Casual

The first season of this show was pretty funny and I devoured it. Eventually it kinda fades into the typical dysfunctional family drama but I still enjoyed the characters. Decent show.

I will never understand what posessed me to stick with a show that starts out with three selfish, neurotically cynical and sexually dysfunctional leads, but I did and it really paid off. Casual is a beautifully written series, aside from great dialog and storytelling, the character arcs, both within each season and overall are masterful. The show's direction is nicely cohesive, with each episode's director clearly chosen for that particular episode according to style, emphasis & content. The cast has teriffic chemistry, particularly between the three principals.

I watched all four seasons of Casual over the course of a few weeks, finishing about a month ago. I've been surprised to find the characters (even the ones I still don't like) and their stories have stuck with me like a beloved novel. I can't say that about many shows or even films. Bravo!

Casual stars Michaela Watkins and Tommy Dewey as Valerie and Alex, two adult siblings and Tara Lynne Barr as Valarie's daughter. All three actors are excellent in their respective roles and the writing is top notch. What I think is throwing some off, myself included, is the fact that the characters are not that nice. They are selfish, sometimes arrogant, and superficial, but along the way, we learn to forgive them because they are so damaged. Explanation of plot and characters would be irrelevant as it is a multi story-line arc, so just watch the show.

The main reason why you should watch this, if it suits you, is the style of humour about this Hulu sponsored mayhem that is godsend.

Disclaimer - This is not a spoiler, but an overview of the plot and a review of it.

Self deprecation, insecurities, imperfection - the themes that concern reality as is, portrayed subtly - mocking their own problems, mocking each other, psychoanalyzing each other - and finding comfort in each others' "issues" -- this TV series is a departure from the usual "safe-categories" of themes that producers often invest in.

Bankable for producers? Maybe not. But maybe yes, as well.

The character played by Tommy Dewey - "Alex" and his relationship with his Shrink of a sister, and the interaction of their idiosyncrasies is what got me loving this stuff.

Single mom raising a teen daughter -- Probing the fine line between an intrinsic need for independence and bohemian recklessness("California- here we came?") - almost as if no one "needs to be told" how to live their life -- this TV series with its subtle and "casual"ness about every aspect of a "kind" of life( what a kind), drives home the point and also attempts to predict with an alarming certainty, the future of interpersonal relationships between siblings and between parents and their children.

10/ 10 -- Can't wait for the new episodes. -- Only request the producers and writers to keep up humor intact, tight 'n fresh.

Shows centered around dating are generally problematic because it's hard to empathize with the trials and tribulations of good-looking actors who have highly active sex lives.

This show got my attention in the first two episodes by bucking that trend in a manner I can buy. The protagonist, Valerie (arguably SNL's biggest firing mistake in history in Michaela Watkins) is an attractive divorcée in her late 30's with a sincere lack of confidence in herself. Sure, sex and dating are theoretically easy (her career is a successful psychiatrist proves that point) and obtainable for a woman who's willing to go out to a bar and take the first steps in propositioning a guy but if intimacy is a psychological problem, it can be more difficult in practice. Valerie's discomfort is just visceral which makes her lows relatable and will make her eventual highs (if she gets over her hang-ups) well-earned.

Her adult brother, Alex (Tommy Dewey), is equally filled with psychological hang-ups. He's been more successful in dating than his sister but he has a certain psychological distance from the whole thing. A good move on the show's part is to strip Alex of misogynist vibes: As a guy who wrote the algorithms of the dating site he's using, Alex simply feels that both men and women are overly predictable and that he's gamed the system. The pilot contains a double date (done in secret as Alex and Valerie are carpooling) which contains some relatable and truthful moments while also adding a whiff of comedy (lots of mileage to be mined out of Jill Latiano's fitness freak).

The relationship between Alex and Valerie is one of the stronger sibling portrayals on television at the moment.

Like many Jason Reitman films, this is a film with a blurred line between comedy and drama which isn't so bad considering the show portrays truth to it. One of the few shows centering on romance that's worth watching.

In the pilot episode, he condescendingly a woman for whom dating and sex isn't easy