User Reviews (38)

Add a Review

  • I'm sick and tired of the producers thinking they can trick their viewers with fake reviews! 16/16 reviews are all fake, pathetic! Producers need to learn that a review should be honest and from their viewers, and instead, not paying for fake reviews. That money should have went towards better writing.

    This film was cast perfectly and all actors performances were excellent. Writer/director Henry Barrial directed this film very well, but his non-climatic pointless writing was where this film missed the mark. It was a good premise about the Uber/Lyft driving scene, but that's all it was, a bunch of passenger stories that went nowhere, and that were dragged out and paced way too slowly. I was expecting something relating to Leonards music background to happen, like catch a break somehow, or win some grand DriverX award for his efforts, or something to happen with his marriage, but nothing. The entire last act with the rock band and the girl was even more pointless. The writing was lazy and could have been much better. Henry Barrial should've stuck to directing and hired a better writer to re-write his story. As such, the ratings for this film are certainly not worth anything above a 7 (in considering a low budget B-grade film), which is what I would've given this film, but it loses a star for all the fake and dishonest reviews. Thus a 6/10 from me.
  • Warning: Spoilers
    This movie was well shot and well executed. The writing was good and the characters likable, but there wasn't really an ending. The whole (Spoilers?) jumping off point in the film was that unemployed Fabian needed to raise 20,000 dollars or risk losing his home. He becomes a ride share driver to do so, and thats the movie. While this is a fun journey, they never actually returned to or concluded the plot. Rather, we enjoyed a few possible "did he just" sexcapades that eventually returned him to his wife's arms. While that's nice, WHAT ABOUT THEIR HOUSE? The mansion they live in (Which honestly would never had been a realistic home for the ex-record shop owner) goes without a conclusion, and thus, so does the film. If there was one written, or even one shot, I am severely disheartened that these talented filmmakers allowed it to end up on the cutting room floor. One possible idea is that, since Fabian was hard pressed to find a job in the modern world, one of his regular ride share pickups could have been able to help. Or hell, even a cliche like "I'm the CEO of a global online industry and still don't have a license and you'd be perfect for ___________ position!" would have been better than no ending at all.

    Woo, now that I've played critic for a bit, I'm going to rethink my rating of this film. Originally a 5 out of annoyance at the lack of closure, I'll give it a 7 because I'm eager to a) hear a response to this critique from the filmmakers, or b) see what they are going to do next.

    G.V.T
  • Why are so many producers/writers making movies today that do not have any real climax/ending to them? I enjoyed this movie until it was over and I realized there would be no conclusions forthcoming. And why did all the pickups have to be drunk or high on drugs? This movie could have been so much more.
  • This movie for me showed a lot of depth of caricatures and also a unrecognized struggle that many men face of ambiguity and general confusion\monatony of day to day life. It illustrated that no matter the social respect you earn for your job, every action adds to another's life experience.
  • The movie goes in quiet mood despite many interacting characters, as the main one do. While watching just waiting for a big change to happen , it will , not in the events, but in your mind. Moving from real ordinary life to new little active one ,is all what you need sometimes.
  • fmcmanus5 December 2018
    This is about what I would expect from someone who drove 3 months with the intent of writing a story or making a movie. No real basis in reality. This is just another Hollywoodization of what people think being an uber driver is like. Long on fiction. Short on reality. While the movie was well done, the storyline is pitiful. Save your money. This will surely disappoint.
  • piercethevale26 November 2020
    It seems that many that reviewed the film missed the point of the plot. It's a movie for married men, and men in committed monogamous relationships, and it's about "manning up" to that commitment, regardless of what life throws at you. It's not just for the men in the audience though, it's for the women as well as the message here is about recognizing that commitment from their partners and being supportive in return. There is some fine acting going on in this movie, excellent photography, directing, and I thought the soundtrack to be well thought out and chosen in consideration of the lead actors' role in the film. I also enjoyed visiting L.A. virtually, as I grew up in the city but haven't been back to visit since 1991. I plan on it in 2021 for my 50th high school class reunion. I may park n Ventura though and take the Uber the remaining distance as the thought of driving in L.A. traffic again isn't on my "bucket list" My hat's off to the independent drivers for hire of L.A...and to the cast and crew of this movie, thanks for the "lift"..
  • Warning: Spoilers
    Leonard finds out his wife is having an affair with Harry but Harry's wife already knew so she scheduled a ride to tell Leonard but couldn't. Leonard and Dawn have another huge blowup because Leonard's pissed because he's the last one to find out everyone's cheating so he comes clean about his driverx shenanigans and heads back out to work. He then gets an emergency call from Tom needing a ride to the ER because his girlfriend has overdosed. In the end seen after Tom's girlfriend is stabilized, Leonard and Tom have a meaningful conversation in the waiting room about how crazy life is when he gets a text from his wife wanting to reconcile. The text reads "I could really use some of your lasagna and salad".....end scene. There you go. Call me anytime Hollywood!
  • A semi interesting look into what it's like to be a driver for a ride sharing company. Decent acting. Ok story.
  • Warning: Spoilers
    Oh, boy, I am so not supposed to do this...

    I couldn't help responding to some of the reviews my film is getting. I know, I know, but this is a very personal film for me--self-financed, and four years of my life--and I just want to set the record straight on a couple of things.

    First, the film was made on a micro-budget. I hope it doesn't show, but when I'm not paying for a script supervisor or most other typical crew members, I can assure you, I am not paying for reviews here on IMDB! It's a little presumptuous to assume that just because someone likes a film more than you did that they must be "fake" reviewers, or bought and sold. So, how in the world could there be so many reviews before the film even officially opened? Because for a year we took the film to film festivals. And at every film festival I attended (which was every one of them), I asked audience members that if they liked the movie, to please go to IMDB and rate and review it. Now, I suppose I could have also requested those who didn't like the movie to do the same thing, but what kind of idiot producer would do that? Asking people to review the film was as far as it went between them and me. What they said was up to them. And I don't know any of these people. Their opinions--and that's all any of this is anyway, right?--are completely theirs, but they are no less valid than anyone else's.

    Second, I understand that no movie will please everyone, and I would argue that independent films especially and by design, challenge audiences more than bigger commercial films do. That's kind of their point. I appreciate hearing what people liked and disliked about our movie. It's not a perfect film and we're not perfect filmmakers, but I'd like to respond to one issue a few people are having. Filmmakers are not supposed to "explain" their movies, and I won't be doing that. And I didn't write or direct the film anyway, so Henry's opinion is not expressed here. But one of the reviewers explicitly asked for a response to their critique that the film didn't have an ending. Or probably more accurately, didn't have the kind of ending you'd expect in a commercial movie. That reviewer even suggested an ending that they'd probably want to see, something like a Rider offers Leonard a job that solves all his problems.

    To this question of the ending, I'll say first that we certainly believe the film has an ending, as subtle as it may be. I'm not going to try to explain what that is because certainly it will be different for different viewers and I don't want to be reductive. I can say that the movie's overall ambition was to be honest and authentic. Perhaps we succeeded at that, perhaps not. But speaking as a 54 year old (about the same age as Leonard), who is looking at his life and where it has led him (in much the same way Leonard is doing in the film), and how it has not ended up as planned and dreamed, acceptance of this fact (or I suppose suicide), is the only realistic response to finally realizing you're not young anymore and maybe that dream will never come. It's not realistic to assume someone is going to hand Leonard a magic key that's going to solve all his problems. It hasn't happened to anyone else my age. Does that happen to you? In a Marvel movie or another flight of fantasy, we fully expect that kind of ending. But would you really want to see that in a movie that attempts to portray life as we know it?

    I love all kinds of movies. Movies with happy endings and movies with sad endings and movies with subtle and even ambiguous endings. A famous writer once said that Art isn't supposed to answer questions. Art is supposed to ask them. Maybe DriverX doesn't quite qualify as Art for everyone who sees it, but please know that that was our intention. And absolutely, to entertain as well.

    Thank you for indulging me.
  • Headturner12 December 2018
    5/10
    Okay
    Warning: Spoilers
    This movie was decent. Acting good but the husband just pissed me off thru thu the entire movie. From his bad decision making "it's ok when the girl starts groping him". To bringing drunk rides inside their house?!? Driving with the phone in his hand( how'd this guy have a successful record store for 35 years and cant do anything really. Idk. It was a decent movie but he needed to grow a pair. Oh and let me take drugs while on the job. He was just a spineless character and as the main protagonist is was excruciating to watch the bad decision making over and over. I thought meracioulisly somehow that would change.
  • Warning: Spoilers
    It is too bad that a good premise, good actors, a good production, and a lot of hard work floundered from such a poor script. Painfully poor. I have read the producer's comment about low budget, funding issues, but that has nothing to do with writing the story. So a recently unemployed middle aged man applies for ONE job in LA, does not get the one job and becomes an uber driver rather than apply for other jobs. Marital problems stem from financial problems, about 10 short vignettes about riders he picks up thrown in which mostly seems to be useful for filling film time and it ends. There were so many missed opportunities to develop a better story. The writer claims the aim was subtlety, but there is a fine line between subtle and boring.
  • DriverX is a drama about Leonard (Patrick Fabian), a stay-at-home middle-aged dad, who starts driving for an (fictional) Uber-like company to help support his family. As he begins driving he becomes intrigued by the fast paced nightlife so much different from his one life style which makes him feel young again.

    Writer-director Barrial based the movie on his own experiences as an Uber driver. But, actually, nothing happens in this film. I'm not saying this is a bad movie, it's not, but everything about it screams this film is something else, including the trailer. In the story, Leonard was a manager of a record store that had to shut down because no one was buying vinyl anymore. This seems a bit odd because this format pop up everywhere now-days. Also, there is no pretense that any one passenger is there to impart deep wisdom, not to mention that there is more vomiting here than any film needs. There are not many sympathetic female characters here, too. This whole film tries to epitomize the struggle of many different annoying points in life ... but we already saw so many other movies doing it better.

    5+/10
  • beshid7 December 2018
    This is an engaging slice-of-life portrait of a rideshare driver who's struggling with aging, fatherhood and marital issues.
  • This film captures marital relationships that happen when small children are involved perfectly. The shine has worn off - the young kids are still needy - and the sh*t hits the fan with family finances. DriverX commentary on the brave new world of the digital frontier is spot on as well. We're still in its infancy, but we are all still very human and it shows. Oh boy does it show! P.S. Millennials are walking around like they rent the place.
  • lisashankins20 August 2018
    Unexpectedly worthwhile film detailing the strengths and strains in a modern-day marriage in a major American city. Patrick Fabian, a favorite from "Better Call Saul" plays Leonard, whose joy in life and his work was the record store he owned for so many years that he feels like he doesn't know how to do anything else. He decides to take a job driving for a new service, and in the course of that, learns more about his city and its inhabitants than maybe he really cares to know. However, he gets into a groove with the job and, though his wife seems to want more, he IS making progress...and friends! Both the lead roles here are extremely nuanced and amazing to watch this husband and wife navigate a difficult time. Funny, touching, an exploration of modern-day life and its joys and obstacles.
  • I saw the preview of this, and I am a Kickstarter backer. DriverX is very well acted, and, given the tiny budget, quite accomplished for shooting, editing, production design, music, etc. A little went a long way, and it's worth viewing to see what almost anyone can do with passion, a few bucks, and er....DRIVE.

    The plot/script was mundane: a middle aged dude has trouble connecting with millennials after losing his record store business. He takes up ridesharing to make ends meet. The individual scenes of his rides were good and funny, but I missed the overarching story.
  • Henry Barrial's insightful look into contemporary LA as seen through the eyes of an initially reluctant Uber-like driver achieves a flawless tonal balance of poignancy and humor. Initially the film appears to be about a middle class millennial family in financial free fall. By the end of Driver X's odyssey, however, the sensitive weaving of larger themes about our fragile human connections become apparent. What will possibly save each of us from a catastrophic financial free fall that may be lurking in our collective futures? Barrial's insights as a director/writer are hopeful and challenging without being pie in the sky. The deeper wisdom of DriverX culminates in two very powerful scenes close to the end of film. One takes place in DriverX's Prius as he describes a "miracle" and the second when he sits reading to his two daughters. DriverX movingly illustrates how human beings can rise to being better than they thought possible, even when being bombarded with financial insecurity in a fearful world made up of distant billionaires with far too much money and not enough understanding of the importance of a world in balance. Terrific film. (Kudos as well to producer Mark Stolaroff
  • This is a micro-budget film that was, at least partially, funded via a Kickstarter campaign (full disclosure: I chipped in a few bucks) -- which often can be a turn-off for viewers because, let's be honest, some of these projects really look like they've been shot on a shoestring budget. Fortunately, "DriverX" does not fall into this category and instead skillfully makes the best of its limited resources. The cinematography and color scheme is smooth and easy on the eye; the script circumvents some of the project's limitations (e.g., the need to stick to few locations, no fancy effects or chart-topping songs on the soundtrack) by turning them into plausible story elements/character traits; the supporting cast and some familiar faces all fit right in; and the lead actor (Patrick Fabian) easily carries the movie with a convincing portrayal of the middle-aged husband & father who tries to ensure his family's financial stability in a society that offers fewer and fewer options in the workforce for people like him.

    All in all, a zeitgeisty indie movie about a man and his family trying to make things work in the age of the "gig economy." Be sure to check it out!
  • The main character in "Driver X", Leonard, cares for his young children by day and drives the drunken, neon reflected nightlife in Los Angeles afterhours in his super clean Prius after his wife returns home from her day job. If you have ever taken a ride sharing vehicle, with its unwritten rules, you can see how fish out water 50ish Leonard is in the age of apps and downloads, replacing the familiar vinyl and old style rock he cherishes from his family, now defunct, record store days.

    Patrick Fabian of "Better Call Saul" plays a very real man, an honest man, caught in a new world that does not value what he brings to the table. Out of touch with new music he fails to fit into the new marketing world, despite his hipster hat and enthusiasm. Fabian and his movie wife, Tanya Clarke, portray a couple frayed by their diminishing finances. Desperate to provide for his family, and return his self esteem, he drives. Both actors bring depth to their rolls, and provide a good deal of empathy from the movie audience. It feels like a real couple, not a movie marriage.

    There are two stories here, the marriage at home and the strangers/passengers who enter his Driver X world. What a wild ride of passengers it is too, based on the notes of former driver Henry Barriel, Between jobs he drove, and smartly turned his experiences into an engaging movie. Good job Henry.

    In a small stand out roll Heather Ankeny of "Criminal Minds", plays a woman Leonard knows, Bad luck of the rider app has her as a passenger in Leonard's car. She delivers a wordless aha moment that will catch you by surprise as each recognizes the other. When two wordless actors can make you feel that moment, that uncomfortable cringing, it is special.

    There are many fine performances beside the leads and a few celebrity riders including Melissa Fumero of "Brooklyn Nine-Nine", Oscar Nunez of "The Office" and Max Gail of "Barney Miller",

    This movie will take you on a ride that is unexpected, never predictable. "Driver X" will have you laugh and be a little sad. Catch it while we still have drivers using their own cars to ferry us around, just trying to make a living
  • I immediately felt engaged with the characters and their struggle. As I rooted for the antagonist, I also felt like I was getting a glimpse into a life I had wondered about. It felt voyeuristic and was very satisfying, the arc of the story is believable and genuine. Patrick Fabian was fantastic as was Tanya Clarke. Another pleasant surprise was Desmin Borges as Tom; his affable depiction of a partying yet family man passenger was a joy. His relationship on screen with Fabian is funny and heartwarming. There is truth in the conflict the Moore's experience in their marriage, it's compelling to witness.
  • DriverX is the portrait of middle-aged Leonard Moore, living the upper-middle-class lifestyle in Los Angeles with his wife and two young daughters.

    After Leonard closes his music store, he finds his old-school musical taste and lack of current job skills don't make him particularly employable in the twenty-first century. With only his wife's income, the family faces an uncertain future, and ultimately Leonard joins the gig economy as a driver for DriverX, a ride-share company.

    Leonard is subtly and realistically portrayed by Patrick Fabian. I was most familiar with Patrick Fabian's portrayal of Howard Hamlin on Better Call Saul, but he is a revelation here. Fabian never feels less than authentic as middle-aged man seeing his dreams slowly recede in the rear-view mirror.. He is given top-notch support by a cast of familiar and less familiar actors, including more than a few veteran actors who make the most of their brief rides in Leonard's Prius.

    DriverX has humor and heart. Writer-director Henry Barrial nicely captures both the absurdity and tragedy of being middle-aged in a young person's world. He captures equally well the stress that unemployment and underemployment can place on an otherwise happy marriage.

    With excellent cinematography and an evocative score, DriverX looks and sounds great. DriverX packs a lot in during its brisk running time, and is well be worth seeing for Patrick Fabian's bravura performance alone. And with all of the colorful characters Leonard encounters during his journey, this is one ride you don't want to miss.
  • Director/writer Henry Barrial has created a most watchable film of focused actors for a successful plot of a husband/father finding a tension release valve.

    What I mean by that statement is our main character 'Leonard' (Patrick Fabian) as the now unemployed father/husband is dependent upon his wife for income and this is straining their marriage. So he becomes a day time home daddy. And a late night 'driver for hire' through a surreal service known as 'X'. The result is minimal income but plenty of social action with his customers. He likes this! It's something his previous job as a store owner did not offer.

    His buddy 'Tom' is the mystery throughout the story. Leonard fathers him, caters to him. I believe Leonard both envies' and is attracted to Tom. Tom is a free spirit and Leonard cannot give into his desire for Tom so he finds a release through his night driving and customers. Leonard loves his wife and children too much to make a real change in his life. Leonard is symbolic of much in our world - 'The duality of life'.
  • Got to see this gem at the Woods Hole Film Festival the first week of August. Patrick Fabian and every single actor on screen give amazing, charismatic, embodied performances. The cinematography is really fantastic - covering LA in a very cool, non-cliche and non-derivative way. Some of the supporting characters - especially Tom - who becomes an Uber Regular client- provide some of the best ensemble character work I've seen in a long time. Henry Barrial did a fantastic job, and the montages and music are fantastic - a score that is perfect for what we see - reminiscent - in a way, of Garden State.
  • DriverX gives an entertaining and realistic glimpse into the life of a ride-sharing driver. The movie is a collage of interesting encounters and conflicts of culture, generation, and personalities. Music plays a central role in the film, and the soundtrack fills the part.

    The film shows the young adult tech-savvy generation as being self- engrossed, unintelligent, and rude. This feels a bit off balanced, but may be accurate from the driver's perspective.

    Life and relationships are portrayed in a way that feels authentic. When one path through life closes, the inspiration for taking another path usually comes from an unexpected source.
An error has occured. Please try again.