The Fate of the Furious (2017)

PG-13   |    |  Action, Adventure, Crime

The Fate of the Furious (2017) Poster

When a mysterious woman seduces Dominic Toretto into the world of terrorism and a betrayal of those closest to him, the crew face trials that will test them as never before.


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19 April 2017 | PyroSikTh
| Explosions? Check. Car chases? Check. Good fun? Check.
Fast and Furious 8, completely unsurprisingly, has a story that makes little sense, although it does try, bless it. Dom and Letty are on their honeymoon when a mysterious woman recruits and blackmails Dom into working for her, against his "family". His family, headed by Mr. Nobody and his new, young sidekick, spend most the movie attempting to track him down. This is where the nonsense comes in. Without Brian, and now without Dom, who's going to hold the masculinity of the group (it's obviously not going to be Roman of Tej, let's be honest)? Hobbs enjoys a nice promotion, but for the last hole they bring back Statham's Deckard Shaw, you know, the bad guy from the last movie, who killed a member of their "family" and tried to kill more of them, who they locked away in an inescapable cell several miles underground. Uh, good choice? I guess?

The reason for Dom's betrayal, I have to admit, is actually a pretty good one, although it opens up it's own kinds of problems pertaining to timelines. And despite suggestions from the trailers, Dom is absolutely a reluctant and conflicted accomplice. I feared a complete and utter character assassination, but they actually how manage to drag this premise out of their arse and make it believable. Talking of characters, barring Hobbs' and Deckard's eventually flourishing friendship, integrity's are largely kept intact. Roman and Tej are still the source of the most comic relief in one form or another, although I admit I'm starting to grow tired of Roman.

There's also a number of surprising little cameos from characters both old and new as well, and Cipher's whole plot extends back into a number of previous movies. They seem to put more thought into connectivity and continuity than they do the actual story, but as I really dig these kinds of displays of forward (or backward) thinking, I'm all for it. I got a massive kick out of those cameos and it absolutely enhanced my enjoyment, which was something I never expected to get out of this movie at all.

As is the trend of the franchise now, action sequences are more important than car chases. There's still a prominence of cars here, but they arguably take even more of a backseat than more recent entries. The days of street racing and car worship are long gone. Much of the technobabble doesn't even make sense for petrolheads; "His car must have over two thousand horsepower!" Really guys? There's is an impressive sequence about midway, in the middle of New York, but it's punctuated by a series of carjacks that don't make logical sense. I get Cipher is a good hacker, but how can her and her team of a few hack thousands of cars (that are turned off), and remotely drive them around the city?

That said, oh my god that scene was fun to watch. I don't think I've seen so much mangled metal in a movie before. It's just a sea of wreckage that turns downtown New York City into a junkyard. And this is the Fast and Furious franchise's secret; it takes things that make no logical or realistic sense, sticks a middle finger up, and just creates the most fun-to-watch sequences. Another particular highlight is watching Jason Statham take out an endless wave of bad guys while carrying a baby seat. The choreography is stylish and flashy, with spinning, twisting, flicking and throwing used to such flawless effect that the viewing experience is just, for lack of a better word, fun. Fast and Furious is pure entertainment.

Talking of Jason Statham, he's just hands down the most entertaining character in the whole movie, and Statham's performance is pure action movie gold. Vin Diesel ups his game a little, which is unsurprising considering the amount of screen time he shares with Charlize Theron, who seems to be having the time of her life. She really sticks her teeth into the role, creates one of the most compelling villains of the franchise, and appears to just have a lot of fun with it. Dwayne Johnson enjoys his promotion to second billing and makes sure to make the most of it, while seeing Helen Mirren in anything, no matter how brief, always makes for great viewing. Yeah, this movie doesn't even deserve awards nominations for it's acting, but everyone's on the same page in creating characters that are interesting and entertaining to watch, and no-one offers a performance so bad it becomes unwatchable.

I had no interest in Fast and Furious when it was announced, when the trailer debuted, or even when I got in the car to go and see it. I was bracing myself for just terrible leaps of logic after terrible leaps of logic. While I can't say the film didn't deliver on that, it also delivered pure, adrenaline-pumping entertainment. To some degree I hate saying this, but I also like to judge every movie on their own merits, so my word of advice is to check your brain in at the door. If you think about it too much, you'll just hate everything about this movie, but if you just sit back and enjoy the ride, it's got one hell of a ride to take you on, especially if you're already a fan of the franchise. I give Fast and Furious 8 an entertaining 7/10.

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Did You Know?


Cipher (Charlize Theron) is the first main villain played by a female in the franchise since Fast & Furious 6 (2013).


Plymouth Owner: We swap in parts from Fords... Plymouths and Cadillacs. My grandfather bought it in 1957. When he died, it passed to my father. Then my brother, and now me.
Dominic Toretto: Look at this. This is an engine from a boat.
Letty: No way.
Plymouth Owner: Whatever it takes to keep it running


In a scene where the crew is being chased on the ice, the camera slows down to show bullet casings flying by the camera for cinematic effect. You can clearly see the crimped edges of the casings, revealing they are blank cartridges.

Alternate Versions

The 148-minute Director's Cut has the following additions:

  • In Cuba, there are extra lines by Raldo, especially when he tells that the car that is Dom's cousin is no longer his and reprimands Letty for interjecting. During Dom's race with Raldo, there's extra shots of Letty and Dom's cousin to emphasize they are keeping an eye on the race as well as Dom at the burning cockpit. One of Raldo's men takes a phone call.
  • At the bed, Letty asks Dom whether he has enough faith and would he ride for the world.
  • Roman calms Letty after she confronts Ramsey.
  • Dom finds it amusing for Cipher to watch everything from 30,000 feet. There's also an extra line by her describing him: "That engine. That open road. Being free."
  • In the prison block, Hobbs' sexual-reference line "So why don't you get your candy-ass back out there and toss some more salad, boy?" has been restored. When he and Deckard fight their way out, he stabs and inmate, throwing him over the railing before beating more of them.
  • The debriefing on Cipher and Dom is longer: Hobbs tells Tej that Nobody and Little Nobody are like a maze; Little Nobody says no one knows of Cipher except for one photo; Letty doesn't understand why Dom and Cipher work together; Roman brags his awesomeness for having Ramsey's program to track Cipher, he also backs down after Little Nobody is annoyed at him. Just before Dom and Cipher attack the base, Tej pulls out the live surveillance footage - Cipher snarky remark, "Surprise!"
  • Ramsey thanks Deckard for saving her. It makes Roman nervous that he called Tej over to talk about both of them.
  • Cipher tells Dom of another possible outcome from an attempted escape by him.
  • At the car warehouse, Hobbs is irritated by Deckard's jeep being British that he smashes a side mirror. Roman makes imaginary fly talk to deliberately mess Little Nobody.
  • Dom tells Magdalene that he can see in his little boy's eyes.
  • There's more lingering shots on Dom and Cipher when Rhodes executes Elena.
  • Extra line by Letty about Rhodes: "He must have been working with that bitch the whole time."
  • When Dom and Cipher talk about the submarine hijack plan, she summarizes Dom's urge for revenge. He then psychoanalyzes her.
  • Roman calls Tej a fake Barry White.
  • During the soccer match, Hobbs yells something explicit to the men who wanted him for the Berlin assignment. This pays off here when after he shouts again, his attackers were irritated. Tej fights a Russian.
  • As Roman is pursued by enemy jeeps he keeps swearing but warns his team about the jeeps.
  • Deckard kills a few more of Cipher's goons at the plane.
  • Extra line by Roman: "I'm not going back to the water!"
  • Dom humorously complains to Deckard of the baby glove that is British.


Go Off
Written by
Breyan Isaac, Chris Featherstone (as Christopher Featherstone), Justin Featherstone, Matt Featherstone (as Matthew Featherstone), Will Featherstone, Quavo (as Quavious Marshall), Lil Uzi Vert (as Symere Woods), Travis Scott (as Jacques Webster), Murda Beatz (as Shane Lee Lindstrom)
Performed by Lil Uzi Vert, Quavo & Travis Scott
Produced by The Featherstones, Murda Beatz and Breyan Isaac for The Thirties
Quavo appears courtesy of 300 Entertainment
By arrangement with Atlantic Records
Lil Uzi Vert appears courtesy of Atlantic Records
Travis Scott appears courtesy of Epic Records


Plot Summary


Action | Adventure | Crime | Thriller


Release Date:

14 April 2017


English, Russian, Spanish

Country of Origin

China, USA, Japan

Filming Locations

Atlanta, Georgia, USA

Box Office


$250,000,000 (estimated)

Opening Weekend USA:

$98,786,705 16 April 2017

Gross USA:


Cumulative Worldwide Gross:


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