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  • Some of the movies that I find the most interesting are ones that focus on interactions between people from different cultures. "En man som heter Ove" ("A Man Called Ove" in English) is one such movie. The protagonist is a misanthropic, aging man in a neighborhood in Sweden. He spends much of his time telling people if they're breaking the law. But when an Iranian woman and her family move in, this becomes a new opportunity for him.

    In addition to showing Ove's relationship with this new family, the movie uses flashbacks to establish what kind of a person Ove is. And believe me, there are some shocking things that happened in this man's life. I had never heard of the director or cast members before watching the movie, but I'm impressed with their work (including the cat). The movie has some clever scenes, but also makes sure to emphasize the characters' relationships with each other. I hope that Hannes Holm continues to make this sort of movie, and I hope to see Rolf Lassgård in more movies. Bra gjort!
  • Things have gone on for too long and it must end, those who break your rules you just cannot defend, so it's time to say goodbye, join your lady in the sky, but even that's starting to drive you round the bend. But then a woman and her family appear, Parvanah scythes and cuts, through all of your past tears, helps to bring some perspective, and the courage to forgive, so when the time arrives there's nothing to be feared.

    A truly wonderful tale of a cantankerous old man who manages to fondly reflect on the lost love of his life while being inspired by a new neighbour who breaks his outer shell and reveals a generous and kind, larger than life heart. Great performances all round but especially from Rolf Lassgård, who is and will be forever unequalled, unmatched and peerless in the role.
  • osonder26 December 2015
    This is a beautiful movie that I warmly can recommend. Rolf Lassgård is acting great as always. This is a movie that will make you laugh and cry. The film is based on a book. I have not read the book, but my girlfriend had. She said that the movie was very good, and the story was well told. The movie have some actors that I have never seen before, but they all act good, and is lifting Rolf's role very well. I can warmly recommend this movie. I guess the movie will fit for all adult people (from 15 to 100 years old), and the movie make you have some thoughts, when the credits roll over the film at the end. I will not write any spoils here. See it for yourselves.
  • I've watched A man called Otto (2023 movie) and then the day after i've watched this one (the original) and I dare to say that this one is better! Why? Because in this movie all makes sense, including why the main character likes or dislikes certain things (wont go in depth as I dont want to spoil it for you) but I highly recommend this movie even if you've seen the remake from 2023.

    The characters and actors are like one and I've felt that I was watching real life footage and not so much a movie on my laptop.

    This is 10/10 movie - no questions asked! Bear in mind that i've watched the movie with EN subtitles and still loved it!
  • This movie is about an old man that appears to be grumpy. The story gradually reveals his back-story in a masterful way to explain his behaviour that will probably change your opinion of the main character.

    I can honestly say that I have never before felt such a strong connection to a character in a movie. This is an absolute masterpiece.

    The directing of the movie is also great. It's easy to understand who is who and when a flashback occurs even if you have not read the book.

    The greatness of the movie will be most appreciated if you understand Swedish, but even if you depend on subtitles it will still be a gem that you should not miss out on.

    I am very conservative with rating movies 10/10, but this one I think truly deserves it!
  • "A Man Called Ove" (2015 release from Sweden) brings the story of 59 yr. old Ove. As the movie opens, we see him bickering in a store over the price of flowers on his way to visit his wife Sonja's grave. Not long thereafter, he is given the boot at work, after a 43 yr. career in train maintenance. This leaves him with plenty of time to do the rounds of the small (and traffic-free) community where he lives. Then a young family moves in across the street, not knowing the many strict rules of the community. All along, Ove can't wait to join his beloved Sonja in the hereafter. At this point we're 15 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: first of all, if you have seen the trailer, you are probably expecting something along the line of that other recent Swedish movie, the funny and irreverent "The 100 Year-Old Man Who Climbed Out the Window and Disappeared", as certainly the trailer gives that expectation. Let me stop you right there, as "A Man Called Ove" turns out to be almost nothing like it, and in fact I will say that the movie's trailer is outright misleading. "A Man Called Ove" certainly has some funny moments here and there, but in fact deals a lot more with how someone deals with facing life without a dearly beloved significant other. The movie cleverly looks back at the budding romance between Ove and Sonja in a number of flashbacks, and it's not until the very last 15 min. that we get the full picture. (During one of those flashbacks, we hear Demis Roussos' "Forever and Ever" in the background, which I literally hadn't heard in decades. That guy was HUGE in Europe in the 70s.) The movie also looks at the importance of neighbors and the immediate community (and even integration of migrants, as the wide of the young family fled Iran and is now completely fluent in Swedish). The movie that came to mind as I was watching this is Clint Eastwood's "Gran Torino" of a few years ago. Indeed, certain parallels are uncanny (grumpy older guy, love for cars (in "Ove" it's a Saab), dealing with personal loss, adjusting to new neighbors, etc. Rolf Lassgard is outstanding in the title role, and kudos also to Barar Pars as the young wife from Iran.

    "A Man Called Ove" opened with little pre-release fanfare at my local art-house theater here in Cincinnati. The Friday early evening screening where I saw this at was attended very nicely, somewhat to my surprise. So much the better! If you are up for a bittersweet Swedish movie about an older gentleman's adjustment to a new world, I think you will like this quite a bit. "A Man Called Ove" is worth checking out!
  • When accepting the Best Foreign-Language Film award for Parasite at the 2020 Golden Globes, Director Bong Joon-ho said, "Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films."

    The reason why I bring up this quote is that there are many great films that just happen to be in a different language. This shouldn't be a detriment to the viewers. After all, there's a reason why we say we're watching a movie, instead of listening to it or reading it. If one looks past the subtitles, they will be able to access more excellent flicks. A great example of this is the 2015 two-time Oscar nominated Swedish movie "A Man Called Ove" due to the simple and effective translation of the book of the same name by Fredrik Backman to the screen.

    Since 2012, the book has achieved popularity and retained a cultural legacy in the world of literature due to the deep and simple depiction of a curmudgeon finding ways to heal with the unlikeliest people in the unlikeliest ways. Director and writer Hannes Holm understood this when adapting this through various aspects like cinematography, the transitions, and where to place the big emotional beats. The look of the flick involves drab and bright colors, but they are used as a reflection of Ove's state of mind. In the beginning of the movie when Ove (played by Rolf Lassgård) is inspecting the neighborhood and later whenever he feels depressed, there's a blue tint that clouds the environment. Then, whenever he helps someone like the new neighbors, it brightens up. While this can come off as an obvious way to show how the main character is opening up and healing, it's not blasted into the viewers' faces because Holmes always ensures that the focus is on Ove and his thoughts.

    Another element that works beautifully in the film is how it transitions into the flashbacks. Because the novel heavily relies on the stream-of-consciousness device, the movie utilizes this whenever Ove tries to take his own life. Specifically, it flashes back to various moments of Ove's past that get triggered through a variety of things like a conversation with Parvaneh - the pregnant Iranian neighbor (played by Bahar Pars). Then, these thoughts get interrupted when someone needs assistance. Even though I don't remember how the suicide attempts are depicted in the book, they are portrayed somberly in the movie, while the interruptions are more comical. Granted, these scenes can become predictable if the movie was in the wrong hands. Luckily, Holmes makes them into dreams that get disrupted whenever someone wants help. For example, when Ove attempts to take his own life the first time, Parvaneh calls on him to help direct her Swedish husband Patrick as he drives into the neighborhood. As a result, viewers know that someone is going to stand in the way of Ove and his suicide attempts, but the movie is so invested in the flashbacks that it comes as an rude awakening when someone needs Ove's help. This is where the humor comes from.

    While the film has its quirky scenes, it's a tearjerker too, and it's another element that it does well. A lot of the emotional scenes take place during the flashbacks. These include the fire at Ove's childhood home and the bomb that goes off on the bus while Ove and his wife Sonja are on vacation. These are usually placed 20 minutes of each other, which allows viewers to think about what they saw and how it affects Ove in the present day while chuckling at various antics like him teaching Parvaneh how to drive. As much as I like the 1939 version of "Goodbye, Mr. Chips," it tries to wring out tears from audiences every 5 minutes, which gets tiring after a while. Speaking of that film, Sonja is like Katherine since both become the person that the titular characters love the most and are able to turn the titular characters' lives around. The main difference is that Sonja's presence remains constant even when she is not on screen because of how Ove constantly thinks of her. This permits audiences to form an emotional attachment to the character and feel the impact of the stuff that occurs to the two characters. Katherine is only present for 20 minutes in "Goodbye, Mr. Chips," and she is barely referred to after she dies despite Chips truly loving her. As a result, audiences don't feel the impact of Katherine and her influence on Chips in the same way that they do for Sonja and her effect on Ove.

    And now, I must talk about the strongest aspect of this movie adaptation: the performances. All of the actors do a good job of capturing the spirit of their characters, but of course, I have to single out a few of them. The first is Bahar Pars who plays Parvaneh. Pars played her character as pushy and determined but caring, especially when she wants specifically Ove to help her out. If in lesser hands, Parvaneh could become a nagger, which can become one note very easily. This doesn't happen with Pars as she allows the character to display her caring side, especially when she gets to know Ove more. It also helps that Par and Lassgård have good chemistry with each other, which permits the characters' relationship to evolve naturally.

    Ida Engvoll plays Sonja - Ove's wife. She mainly appears in the flashbacks with a younger Ove (played by Filip Berg). Engvoll portrays her as sophisticated, but with a sassy smile and a determination to help others as a teacher. There's also a no-nonsense element to her performance, which makes Ove's attraction to her all the more believable. This is especially true when Sonja out of the blue says that Ove will be a good father.

    As mentioned earlier, Filip Berg plays the younger Ove in the flashbacks. Berg brings kindness and awkwardness to the character, showing how he was before all the tragedies occurred. At first, Anglo-American viewers might think that he might be either George or Fred Weasley from the Harry Potter movies, but his deep baritone voice dispels any notion and matches that of Lassgård's. Both Berg and Engvoll have good chemistry, which make their characters' love for each other more believable.

    As much as everyone performs well in this movie, the strongest one undoubtedly belongs to Rolf Lassgård who plays the older titular character. The way he moves and speaks all embody a curmudgeon, but above all, he makes Ove more into a person that people can identify with than a caricature. Through his performance, Lassgård makes it clear that Ove fears being lonely and without purpose. Over the duration of the movie, Lassgård lightens up on Ove's curmudgeon ways while not entirely discarding them as the character helps others and opens up about his life and Sonja. The best indication of this emotional transformation is Lassgård smiling in the later parts of the movie when he's with Parvaneh or her daughters. Speaking of transformation, I have to talk about the makeup on Lassgård. Both him and Ove are 59 years old, but in the flick, Lassgård is made to look much older. This makes sense as the world has weighed Ove down so much that he has aged more. I didn't even realize that he had makeup on until I looked at actual photos of Lassgård, who has a full head of hair, and Ove has his balding gray tresses. The way that Lassgård is made up looks very realistic, and I can now understand why Eva Von Bahr and Love Larson got the nomination for Best Makeup at the 2016 Oscars. They deserved it.

    In summary, the film adaptation of "A Man Called Ove" proves that great movies can come from other languages because of its deep and simple nature. Holmes truly understood the spirit of the novel and conveyed that in a variety of ways, but the strongest element of the film are performances as it should be with a simple story like this. I can definitely see why the Academy decided to nominate it for Best Makeup and Best Foreign-Language Film at the 2016 Oscars. Like the novel, I recommend the flick to everybody as long as they don't let the subtitles get in the way.
  • I recently listened to the audiobook version of the novel by Fredrik Backman (narrated by George Newbern) so I went into the movie knowing what was going to happen. While this did give me a "comparing" perspective that I wouldn't typically have, I was still able to settle in and enjoy it.

    The main actors are terrific and carry the movie. While he's not exactly what I pictured when listening to the book (Ove is characterized as appearing more physically imposing and less "soft"), Rolf Lassgård really nails the most important role in the film. Bahar Pars, while less is asked of her acting-wise, is equally wonderful in the role of Parvaneh. Other than Sonja the rest of the other actors are forgettable in their roles.

    This movie held up to my expectations for most of the way through, but the ending fell short of the impact that I felt with the book and due to that I'd consider this more of a "good" movie than "great" one.

    In directly comparing to the book there are a number of details outside of the main Ove/Sonja narrative that had to be left out, which of course is expected. What I do feel that the movie lacks is being able to explain the relationships that Ove has with the other people in his life (outside of Sonja and Parvaneh). Some of those are equally powerful in showing Ove's strong moral compass and at the same time explaining why he acts the way he does.
  • One of the best movies I have seen in this decade. The direction is so well done, the sory telling is not linear but efficient. A weird character that ends up gaining your heart. Everything is good or autstanding in this film. Direction, Art Direction. Cinematography, A gem that should be seen by everybody. Congratulations to all the people involved.
  • En mann ved navn Ove (A man named Ove) is a Swedish-Norwegian co-production based on a success novel by the same name by Fredrik Backman, about a somewhat naive and grumpy man of 59, Ove. A railroad working man for 43 years missing his recently passed life companion and wife. Also being laid off at work, he decides to meet her again on the other side, and starts planning his suicide. But things don't seem to go his way this time either.

    In many ways this is a quite typical Swedish comedy drama where some small tragedy is mixed with life and a god portion of feel good. Easy yo love, and to some felt like it has a deeper mission and meaning. And it has, and the film is funny to some extent. When it comes to giving the a serious message, the film loses itself on the way, and becomes a story a bit too far fetched.

    If you don't take these too-far-fetched parts too serious, and with this the over exaggerated moral, this is a quite pleasant watch, though a bit too long for my taste.

    Rolf Lassgård, a classy Swedish actor, makes one of his best roles ever, being the exactly same age as Ove here, but is strangely enough made very strange in the make up, and seemingly much older than he is in real life. It's also strange that people around him is insensitive to this grumpy mans awful behavior. Being so unlovable, there is simply no reason why this man should get so much affection and trust.

    But, then again. This is pure fiction and entertainment. If you are able to see through this, you'll have a good time watching this tale of human relations and understanding.
  • Warning: Spoilers
    The Swedish film En man som heter Ove was shown in the U.S. with the translated title, A Man Called Ove (2015). It was written and directed by Hannes Holm, from a novel by Fredrik Backman.

    Rolf Lassgård plays Ove, a man in his late 50's who has lost his wife to cancer, and lost his job due to redundancy. He is angry all the time, and demonstrates his anger by berating his neighbors, and making everyone stick to the letter of the regulations of the community in which he lives.

    You know something is going to change when new neighbors move in. The husband is Swedish, the wife (Bahar Pars) is Iranian-Swedish and pregnant, and their two daughters are adorable. You can see the end coming right from the start.

    What you can't see from the start is Ove's back story. Life has dealt him some bitter blows, some of them involving deceit by the people he calls "the white shirts." Ove truly loved his wife, Sonja, portrayed very well by Ida Engvoll. Now he has nothing and no one to love, and he takes this out on the world by being a pain in the neck.

    The movie has some funny moments and some tragic moments, and, eventually, they all fit together. The film is well crafted, well acted, and well photographed. It's hard not to like a movie like this. Think about the movie as "It's a Wonderful Life" in Swedish, and without Christmas. Maybe the plot is obvious, but it moves you anyway.

    We saw this film at the truly excellent Little Theatre in Rochester, NY. It will work well on the small screen. It's worth seeking out and watching. (A Man Called Ove has an excellent IMDb rating of 7.6. It's interesting that almost every voter liked it, and both U.S. and foreign reviewers enjoyed it equally.)
  • This was a lovely, conventional film. No, really it's a movie rather than a film. And while Swedish, it reads very conventional Hollywood. Movie comfort food, if you will. Very nice, and a total feel-good movie for all ages. It leaves one feeling all warm and fuzzy. And besides that, well, that's about it. What stays with me? A sad sense of longing for community, so very rare today, especially in the USA.

    Scoring the different elements of the film objectively, 1 to 4:

    Script/Story: 3.5 - nice, well constructed. Loved the fact that flashbacks ride on scenes of suicide attempts. This was a nice, ironic feature of the narrative.

    Cinematography/Visual Effects: 3 - conventional, competently shot. Not much more to say.

    Editing: 3 - See above (heavy sigh -- conventional, competently edited. Not much more to say.)

    Sound Effects: 2 - forgettable, nothing significant here.

    Musical Score: 2.5, at times stereotypical, ie Spanish-y music for scenes set in Spain, etc. Competent, but not significant, which is very appropriate for the narrative structure.

    Performances: 3.5, strong performances.

    Production Design: Sets, Locations, Costumes, etc.: 3.5, production design great, iconic for the area and period feel of the storyline. But an Oscar consideration in hair & make-up, really??? What am I missing here?

    Would I recommend this movie to a friend? Of course, total movie comfort food! Sweden's Terms of Endearment or Forrest Gump or . . .
  • The movie doesn't do the book justice. I believe the adaption could have been done a lot better. The movie leaves out a lot of crucial scenes that explain why the main character behaves the way he does. The script is also plagued with a problem that is common in Swedish movies. The fact that the dialogue becomes too theatrical and not ringing true.

    Generally I felt that the acting was sub par. This is somewhat related to the problem with the dialogue; you feel like you're watching actors rather than characters. However, Bahar Pars, Ida Engvoll and Rolf Lassgård were the exceptions. They all did a pretty good job in my opinion.

    However, although I felt the movie lacking in a lot of areas, the story is pretty good. But I recommend reading the book before seeing the movie, as the book, in my humble opinion, is a lot better.
  • one of you guys may wonder why I am writing a review of this movie now. Im in South Korea so this movie didn't came out in cinema yet. nevertheless, I was waiting for this move after I got to know people seemed to love a book. Luckily, I got a preview ticket and could see it last night.

    I was kinda expecting this was gonna be good because I checked IMDb reviews for this movie said this was worth to see. I enjoyed this move a lot more than I expected. I like a fan of movie having good story line more than spectacular SF or CG scenes. To be honest, I love watching great nature scenery so it doesn't need to have a good story line.

    You can find about this movie's story line easily here and somewhere. so I don't write about movies much. I want to tell you why I loved this move a lot. First of all, Main character "Ove" acting is so excellent and involving. and his wife ensembles his character so adorably. Many scenes of his reminisces are very touching and got my eyes watery.

    I had thought to myself how it could be sad to lose a lifetime partner. and how it could be happy to get a woman I truly love. Someone can truly change your life.

    Characters and places in this movie were very restricted so it can be boring if you expect a very entertaining movie. If you go for movies that can give you a thought, definitely this will be for you.
  • This is a Swedish film based on the book of the same name. It is sent to represent the nation at the 2017 Oscars and as for now, it made into the December shortlist. This is the tale of an old grumpy man and the life after the death of his wife. That would be a toughest phase of life for anybody. I am sure you had seen many films like this, but this one was slightly different, yet totally convincing on every topic it focused on. So funny, at a time meaningful and emotional, particularly how the tale ends.

    In a small township, a 59 year old man called Ove lived most of his life and now he decides to take his life. But the attempt was prevented when a new lousy neighbour arrives and so it keep delays further. Now's the time to reveal all the reasons behind his dreadful decision with lots of flashbacks and current affairs. That he's a nightmare in his neigbourhood to those who break the rules. He's not a friendly type, because of his childhood and the lessons he learnt from his father to face the life as tough it gets.

    The only friend he ever had did not last for a long. His wife was his world and then the job at the railway. The narration given a good enough focus on his romance life. His younger version, played by another actor reveals particularly the initial stage like how he had met her. I don't know these actors, but they all were so good. A perfect setting as well for the story to take place. I think the filmmakers did lots of best decisions and in the end it all paid off with a greater recognition in the international level.

    "Honesty is the best thing, Ove. But sometimes honesty needs a little help."

    A heartwarming comedy-drama for all age groups. I was looking for such a film and I realised only after watching it. The character Ove was designed awesomely and all the story events built around him was excellent. Covered most of the topics like friendship, love, neighbours, job, moral values, even the pet animals. Loads of fun, guaranteed entertainment if you are seeking a comedy film. As Ove was portrayed very seriously, all his actions, especially the newly arrived woman make major difference to end the film most comedic way.

    The regularly visiting his wife's grave, the film beautifully gives an insight on the life of Ove being a widower and a retiree. But also how it all turns around for him who never laughs and finally he does, was the film's highlight. Like I always say, I'm not a book person, but I love watching films based on the good books like this one. An awesome adaptation and I hope those who loved the book, as well enjoyed the film.

    Usually all the good films run nearly or over two hours. Because of the slow and steady developments in its characters and the story. For this film, you won't notice the time. The pace of the narration, including the lovable characters and the storyline makes you forget everything else. In a few days the 89th American Academy Awards nominees will be announced and I am sure it will make. Looks like this year, three Scandinavian films going to make the noise at the Oscars. In the meantime, I hint you not to miss it, either it wins or lose, it is one of the best films of the year around the world.

    8/10
  • Warning: Spoilers
    I do have to say that I expected a bit more of this movie. It tells us the story of a rather grumpy old man that is isolated within his neighborhood and plans to bring his life to an end but is stopped by his own pedantry and a new set of people that bring a necessary chaos into his ritualized life.

    While the plot itself surely has potential, at the same time it is not something you have never heard or seen before. Movies love to show the warm heart in otherwise cold characters and elder people are always a good target for that because they already have more stories to be told to explain how their bitterness appeared.

    In this case, everything seems just a bit over the top. How every time he attempts to commit suicide something happens out of the blue is probably supposed to be of comical value but somehow just appears to be unrealistic. At the same time many of the characters seem a bit stereotypical or at least one-dimensional.

    It is a warm film though, with a warm message and it is never wrong to have some more of those. I did feel sympathy for this old man with his cat and his wife, and I did feel touched by their accident and so it surely makes some things wright. That it teaches tolerance, among cultures as well as along sexual orientations, is also a very positive point.

    All in all it is a warm film that doesn't harm anyone but the cold-hearted, but there are better similar ones existing.
  • psoilander7 January 2016
    This movie is one of the better with Rolf Lassgård. To choose write this in English is a bit idiotic, if I choose to retain a bit from the spirit of the film. Everyone should write in Swedish!

    You can tell a lot about a movie that does not take up much more than everyday events where most of the accident comes from Ove's life. Somehow Lassgård grasps the classic silence with deep melancholy traits that are often found in our northern latitudes. He uses all his (big) body language to express emotions which makes him to a brilliant actor.

    Because children have a special role in the film, there is probably nothing in the world that can make a movie beautiful in itself. Lined up with grief and death the moments sometimes becomes strong. A dark wintry Thursday evening in a crowded movie theater there were many who shed tears.

    There is also a clear generational perspective in the film too. The generation born in 1940th's are retiring and leaving earth on natural reasons. Of course it feels bitter. But also the world they left with their differences are a bit odd in our eyes. Who care about car brands today?

    The new Swedes that blooms up with immigrants. Also the touch of our sometimes stupid and heavy mentality that smooths out cultural differences.

    The beautiful hope that exists in our country.
  • proud_luddite21 August 2023
    6/10
    Mixed
    In a Swedish townhouse community, Ove (Rolf Lassgard) is a long-time resident who is recently widowed. His grief only adds to his grouchy attitudes toward people who don't follow his standards of community living. His new neighbours are a young mixed-race family co-lead by Parvaneh (Bahar Pars), a pregnant immigrant from Iran.

    Some of the best scenes in the film are those told in flashback as they explain how Ove developed such a negative attitude. The story (screenplay by Hannes Holm based on the book by Fredrik Backman) has a clever way of making us curious about finding the pieces of the past with various hints in the current story; and then satisfying our curiosity once such events are revealed in the parallel flashback story.

    Parvaneh's character is a bit of an anomaly. She can sometimes be annoying and take Ove for granted. Yet, the story seems to imply that she is there to "humanize" him. This might have worked better if her character had been more developed. Instead, too much time is spent on other subplots, sideshows and other characters that end up overcrowding the narrative. Some of the subplots also seem to be resolved unusually quickly.

    There seem to be messages like "you can't go through life alone" and themes of 'community values' which may be noble but their repetitions become didactic and annoyingly obvious and sentimental. Other themes work better such as the recurrence of administrators-from-hell ("whiteshirts" as Ove calls them), the insensitive bureaucrats that we can all recognize: Satan in multiple human forms.

    The conclusion is touching as it makes us have a better understanding about people who appear grouchy. Also, Lassgard gives a fine performance. But overall, the movie was rather mixed. The dramatic scenes are much better than the comedy scenes. - dbamateurcritic.
  • Warm dramedy "A Man Called Otto" is a gem, but the original it was based on (2015's "A Man Called Ove") is EVEN better - pure, clean & perfectly naturally charming (epitomising Sweden, where it hailed from). Rolf Lassgård excels as the titular curmudgeonly old widower trying by constantly interrupted suicide attempts to join his recently deceased wife (Ida Engvoll in flashback, with Filip Berg as young Lassgård (both excellent))... until the persitent (tho not saccharine) camaraderie of neighbours like Bahar Pars (and family) wear him down, and bring out his best (again). Writer / director Hannes Holm played an absolute blinder - even out-doing his Hollywood remakers.
  • Scandinavia always surprises us with different movies and with very peculiar story lines. Based on the bestseller book by Fredrik Backman, En Man som Heter Ove (original title), or A Man Called Ove (in English), tells the story of Ove, an old grumpy widower, 59 year old, who despite having been deposed some years before as president of the residents association continues to watch over his suburban neighborhood with an iron fist. Depressed, lonely and tired of the monotony of everyday life, Ove is a picture of a person who has given up everything, including himself. Stubborn, moody, with firm beliefs and rigid routines, his approach to life and negative view of the world are put to the test when a new family moves into the house across the street.

    To talk about old age and its dilemmas has never been an easy task, both in real life and on the big screen. Sometimes it seems that society wants to avoid or forget it, as if it was a distant drama to which we will never live or witness. Thus, it is common that actors with advanced age only interpret supporting characters, with roles that are far from the narrative's focus. However, when they had the opportunity to star in the leading role, they gave birth to great characters and great films. Among them are: Make Way for Tomorrow (1937), Umberto D. (1952), Ikiru - To Live (1952), Smultronstället - Wild Strawberries (1957), Cocoon (1985), Börn Náttúrunnar - Children of Nature (1991), Grumpy Old Men (1993), The Straight Story (1999), Elsa y Fred - Elsa & Fred (2005), Gran Torino (2008), Amour (2012), Nebraska (2013), 45 Years (2015) and the animation Up (2009).

    With a sincere, poetic and humorous story, the Swedish writer- director Hannes Holm (known for Adam & Eve - 1999, Klassfesten - The Reunion - 2002 and Himlen är Oskyldigt Blå - Behind Blue Skies - 2010) addresses a sensitive issue in a subtle way. Humor is one of the key parts used in the process, being present at various times throughout the film. But we are also exposed to sad and tough situations as the story unfolds.

    The action takes place both in the present and in the past. At first we are introduced to the older version of Ove, played by Rolf Lassgård (known for Jägarna - The Hunters - 1996, Under Solen - Under the Sun - 1998 and Efter brylluppet - After the Wedding - 2006). From the first impressions we encounter a guy who is rough, irritating, without kindness and also is the terror of his suburban neighborhood. He daily patrol the streets and sidewalks in search for irregularities and breaches of rules, which must be followed rigorously. Subsequently, through the use of flashbacks, we are introduced to his child version (Viktor Baagøe) and younger version (Filip Berg, known for Ondskan - Evil - 2003 and Odödliga - Eternal Summer - 2015). Thus, gradually, his past is revealed, explaining his current behavior, which makes us reflect and reassess our views on the main character.

    The film deals with current concepts and issues such as immigration, globalization and changing values ​​over generations. Parvaneh, played by Bahar Pars (she acted in När Mörkret Faller - When Darkness Falls - 2006), has Persian origin and is the woman of the family who moves into the house in front of the protagonist. Contrasting with Ove's personality, she is passionate and opinionated, being responsible for bringing heat to the protagonist's cold relations. Parvaneh portrays the case of so many other refugees who emigrate to European countries in search of a better life.

    The identification of the main character with the cars of Saab and the consequent dispute with the cars of Volvo, originally two Swedish brands, represents the nationalism. Ove was from a time when the products (consumer goods) were made within the country. Today, with global value chains and the internationalization of the economy, the goods have no borders and brands have become global. Half of Saab was bought by General Motors in 1990 and the remainder in 2000. In 2012 the company was purchased by China National Electric Vehicle Sweden AB. As for Volvo, in 1999 it was sold to Ford Motor Company. In 2010, Ford agreed to sell Volvo to the Chinese Zhejiang Geely Holdin Group.

    Ove, as a small-town boy, lived in a different type of Sweden and world. Life had a slower pace and independence and manual skills, such as carpentry and mechanics, were more valued. The difficulties of the younger generation are expressed, for example, in the lack of interest and patience to read manuals or in how a simple installation of a washing machine becomes a challenge.

    Apart from the excellent performance of Rolf Lassgård in the protagonist's caricatured role, the soundtrack is a treat apart. Engaging, it is captivating in the patrol's moments through the neighborhood and it's sentimental in the drama scenes. All the production work was very well done, from the cameras, photography, to the costume through the ages. Here we have to highlight a weak point in the script and direction. Although the first half of the film is great, as the story develops and its message and meaning are revealed, the director hastens to complete the book's plot and the movie loses some of its strengths in the second half. Some narrative links should have been better developed, as the change experienced by the main character and how the local community see him after that. As a final message Holm points out that life makes more sense when is shared with others. The film had potential to be much more than it was.

    Originally posted in: https://vikingbyheart.blogspot.com.br
  • This Swedish original is a great movie, so much better than the American remake "A Man Called Otto".

    I usually don't like to read subtitles through an entire movie because it distracts you from watching the actors and the scenes, but in this case it was very well worth it.

    This original had much better acting, better and more in depth character background, and the car manufacturer battle was hilarious. The remake did a very poor job in all of these areas, especially in the acting sense. The character were very relatable and realistic.

    If you can only watch one version, watch this one, if you plan on watching both, watch this one last, as you will appreciate both of them much better.
  • "That's not a dog. It looks like a winter boot with eyes." Ove (Rolf Lassgard)

    The titular curmudgeon (Rolf Lassgard) of A Man Called Ove, a film adapted from the Swedish best-selling Frederick Backman novel, can put down a dog and a human with equal verbal vinegar while hiding an unusually big heart. Yes, I know, the gruff-exterior and warm-interior motif, practically a staple of black comedies, is operative here but with an understated whimsy so as to make it fresh.

    With an eye on the Swedish penchant for order and its legendary liberality, this amusing and tender tragicomedy tells of a 59-year-old loner, who six months ago lost his luminous and loving wife, Sonja(Ida Engvoll), receding deeper into his already considerable introversion. Yet, writer- director Hans Homme carefully crafts a recognizable stock grump (think Jack Nicholson in About Schmidt and Bill Murray in St. Vincent), who becomes as close as he is able to his opposite, the dynamic and loving Iranian, Parvenah (Bahar Pars), and youths, and seniors who are recipients of his begrudgingly good deeds.

    It would be understating the complexity of this obsessive compulsive, "nit-picking obstructionist" to say he is simply converted into a good guy because to the end he remains grumpy, although he is readier than ever to dole out his reluctant charity. His eccentricity is nowhere more evidenced than in his dedication to his Saab and disdain for Volvos and their owners.

    Per usual, though, that disdain for his Volvo-owning friend, Rune (Borje Lundberg), transforms into a caring companion in Rune's later, debilitating years. His care for local youths and their bicycles and love challenges is typically deep while appearing hostile. The film uses flashbacks throughout to highlight Ove's romanticism that hides as an adult in an old man's grouch.

    His OCD personality defends even the most benign condo-living rules: "The dog must stop peeing at our place." Ove is an eccentric whom you will love by the end of the film. After all, you just need to put an "L" on his last name.
  • Ove is a cranky old dude who has good reason to be so, given the hand life has dealt him. "A Man Called Ove" is a film about understanding that people's behavior takes place in a context that we will have a greater or lesser understanding of depending on how well we know that person's history. It's a message I appreciated, but the package it's wrapped in is a bit twee and saccharine for my taste. The film works overtime pushing emotional buttons, especially in its last 20 minutes or so, when what it really needed was some good old-fashioned Scandinavian austerity.

    Grade: B
  • I will admit that my opinion of this is severely impacted by the fact that I read this book shortly before watching the film adaptation. I absolutely loved the book. Then I watch the film and it seems like they made subtle changes to some characters, more significant changes to others, removed some parts of the book entirely and changed things around that, in my humble opinion, would have been much better left unchanged. The film failed to reach the same emotional level and love for the characters that the novel left me with. As a result, I found the film very lacking in many areas. I can only assume that those who rated this so highly did so without reading the book. So if you've not read the book, this may be a great film. If you've read it, prepare for not a small amount of disappointment.
  • Warning: Spoilers
    Definitely one of the must-watch films of your life!

    This movie is definitely in the top 100 must watch films in the entire world. At least, it is for me.

    It's a simple story of what life has to bring and how one handles it. It makes you realize that there is a reason for everything. There is a reason why this person is happy, why that person is grumpy and why the world is how it is. We all have our stories. A man's true character is not measured by mere first impressions. It is through opening ones' book slowly, reading the story and being a part of it.

    There is nothing more I can say than, "Just see for yourself."
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