Childhood's End

I've read Arthur C. Clarke's Childhood's end so many years ago that I've managed to forget about it till this show came out. I was excited to see how this novel will be converted to television, but i've managed to contain my excitement, because the producing network was Syfy, a network known to me for it's mediocre half baked endeavours.

Alas, I was not wrong. It's like the producers were afraid of taking risks, so they used a well tested formula to generate a bunch of generic characters with generic backstories. Resulting in a parade of melodrama infused into Arthur C. Clarke's Childhood's end universe, it almost feels like a soap opera with spaceships.

Perhaps I'm being too harsh, it's a decent enough show, if it weren't an interpretation of a beloved novel, I might have even thought it was pretty good. Unfortunately the producer's lack of creativity made it hard for me to enjoy.

I have read and loved the book long time ago so was excited to see this production. It is uneven and has a bit of missed potential but still worth a viewing.

Part 1 - 8/10 Has all the elements of good sci-fi and took a decent take on the marvelous Arthur C Clarke novel. It had philosophical issues, clever dialogue ("you are my world'), situations and good visual effects. It had both emotional resonance and distance

Part 2 - 7/10 Starts brilliantly with the boy now being an astrophysicist and the appropriately chosen Imagine song (Eva Cassiy version of John Lennon masterpiece) with the visual montage and narration at the beginning that are as idyllic as the utopia it portrays. It falters with the introduction of a new family and their problem child. It focuses too much on religion and starts to become too much like the Exorcist, Stigmata, Da Vinci Code or any movie too focused on Devil/Evil parables and paranormal. The bond between the astrophysicist and his friend is great and their acting. The setting in he South Africa party is also a good ambiance. The Overlord powers are downplayed here versus part 1 when their power is almost infinite. The line that humans are deceiving themselves (in answer to the part 2 title) is priceless! Some good moments to be had with a few faux pas.

Part 3 - 7/10 Has a good relationship angle between the astrophysicist and his girlfriend as well as his/their journey. The love triangle with the main character continues to be well written and acted. The ending is strong in the way that it is daring and unexpected, however the whole children aspect is played out rather poorly in my view. A fitting ending but that could have been done much better with more dramatic tension and better screenplay. The last video-recording of the scientist feels out of place and scope. Pop tarts? Pop art?

Almost.

Science fiction meets religion meets the universe in an unlikely tale that is Childhoods End.

Based on the work of science fiction writer Arthur C Clarke this mini series melds notions of science and religion in a clever apocalyptic tale of human evolution.

Irrespective of whether you like Clarke's work (I personally find him a little too abstract at times) or not, this is a polished series. The premise is well established and the narrative, for the most part faithfully follows Clarke's imaginings.

I personally found this series oddly touching. It taps into the essence of what it means to be human. To be loved, to be remembered, to exist. The choice of cast is spot on. There are some very good actors who commit their talents to this series.

Is there a downside? This is one of those instances where it really depends who much you like or dislike Clarke's work. Unlike 2001 A Space Odyssey, which bored me to tears, this series kept my attention and held it. Its a very human drama as much as its science fiction.

I give this series an eight out of ten. You can make up your own mind.

I will try very hard not to spoil anyone's enjoyment of the first episode. (Incidentally, the introduction in the Kindle version of Childhood's end -- and probably the latest print edition as well -- includes a major spoiler, which is a criminal act. Should you buy the book, skip the introduction until AFTER you've read the book and/or seen the series.) As other people have said, the premise revolves around some apparently benevolent aliens who invade, declaring an end of war, hunger, climate change, hatred, and the other banes of 21st century society. Most people love the idea, but pockets of opposition rise up from people who feel threatened in one way or another.

The twists and turns in the plot are complex, complicated, and often subtle. The surprise is that the series manages them very well.

The script was quite remarkable, adapting the 60-year-old novel and weaving its complexities more deftly than I had expected. The romantic aspects were largely invented for the series. Like most of Clarke's science fiction contemporaries, 20-something "boys" in the science fiction world were geeks (we called them nerds) who had little understanding and less experience with "girls". Simple ignorance explains why they had so few strong women characters. The film version brings the story into the present and at least attempts to restore the balance.

Many factors worked against this film. The film is visual to some degree, but it is mostly dialog and atmosphere. For some of us, it was an amazing novel that raised some provocative questions and didn't answer them. For me, when I heard that someone was turning the long-loved book into a movie, I reacted with skepticism, uttering my mantra over such things. It would be good or it would be terrible. It was unlikely to fall anywhere in between.

I suspect it was a difficult film to sell to advertisers -- the lifeblood of the industry. There was a lot of mystery and adventure, but little or no pyrotechnics. It might not draw a sufficient audience to justify such ambitious projects. I noticed a large number of house ads and station promos in the breaks instead of paying commercials. To the credit of the producers, writers, and director, they didn't compromise the material to draw a bigger audience. As a result, the story takes time to unfold, and some audience members might not be patient enough to stick it out. But if you want to see a genuine attempt to put a seminal and unconventional novel on the home screen, give this a try. It isn't perfect, but it was well worth the effort -- and it's well worth your time.

This is a vision of a first encounter. In that the show succeeds brilliantly. If one were only to watch the first episode then one could be quite satisfied. I was. It was foolish of me to want the second episode so soon afterward. The second episode starts meandering into the realms of predictable, that is, all is not what it seems. The third episode does not satisfy. The viewer is left wondering why all sorts of things are happening and it's a huge why all the way to the end. It needed science to back the fiction, to join the dots, and for me, as a lover of science fiction, it fell short.

I think it's an important compliment to the overall canon of science fiction shows out there, after all, it was originally quite a good book. The photography, editing, acting and so forth, including the effects, all are done extremely well. There is a love story as well but we never understand how that is relevant except in a very loose way if one compares the fate of the lovers to the fate of the world. Again, a huge why? In fact fate, as a theme, seems here to be very close to what others would see as plot holes. I understand the higher message the show is aiming for and it's OK as science fiction, but it was cruel to expand what is basically a poetic idea suitable for a paperback into over three hours of visual drama. Two hours with less irrelevant flashbacks and a brave stab at an evolutionary science explanation for that 'why' would have improved everything.

I'm not in agreement with those that say this show didn't follow the book and that is what is missing. I read the book at least forty years ago but it couldn't have been all that bright as I only remembered the initial theme, the arrival.

It's definitely not a rip off, but I think there are lessons here. It's not far off the mark and if the people behind this production move on to another science fiction theme then I certainly will want to see it .