Ouija: Origin of Evil (2016)

PG-13   |    |  Drama, Horror, Mystery


Ouija: Origin of Evil (2016) Poster

In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business by inviting an evil presence into their home, not realizing how dangerous it is.


6.1/10
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  • Elizabeth Reaser and Lulu Wilson in Ouija: Origin of Evil (2016)
  • Henry Thomas and Lulu Wilson in Ouija: Origin of Evil (2016)
  • Parker Mack and Lulu Wilson in Ouija: Origin of Evil (2016)
  • Annalise Basso in Ouija: Origin of Evil (2016)
  • Henry Thomas in Ouija: Origin of Evil (2016)
  • Lulu Wilson in Ouija: Origin of Evil (2016)

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3 January 2017 | Matt_Layden
7
| This prequel has no business being as good as it is.
This prequel has no business being as good as it is. The first Ouija film came out in 2014 and quickly faded away into obscurity. So imagine my surprise when they decide to make a 'prequel' of all things. I hunch is that The Conjuring films have been pretty successful and they are set in the 70's, when things were a little creepier, no cell phones and genuine scary aesthetic. Imagine my surprise again when up and coming horror filmmakers Mike Flanagan was the man behind the camera. The underrated mirror horror flick Oculus and deaf home invasion flick Hush were two of his recent outings. Things were looking not too bad for this flick and to top it off, it received some pretty decent reviews.

Alice and her two daughters run a scam business in which they "speak to the dead". The mother justifies this business by telling her youngest daughter, Doris, that it helps people move on and get closure. When her eldest, Lina, plays the new Ouija boardgames at a friends house, she tells her mother to incorporate it into her act. She does and things take a sinister turn when they scam becomes reality.

It's hard to make a game board scary. The first film tried, failed and this one tries and succeeds for the most part. Any non-horror fan might balk at the idea that this film is good, but I consider this movie to be one of the most underrated flicks of the year. Flanagan knows how to build solid tension and he doesn't rely on cheap scares or an obscene amount of gore. This film has none of that. Careful framework and lighting is all he needs to create an unsettling atmosphere. Whenever someone decides to look through the ouija glass piece, you feel yourself tense up expecting something to happen.

Kids in horror films are the go to for anything scary. Most movies tend to cast children horribly and they end of ruining the film. Doris, played by Lulu Wilson delivers an innocent and somewhat chilling performance as the youngest daughter. Her goodbye message to a young boy about what it feels like to be strangled to death is an excellent scene to send chills down your spine. No scary images, sounds or blood needed. Just a child delivering one monologue about suffocating you.

Obviously the film is far from perfect, but it doesn't cater to the happy ending crowd either. It takes some chances and for the most part, lands them. I was surprised by how much I liked this film, which may be why the rating is higher than what others would tend to give a film like this. Had the first film never existed, this would be a bigger hit.

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