The series follows the conflicts surrounding the new money Russell family and their old money neighbors, the van Rhijn family, in 1880s New York City high society.The series follows the conflicts surrounding the new money Russell family and their old money neighbors, the van Rhijn family, in 1880s New York City high society.The series follows the conflicts surrounding the new money Russell family and their old money neighbors, the van Rhijn family, in 1880s New York City high society.
- Won 1 Primetime Emmy
- 5 wins & 59 nominations total
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The show is set during the era of the so-called 'rober barons'...incredibly wealthy men who made huge fortunes no matter what the cost to their poor employees. But the program doesn't center very much on these poor but the rich, their friends as well as their servants. The vibe is very much like "Downton Abbey" and it's written by the same man. Overall, a very satisfying and beautiful program which will likely have you longing to see more.
I really loved watching both seasons (up to now season three has not yet been released) and was ready to give the show a 10. But it is, at times, a bit predictable...but also incredibly unpredictable (such as the finale of season two). The predictability are many of the romantic relationships (particularly of the lead)...but considering how rich the characters are, I'll cut this some slack.
I really loved watching both seasons (up to now season three has not yet been released) and was ready to give the show a 10. But it is, at times, a bit predictable...but also incredibly unpredictable (such as the finale of season two). The predictability are many of the romantic relationships (particularly of the lead)...but considering how rich the characters are, I'll cut this some slack.
The Gilded Age is extremely well written and acted. The sets and costumes are absolutely top notch. The storylines really draw you in and keep you there through the whole thing. I liked Downton Abbey, which this is in the same vein of, but this is better in some ways, and really holds it's own very well. The only aspect that kind of bugged me was the nonstop racist rants of a small group of regular characters. We get it - they don't like people who don't look like them, and only trust people who look like them. I think we got that message after the first 10 or 15 times. No need to keep repeating it. Otherwise, though, an excellent series, and I can't wait for season 3.
10mbazhome
I'm really enjoying this show. Don't know what took me so long to start watching it, but here it is December 2023 and I've started watching season one. I love period dramas and this one is no exception. Most of the period pieces are British which is great but a New York point of view is refreshing, The best part about this show is that it's not a slow burn. Something happens in every episode. I am so tired of Netflix slow burns where nothing happens and an 8 episode series could boil down to one or two episodes.. This one keeps me interested. I really enjoy the costumes. Wow the dresses are just gorgeous and the homes and furnishings are beautiful. I mean could you imagine having money and living in a time like that.
I've been waiting this for a while, especially since Fellowes mentioned it, I knew the premise could deliver a good show, and so it is. I'm giving it a 7* for the time being for I know it could be an 8 but I will reserve judgement until the end of the season.
Plus, all Fellowes' dramas are slow burners, even Downton Abbey was a bit much at first, there were dozens of characters presented at once, nothing made much sense until episode 3 so I knew what to expect on that regard but I want to make a defense, should that be the word, of this series. Aside of minor mistakes, façades not being the right stone, streets missing small details, the show presents the age rightly, especially one that was written a lot about, and mostly from a women's feud views. The men offer the backside of this, they didn't care about their wives' issues, they make business in between each other and let them manage the social side of their lives.
The show is heavily inspired from Alva Vanderbilt's takedown on Old New York, her bid on becoming socially acceptable agains Mrs Astor's 400, the Knickerbockers. Old ways vs the new way, Americans, especially Newyorkers, finding their footing in the new order where the US was beginning to be a power in its own right, and so, then, of course, the Buccaners, the most famous 3: Minnie Stevens, Jennie Jerome, and Consuelo Vanderbilt, the first 2 ones ran away from NY due to the lack of acceptance their families had, Alva was of a sterner material, first she won at home, and then she placed Consuelo as a duchess in England. Shortly after she divorced her husband, marry the love of her life, and then became an activism for women rights, vote, etc. What a woman, ha!
I also disagree with those who refer to this as woke, luckily is not, Fellowes loves to introduce these "downstairs" stories, and it is going to be one of the lines to go, so I like that, he is also usually thorough when it comes to details, I mean, don't expect seeing Peggy marrying a Vanderbilt or an Astor, he does not play with history on that regard but there will some surprise there for sure.
I hope this one follows its course, it could run for 4 season easily, and more.
Plus, all Fellowes' dramas are slow burners, even Downton Abbey was a bit much at first, there were dozens of characters presented at once, nothing made much sense until episode 3 so I knew what to expect on that regard but I want to make a defense, should that be the word, of this series. Aside of minor mistakes, façades not being the right stone, streets missing small details, the show presents the age rightly, especially one that was written a lot about, and mostly from a women's feud views. The men offer the backside of this, they didn't care about their wives' issues, they make business in between each other and let them manage the social side of their lives.
The show is heavily inspired from Alva Vanderbilt's takedown on Old New York, her bid on becoming socially acceptable agains Mrs Astor's 400, the Knickerbockers. Old ways vs the new way, Americans, especially Newyorkers, finding their footing in the new order where the US was beginning to be a power in its own right, and so, then, of course, the Buccaners, the most famous 3: Minnie Stevens, Jennie Jerome, and Consuelo Vanderbilt, the first 2 ones ran away from NY due to the lack of acceptance their families had, Alva was of a sterner material, first she won at home, and then she placed Consuelo as a duchess in England. Shortly after she divorced her husband, marry the love of her life, and then became an activism for women rights, vote, etc. What a woman, ha!
I also disagree with those who refer to this as woke, luckily is not, Fellowes loves to introduce these "downstairs" stories, and it is going to be one of the lines to go, so I like that, he is also usually thorough when it comes to details, I mean, don't expect seeing Peggy marrying a Vanderbilt or an Astor, he does not play with history on that regard but there will some surprise there for sure.
I hope this one follows its course, it could run for 4 season easily, and more.
This show works as a fantastic fantasy where you imagine yourself as one of the rich and noble of Gilded Age New York.
It's beautifully written, full of colorful characters that each feel as motivated and purposeful as all the others. Their lives are fleshed out and their potential for stories is always taken to its limit.
Even though my own circumstances are about as far from the lives of these people as is possible, the show still managed to get me to feel for and understand the mentality and feelings of all the characters.
Not every sub plot is a knockout and not every interaction is engaging, but it's one of the more consistent writing jobs done in this genre.
Beyond the exceptional writing, it's a beautifully produced show. The costumes on particular are fantastic! Every episode brings a new set of special dresses to admire. And the sets.... Absolutely gorgeous. This is arguably the best show of it's kind in terms of production design.
All around, I wasn't expecting much when I initially turned it on but I was very pleasantly surprised. It's fantastic.
It's beautifully written, full of colorful characters that each feel as motivated and purposeful as all the others. Their lives are fleshed out and their potential for stories is always taken to its limit.
Even though my own circumstances are about as far from the lives of these people as is possible, the show still managed to get me to feel for and understand the mentality and feelings of all the characters.
Not every sub plot is a knockout and not every interaction is engaging, but it's one of the more consistent writing jobs done in this genre.
Beyond the exceptional writing, it's a beautifully produced show. The costumes on particular are fantastic! Every episode brings a new set of special dresses to admire. And the sets.... Absolutely gorgeous. This is arguably the best show of it's kind in terms of production design.
All around, I wasn't expecting much when I initially turned it on but I was very pleasantly surprised. It's fantastic.
Storyline
Did you know
- TriviaCreator Julian Fellowes has said that he hopes to have a younger version of the Countess of Grantham, originally played by Elizabeth McGovern in Downton Abbey (2010), appear in the show at some point.
- ConnectionsFeatured in Jeremy Vine: Episode #5.20 (2022)
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