Bumblebee (2018)

PG-13   |    |  Action, Adventure, Sci-Fi


Bumblebee (2018) Poster

On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small California beach town. On the cusp of turning 18 and trying to find her place in the world, Charlie Watson discovers Bumblebee, battle-scarred and broken.

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6.9/10
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  • Travis Knight in Bumblebee (2018)
  • Hailee Steinfeld in Bumblebee (2018)
  • Hailee Steinfeld at an event for Bumblebee (2018)
  • Hailee Steinfeld in Bumblebee (2018)
  • Hailee Steinfeld in Bumblebee (2018)
  • Jorge Lendeborg Jr. at an event for Bumblebee (2018)

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'Bumblebee' Cast Dream Up '80s Action-Movie Duos

Hailee Steinfeld and her Bumblebee co-stars pair the lovable Autobot with their favorite '80s movie characters to create some potential action-movie duos.

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User Reviews


30 December 2018 | kevinxirau
8
| Finally the Transformers movie we deserve.
In 2007, Michael Bay showed the world that today's technology could bring the famed Transformers to life on the big screen. Sadly, he has the finesse of a brick to the face as his subsequent films for the most part are rusted pieces of scrap due to his crude style of filmmaking, lack of focus, and narrow demographic, leaving fans with only the 80s animated movie as the true "good one", that is until now.

Plot: Charlie Watson (Hailee Steinfeld), a teen girl struggling to move on after her father's untimely death, encounters the fugitive Autobot Bumblebee and the two form a heartfelt bond, which will be tested as they are hunted by both the secretive Sector 7 and a couple of Decepticons.

Knight knows what makes a film truly stick with people and that is in the story and how one tells it, something he excels at. He gives his films heart, thus the relationship between Charlie and Bumblebee feels natural. The central focus is this friendship with many scenes that are charming, funny, and hit hard in the feels. Unlike the stuttering and super uptight Sam Witwicky, Charlie has a lot of spunk and pathos. While having a predictable character arc, John Cena did a nice job with his role. I love that this film is not only set in the 80s (when the show came out), but lives and breathes pop cultural references and classic songs from that era (including a great callback to Stan Bush). While Bay's action focuses on huge zany explosion-fests that push believability and heavily involve the human military, here the action is smaller and much more personal, strictly Autobot vs Decepticon as it should be since it was what the franchise was built on. In fact, the portrayal of the Decepticons has improved; not only can I tell them apart this time thanks to their varied designs and color schemes, but they're given more personality and actually live up to their name.

The only thing that has me puzzled is the continuity as there's confusion over whether or not this is a reboot or a prequel given some conflicting elements. That being said, this is, in many ways, the Transformers movie I've been itching to see for a long time. I'd like to see more directors present their takes on the franchise and go to places both familiar and new as long as Bay stays out of the directing chair. To sum it up, Bumblebee's got the Touch.

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Did You Know?

Trivia

The scene in which Charlie is trying to repair Bumblebee and unwittingly activates Optimus Prime's holographic message after declaring "There's something stuck here", is a homage to "Star Wars Episode IV: A New Hope" (1977), with the same scene occurring between Luke Skywalker, R2-D2 and the hologram of Princess Leia.


Quotes

Ratchet: They've broken through the front lines!
Arcee: I've lost contact with the Capitol!
Wheeljack: There's too many of them!
Brawn: Stand fast!


Goofs

When Burns first meets the Decepticons in Texas he demoted himself two pay grades by introducing himself as "Major Burns." In his previous scene while sitting at his desk, the rank of Colonel is on his lapels.


Crazy Credits

Part of the closing credits are a stylish sequence of images in yellow and black.


Alternate Versions

The Australian release was censored; after the film initially received an M rating from the classification board the distributor (Paramount) decided to re-edit the film in order to obtain a more lucrative PG rating. Following some changes made to the film a modified version of the film was submitted to the board, however this modified version was still seen as being too strong originally and received the original M rating given to the film, however following an appeal from Paramount the film was lowered to PG on December 11th with the consumer advice now stating that the film contains "Mild science fiction violence and mild themes. Some scenes may scare young children". Both versions were approved for theatrical release.


Soundtracks

The Payback
Written by
James Brown, John Starks & Fred Wesley
Performed by James Brown
Courtesy of Republic Records
Under license from Universal Music Enterprises

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Action | Adventure | Sci-Fi

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