Paul works the prostitute angle; Frank receives the first casualty in a secret war.Paul works the prostitute angle; Frank receives the first casualty in a secret war.Paul works the prostitute angle; Frank receives the first casualty in a secret war.
Vinicius Zorin-Machado
- Tony Chessani
- (as Vinicius Machado)
Featured reviews
I came to the conclusion that there are actually only one season of true detective. It must have been a mistake along the way that the title ended up on the wrong series. Dialogues are to long and meaningless, the continuity of the events doesn't flow well and the countless amount of clichés would suit a comedy better. Oh! I forgot, the casting, I think they should have taken more time to consider a less star studded selection, maybe young actors and actresses that have something to prove would have added a touch of unexpectedness and roughness that are sadly missing in season 2. The soundtrack however is not bad, definitely not what season one had to offer but pleasant enough. So, keep the series going but change the title. Near detective maybe.
This episode, directed by Janus Metz, was much better than the previous two episodes. I though the previous two was okay, but nothing more than that. Episode 3 is definitely raising the bar! Everything was better, than the previous episodes, and the 'True Detective atmosphere' is back, but with a new soul. Dark, twisted and a solid story.
+ Directing + Acting (except for McAdams, she was descent, but nothing more than that) + Action and suspense + Story/writing
Give it a chance, put your (season 1) glasses in a drawer, and watch season 2 for what it is!
I'm looking so much forward to the next episodes! 9.5/10.
+ Directing + Acting (except for McAdams, she was descent, but nothing more than that) + Action and suspense + Story/writing
Give it a chance, put your (season 1) glasses in a drawer, and watch season 2 for what it is!
I'm looking so much forward to the next episodes! 9.5/10.
Completely lacks the profundity of the first season - from the super opening credits which now are just pastiche in the current season. No synergy between the characters and the dark settings and themes just don't atone for lack of substance. More than a third of the way through one expects more - three individuals, broken beyond repair and too many subplots mar what season 1 achieved.
Vaughan finally breaks his typecast and Farrell sits rather comfortably with his. In short they are all beautifully damaged but something essential is missing
Ends Ends
Vaughan finally breaks his typecast and Farrell sits rather comfortably with his. In short they are all beautifully damaged but something essential is missing
Ends Ends
The multi perspective tone has proved to be reasonably engaging. As the story delves further, the characters and the actors have grown more, both subtly and menacingly, in the bleak world. Visual of the episode compliments the diversity as well, although the case isn't that appealing. The money con lacks the direct intimate involvement, aside maybe for one of them, nevertheless this season has gotten some momentum.
Vince Vaughn fits the shoe of mafia boss Frank. The material gives him ample chance to showcase the moderately antagonistic role, but it's not just from the script. He displays appropriate mannerism and even his visage is slowly getting wearier. Colin Farrell as Velcoro also brings his character to life, mostly after getting shot at before.
He seems very detached and lacking any passion, yet he still clings to the case despite everything around him literally crumbling away. Taylor Kitsch is still a bit fickle. He has more spotlight this episode, even paired with Rachel McAdams since Velcoro is injured half the time, but he still looks like a tag-along. His back story is slowly revealed, yet it's not as intriguing as the others'.
The cinematography takes the series into multiple environments this time, from exquisite manor to downtown slum. It's a good effort in expanding the outlook with each scene presenting unique ambiance. If anything, season two has shown bigger scale.
The case, leaning towards money scam or political angle, might not be that involving, but the myriad of cast works in keeping the interest going through the case and investigation.
Vince Vaughn fits the shoe of mafia boss Frank. The material gives him ample chance to showcase the moderately antagonistic role, but it's not just from the script. He displays appropriate mannerism and even his visage is slowly getting wearier. Colin Farrell as Velcoro also brings his character to life, mostly after getting shot at before.
He seems very detached and lacking any passion, yet he still clings to the case despite everything around him literally crumbling away. Taylor Kitsch is still a bit fickle. He has more spotlight this episode, even paired with Rachel McAdams since Velcoro is injured half the time, but he still looks like a tag-along. His back story is slowly revealed, yet it's not as intriguing as the others'.
The cinematography takes the series into multiple environments this time, from exquisite manor to downtown slum. It's a good effort in expanding the outlook with each scene presenting unique ambiance. If anything, season two has shown bigger scale.
The case, leaning towards money scam or political angle, might not be that involving, but the myriad of cast works in keeping the interest going through the case and investigation.
Did you know
- TriviaWoodrugh's former military acquaintance mentions a place named Al-Hajjarah. The most well known (and most picturesque) village by that name exists in the terraced mountains of the Haraz region of Yemen
- Quotes
Frank Semyon: What's with the water?
Detective Ray Velcoro: Booze tends to take the edge off. I want to stay angry.
- ConnectionsFeatures Detective Story (1951)
- SoundtracksSet Us Free
Performed by Black Mountain
Details
- Runtime58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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