love, and freedom.
- Nominated for 3 Oscars
- 43 wins & 66 nominations total
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I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
There is never a dull moment in this action crime film about a getaway driver who has his own unlimited getaway soundtrack but who also wants to break free from the crime boss who owns his life.
There is enough style and visceral strut in this film that it neutralizes the one or two credibility gaps in the plot. Ansel Elgort is great as the title character, but Jamie Foxx steals the film with a lively performance as the loose cannon in the crew. Performances all around are solid and the dialogue is so rife with dueling wits, it's like watching a recurring display of verbal fireworks. These firecracker scenes of competitive criminals showing off their bravado are just as exciting as the chase scenes through downtown Atlanta.
The film also banks heavily on a heady, omnipresent soundtrack that keeps the tempo perpetually hyperactive. A word of caution: The action can be tough going at times; the film revels in its permanent state of anarchy before ultimately developing a mean streak. But for all the blistering gunfire and screeching tires, this is not a one-note film. It has its moments of quietly boiling tension and eerie backstory flashbacks. It's a film that wears its attitude on its sleeve and doesn't shrivel into conventionality. Not an absolute bull's eye, but recommended to everyone who wants a good rush.
There is enough style and visceral strut in this film that it neutralizes the one or two credibility gaps in the plot. Ansel Elgort is great as the title character, but Jamie Foxx steals the film with a lively performance as the loose cannon in the crew. Performances all around are solid and the dialogue is so rife with dueling wits, it's like watching a recurring display of verbal fireworks. These firecracker scenes of competitive criminals showing off their bravado are just as exciting as the chase scenes through downtown Atlanta.
The film also banks heavily on a heady, omnipresent soundtrack that keeps the tempo perpetually hyperactive. A word of caution: The action can be tough going at times; the film revels in its permanent state of anarchy before ultimately developing a mean streak. But for all the blistering gunfire and screeching tires, this is not a one-note film. It has its moments of quietly boiling tension and eerie backstory flashbacks. It's a film that wears its attitude on its sleeve and doesn't shrivel into conventionality. Not an absolute bull's eye, but recommended to everyone who wants a good rush.
Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
Baby Driver is one hell of a film,I was lucky enough to go to preview of this film and it was worth it.This film uses music the way no other film has ever, It's stylish and has a cast that bring it to life especially Ansel Elgort,Jamie Foxx,Jon Hamm and Kevin Spacey bring a performance that almost tops all their others.The film has exciting car chases and intense moments that leave you on the edge of your seat just acing to know what happens,the final act is probably where Baby Driver shines in all it's glory.Period. Overall this film is a film for everyone,it has music that makes you want to get up and dance right there in the theater.I give Baby Driver a 10/10,go and see it now.
A very well choreographed film. Right from the driving sequences, the dance & music moves, the complete score of the film to even the sign language conversations between Baby and Joseph.
Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.
3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.
Overall a good one time watch.
Strong cast of actors.
Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.
3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.
Overall a good one time watch.
Strong cast of actors.
Storyline
Did you know
- TriviaIf you watch the film with headphones, every time Baby wears just one earbud you'll also hear his music in only that one ear.
- GoofsDarling is shot in the right arm. Minutes later when she's eating in the diner, her right arm has no blood on it, and her jacket has no hole in it where she was just shot.
- Crazy creditsThe "ding" in the opening Sony logo turns into the sound of Baby's tinnitus.
- ConnectionsFeatured in Chris Stuckmann Movie Reviews: Baby Driver (2017)
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Baby, el aprendiz del crimen
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $34,000,000 (estimated)
- Gross US & Canada
- $107,825,862
- Opening weekend US & Canada
- $20,553,320
- Jul 2, 2017
- Gross worldwide
- $226,945,087
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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