Focus Features paid $20 million for global distribution rights after a heavy bidding battle in Cannes. This is the highest amount ever paid for a film at a festival.

Although he is known as a fashion designer, director Tom Ford chose to leave the costuming in the film strictly to the costume designer. Not a single Tom Ford product appears in the film, as Ford "didn't want a commercial."

Aaron Taylor-Johnson was cast as Ray Marcus after Tom Ford had dined with Aaron and his wife and longtime Ford friend Sam Taylor-Johnson. Aaron did not think he'd be suitable for the part at all, but over the course of dinner Ford saw a glimmer of something that he found intriguing in Aaron's facial expressions as he recounted a story at the dinner table. He then won a Golden Globe Award for his performance.

Tom Ford personally groomed Aaron Taylor-Johnson's facial hair for his creepy Ray Marcus character.

Often mistaken for each other in real life, Amy Adams and Isla Fisher both play versions of the wife to Jake Gyllenhaal's characters, adding to the dueling nature of the film's storylines.

Laura Linney plays Susan's mother in a flashback scene when Susan was a college student. In real life, she is only ten years older than Amy Adams who portrays Susan.

Based on the book: "Tony and Susan". The book that Edward Sheffield writes in the book is called "Nocturnal Animals" (so the writer chose that title).

Tom Ford edited this film at his London design studio where he would bide his time between his fashion fittings and editing for 4-5 hours daily.

Originally, Tom Ford intended to make two films based on Austin Wright's source material novel: one which departed from the source's original story, and another which stuck to it.

With Aaron Taylor-Johnson's Golden Globe win for this movie, it marked the first time in more than 40 years that a Golden Globe winner in the Best Supporting Actor category hasn't secured an Oscar nomination (however, Taylor-Johnson's co-star Michael Shannon managed to get the nomination). The last time this happened was with Richard Benjamin's win for The Sunshine Boys (1975). Benjamin's co-star George Burns also received an Oscar nomination for Best Supporting Actor, which he ultimately won.

Tom Ford was looking forward to making a comedy before this film, but he has revealed it was so inappropriate that it's possible it will never be made.

Joaquin Phoenix was considered for Aaron Taylor-Johnson's role, but eventually dropped out.

Art references in the film include; a Jeff Koons 'balloon dog' sculpture, a Richard Misrach photograph, a Mark Bradford piece (custom made for the film), an Aaron Curry sculpture and an Alexander Calder 'mobile' all in Susan's home; a John Currin painting in Susan's gallery office. Much of the work came from the director's private collection.

Laura Linney replaced Kim Basinger for the role of Anne Sutton.

Amy Adams and Jake Gyllenhaal have been cast in another project called 'Ezekiel Moss' which would have been directed by Philip Seymour Hoffman. However, the project was scrapped after Hoffman's death in 2014.

George Clooney originally signed on as a producer, but ultimately backed out.

At the art show opening, when the plus-size nude models are shown lying face-down, the first one lies in a pose reminiscent of "Benefits Supervisor Resting", a famous nude painting of a similar sized woman, by British artist Lucian Freud.

Michael Shannon's Best Supporting Actor Oscar nominated performance was the only one in the category not in a Best Picture nominee that year.

Both female leads in the movie are older than Jake Gyllenhaal who was born in 1980 (Amy Adams was born in 1974 and Isla Fisher was born in 1976).

The film cast includes four Oscar nominees: Jake Gyllenhaal, Amy Adams, Michael Shannon and Laura Linney. Shannon was nominated once before, but was also nominated for Best Supporting Actor for his role in this film.

The Damien Hirst "St. Sebastian, Exquisite Pain" is in Susan's office.

This is Jake Gyllenhaal's thirty-fifth film.

Most of the film takes place through the point-of-view of Susan. This includes her physical perception of the characters in Edward's novel while reading it. This would explain why the character of Tony looks like Edward himself which is due to Susan mentally casting Edward's likeness onto Tony.

Some parts of the musical score were clearly inspired in Philip Glass and Bernard Herrmann's style.

This film is the second film written and directed by fashion designer Tom Ford after A Single Man (2009).

Film debut of Robert Aramayo.

When Susan accidentally cuts her finger when she opens the package from Edward containing his manuscript, it's foreshadowing how Edward's novel will ultimately cut deep into her.

In Edward's novel in the film, Tony's daughter's name is India. In the book, Tony's daughter's name is Helen.

In the film, Susan's second husband's name is Hutton. In the book, his name is Arnold.

Though they share no scenes, This is the third film Amy Adams and Michael Shannon have worked in together (following Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016)).

Jake Gyllenhaal and Graham Beckel previously appeared in Brokeback Mountain (2005).

As opposed to being an art gallery owner in the film, in the original book, Susan was a teacher.

Amy Adams' character, Susan, has a daughter (played by Bobbi Salvör Menuez) named Samantha. Coincidentally, in the book-within-the-movie, the fictional version of Adams' character (played by Isla Fisher) has a daughter named India.

Jake Gyllenhaal and Jena Malone both starred in Donnie Darko (2001), though they share no scenes in this film.

This is Amy Adams' third film released in 2016. The first two films are Batman v Superman: Dawn of Justice (2016) and Arrival (2016), respectively.

During the scene where Susan is walking to her office, she walks by a poster that reads "REVENGE" and stops to look at it.

Though, their characters, Susan and Edward are around the same age in this film, respectively, Amy Adams is actually six years older than Jake Gyllenhaal.

Even though they don't share any scenes, this film is the first film that stars Jake Gyllenhaal and Zawe Ashton. The second film is Netflix's Velvet Buzzsaw (2019). Gyllenhaal and Ashton share scenes in that film and similar to this film, Velvet Buzzsaw (2019) also involves the art world.

The inspiration for some of the events in Edward's book can be seen in the flashback scenes. For example when Susan is criticizing Edward's book and telling him he should give up writing she is on a bright red sofa. In the book when Tony's wife and child are murdered they're dumped on a bright red sofa. Similarly when Susan splits up with Edward the scene ends with him standing alone beside a green Pontiac car, the same car driven by the killers in the book.

Tom Ford has established in interviews that the ending is intended to be interpreted subjectively by the viewer. Edward did not show up, either because he still loves her and it is too painful to see her again, or because she gave him the inspiration and strength that he needed to write his masterpiece and move on. It is up to the audience to decide that.

Edward is never seen in present-day. Jake Gyllenhaal only appears as Edward in flashbacks and as Tony in the novel story line.

It's theorized that supposedly, Edward wrote his masterpiece in an attempt to make Susan love him again and then leave her just as she did to him almost twenty years ago.

The color green shows up in crucial scenes throughout the film. This is linked to ill-fated situations. For example: In the "Nocturnal Animals" novel, the car that Ray and his gang drive is green. The car is used to drive Tony and his family off of the road, and kidnap his wife and daughter. When Susan breaks up with Edward in one of Susan's flashbacks, a parked green car is seen in the background as Edward solemnly walks alone. This is the same type of car that Ray and his gang used in his novel. In the flashback where Edward sees Susan getting in the car with Hutton, their car is green. This was after Susan had gotten an abortion without telling Edward and basically coldly cut off contact with him. At the very end of the film, Susan wears a green dress for her dinner date with Edward. He ultimately never shows up, thus leaving her alone and devastated.

During the scene where Susan breaks up with Edward due to her disillusionment over their marriage, he says to her, "When you love someone, you work it out. You don't just throw it away. You have to be careful with it, you might never get it again." This statement foreshadowed Susan ending up in a miserable, loveless marriage with her second husband, Hutton, and the popular ending interpretation, Edward himself ultimately rejecting her when he stood her up at the restaurant when she wanted to meet with him after she finished reading his novel.

In the original novel, there is no mention of Susan aborting her and Edward's unborn child without telling Edward. During their marriage, she never became pregnant by him. However, this plot point was written for the film and it added more depth to the strained relationship between Edward and Susan.

Susan is seen throughout most of the film wearing dark makeup and dark nail polish. At the end of the film, she removes her dark makeup and dark nail polish when she's getting ready for her dinner date with Edward. This symbolizes Susan removing her facade.

Body Count: 7 (6 in Edward's novel and 1 which is Edward and Susan's unborn child)