23 July 2015 | reachmallya
FIPRESCI, Un Certain Regard and standing ovation at Cannes, standing ovation in Ahmadabad and now a standing ovation in Bangalore, Neeraj Ghaywan's Masaan is a film that deserves high accolades for its exceptionally well written screenplay and execution. This year has been good for Indian cinema with some of the best films like "Court", "Killa" and "Kaaka Mottai" hitting the screens. Masaan joins this list of elite films. These films do not have big stars, big investments but the honesty in film-making and the content that they carry is something that Indian cinema has not attempted before, even attempted not this subtle. "More subtle, more the impact" seems to be the mantra of these films. From larger than life narratives these films bring in the shift to depict stories of ordinary people in mundane situations and their reactions. There is a kind of honesty and faith in the film which one can easily get engaged to. This not only brings the freshness breaking the stereotypical norms also gives out thoughts through the different layers the narrative has. The stories that narrate the connect of human emotions need to be explored more. "Masaan" deals with the connects of relationship in a very mature and subtle way. It keeps away from the usual melodrama. It thrives of modernism though tied with traditional values. "Its a bold film with values rather than bold visuals".. Each one of the characters has a story with real life turmoils. Some of the scenes are brilliant. Thanks to the film-making brilliance. Such experiments have an overwhelming and everlasting impact on the audience. You realize how cinema can be used as a powerful medium. You train yourself to care about good cinema watching films like "Masaan"and i think this is something such kind of films do beyond what they are normally expected to. The joy of having watched a satisfactory film is one of the best feelings any film-lover will want to have. It has become a rare phenomenon in Indian cinema. Commercial cinema has really cared about reaching the 100 Crore mark rather than providing satisfactory cinema. On one end we have the high grosser films and the other we have films like "Masaan" which mainly get tagged as "festival" films and in between films like "Piku" which is good cinema with a commercial appeal. I feel its time to get these festival films a commercial space. Its wrong for a good film to be bound only by festivals, it needs support from the theaters and mainly from the audience to thrive commercially. This would definitely help bring in a change of sense of cinema and help Indian Cinema grow.