Can You Ever Forgive Me? (2018)

R   |    |  Biography, Comedy, Crime


Can You Ever Forgive Me? (2018) Poster

When Lee Israel falls out of step with current tastes, she turns her art form to deception.

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7.2/10
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  • Christian Navarro at an event for Can You Ever Forgive Me? (2018)
  • Richard E. Grant and Melissa McCarthy in Can You Ever Forgive Me? (2018)
  • Richard E. Grant at an event for Can You Ever Forgive Me? (2018)
  • Melissa McCarthy at an event for Can You Ever Forgive Me? (2018)
  • Richard E. Grant and Melissa McCarthy in Can You Ever Forgive Me? (2018)
  • Melissa McCarthy in Can You Ever Forgive Me? (2018)

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14 November 2018 | jadepietro
8
| Write or Wrong
GRADE: B

THIS FILM IS RECOMMENDED.

IN BRIEF: Two great performances enhance a true tale about breaking the law.

JIM'S REVIEW: Lee Israel is a down-on-her-luck misanthropic writer who admittingly "likes cats more than people" and drink excessively. No one is interested in her novels, no one cares about her either. She is a sad lonely woman who isolates herself from the world and the world seems to prefer it that way too. Forced to survive, Lee decides that becoming a literary forger, complete with dead celebrity signatures, may actually be a more profitable vocation. Played with total honesty and conviction by Melissa McCartney, she becomes a most compelling character of worth in this fact-based biography, Can You Ever Forgive Me?

Solidly directed by Marielle Heller and with a literate screenplay by Nicole Holofcener and Jeff Whitty that captures the 90's sensibilities very well, the film spends a great deal of time establishing Lee's self-enforced exile from the human race and her get-rich scheme. The storytelling becomes a tad monotonous and is more leisurely paced than necessary. But the true life story of an author unable to cope with the harsh realities of life is always a fascinating subject.

And Ms. McCartney is a wonder, showing the full gamut of emotion. She restrains her great comic prowess and exchanges it for genuine pathos and vulnerability. Never allowing her character to become overly sympathetic or too much a victim, Ms. McCartney makes Lee a pathetic yet shrewd criminal. Abetting Lee is her partner-in-crime, a flamboyantly gay Jack Hoch. Richard E. Grant is superb as her only friend and carefree accomplice. These two misfits become a wonderful tag team and bring much nuance to their well written roles. They are both deserving of award consideration. Fine support also comes from its strong cast which includes Dolly Wells, Stephen Spinella, Ben Falcone, Anna Deavera Smith, and Jane Curtain as Lee's frustrated agent.

Can You Ever Forgive Me? is a nicely honed character study that provides an acting showcase for the talented Ms. M. who hopefully will have more dramatic opportunities in her future cinematic ventures.

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