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  • JSL2620 September 2017
    This is a fascinating documentary that weaves together the story of the Klondike gold rush, the early history of silent cinema, the flammability of early celluloid film spools, and the mystery of the excavation of old reels in the site of a buried former swimming pool in Dawson City, Yukon Territory. Dawson was the end of the line for hundreds of silent films that crossed North America. Once they were shown in the local theater, they just piled up in warehouses in Dawson. Most canisters were thrown in the river or burned in fires, but some got buried and miraculously preserved in an oxygen-free environment and were able to restored. Bill Morrison, who spent years painstakingly putting this film together made some key choices: he showed pieces of over 100 long-lost films, mostly without narration but with captions identifying each film and its year, along with a haunting soundtrack by musicians from the Icelandic band, Sigur Rós. The clips from the 1919 "Black Sox" World Series were especially interesting to me.

    I had the opportunity to see the film at the National Gallery of Art, and Mr. Morrison was there to answer questions. He mentioned that in the cache that was unearthed there were pieces of over 500 films, although no full-length feature films. (Who knew there were that many silent films in circulation?) He said he chose to eschew narration, because, after all, these were silent films. Someone in the audience asked him if he had heard of a similar cache more recently found in New Zealand. He said he had, and explained that New Zealand was similar in that it was a terminus point in the globe for such movies as well. Thanks to Mr Morrison, and a little luck, this history has not been lost forever.
  • Dawson City, British Columbia is a place where dreams began and dreams ended. Located about 350 miles south of the Arctic Circle, Dawson City was established in 1896 with 3,500 residents and was home to the native Hän speaking people who lived along the Yukon River, harvesting salmon and hunting caribou. As boatloads of gold prospectors arrived from San Francisco and Seattle in 1897, the Native Americans were forced off their land and "relocated" to Klondike City. What happened in between the city's heady gold rush days and its demise has been documented by Bill Morrison ("The Great Flood") in his fascinating film Dawson City: Frozen Time.

    Rescued from 533 nitrate reels of film buried for decades beneath an ice rink in Dawson City, Morrison put together a treasure trove of silent films, newsreels, travelogues, and sports footage spanning from 1897 until the 1970s, films once thought lost forever. There is no narration in the film, only subtitles flashed on the screen as unobtrusively as possible along with an insistent score by Alex Somers ("Captain Fantastic"), but it is the images that tell an American story of the connection between money, politics, and entertainment, a connection that brought fame and wealth to some and obscurity to others.

    Among the names we recognize who stayed at one time or another in Dawson City were Hän Chief Isaac, Jack London, Fred Trump (Donald's grandfather), Eric Hegg as well as Sid Grauman, Tex Rickard, Klondike Kate, Alexander Pantages, Philadelphia Jack O'Brien, Fatty Arbuckle, Daniel and Solomon Guggenheim, Robert Service, and William Desmond Taylor, names that later became famous in Hollywood. Though the discovery and restoration of the buried reels by Yukon historians Michael Gates and Kathy Jones-Gates took place in 1978, it was not until 2013 that Morrison met with Paul Gordon, film conservator for Library and Archives Canada who agreed to share the collection with a wider audience.

    Through the magic of the silent films, we see images of the city turned into a haven for adventurers seeking gold and entertainments in brothels, gambling halls, and theaters. Among the titles bearing witness were "The Frog," "The Birth of a Flower," "A Trip Through Palestine," "The Recoil," and "Polly of the Circus." Even more revealing of the old mindset are such titles as "The Half Breed," "The Female of the Species," "The Hidden Scar," and "The Unpardonable Sin." We see the discovery of gold in Nome, Alaska in 1899 which siphoned off a chunk of Dawson City's population, the end of gambling and prostitution in 1901, and the building of the DAAA, the Dawson Amateur Athletic Association in 1902.

    The DAAA was an entertainment center that included a swimming pool, a hockey rink, billiards, boxing and handball and which began showing films that had been brought to Dawson City after having been in circulation for several years. For the reels of film, this was the end of the line. Too dangerous and expensive to return, seventy five percent of the films were lost in fires, purposely burned, or thrown in the Yukon River. The remainder was dumped in the DAAA pool by an employee of the Canadian Bank of Commerce which managed the films.

    The burial was made in order to smooth out the ice rink and the reels remained packed in permafrost for fifty years. It was these that were found in 1978, many of them well preserved under the ice, others in various states of decay. In the clips, some that only last a few seconds, Morrison demonstrates through visual poetry how the patterns of deterioration can add themselves to the beauty of the experience.

    Among the discoveries was footage of the rigged 1919 World Series, the series commonly known for the infamous Black Sox scandal which Morrison unfortunately seems to justify by pointing out that the players were bound to one team (Reserve Clause) and could not use their performance on the diamond to increase their earnings.

    Dawson City: Frozen Time is also not without politically relevant material. Newsreel footage is shown of the 1914 Ludlow Massacre in Colorado where 24 of the 1200 miners on strike against the Colorado Fuel and Iron Company owned by John D. Rockefeller were gunned down by the Colorado National Guard. Judge Kenesaw Mountain Landis, the first baseball commissioner hired to prevent any more Black Sox scandals, used his power to deport socialists who protested World War I and the murder of the miners in Colorado. There is also footage of a black protest parade, and some few words of choice from the corrupt Mayor of New York, Jimmy Walker.

    Dawson City: Frozen Time is a snapshot in time of a people thinking big and taking risks, some sadly at the expense of those who had lived there for thousands of years. It is a reminder of an age that has passed, but one whose ramifications have not.
  • If you like this sort of thing... Photographs and snippets of film from the late 1890s lead to a wonderful series of films of very tough/hard people who encountered their own Bitcoin bubble in the shape of the Klondike gold rush. And there are some very interesting names in the history of this little gold rush town. It's a matter of taste but I am fascinated by films of long dead people who once thought they were at the forefront of civilization. Old time photos are good for imaginings, but films of people going about their business causes a lot more 'connectedness' between the viewer and the subjects. "I know someone who acts just like that!" We are presented with photos and film footage that makes one think "Deadwood" probably wasn't really such an exaggeration.
  • This is a must see documentary. It is a fascinating story of both the gold rush and the silent film era. As a film buff I was impressed by the story telling that included photos, film footage of that era and the film that was recovered in Dawson City. The music score blended perfectly with the story telling. This film has "Best Documentary" Oscar written all over it.
  • At first, I thought this was an okay film.10 minutes later I thought it was very good. 10 minutes after that, I realized it was excellent. The pace is slow, deliberate, and has more than its share of "Holy cow!" moments. Be patient as there's a huge story that needs to be told and it has a cast of thousands. Using old movie footage (from films both preserved in Hollywood and "found" in Dawson City) and interviews with some of the people "who were there", Bill Morrison has crafted a big story of a small town in a very big world with history playing out all around it.

    An extraordinary piece of documentary film-making. Bravo!
  • wsuddock10 September 2018
    If you are a student of the Yukon and Dawson City, sit close to the TV with your reading glasses on, captions are small. Soundtrack adds nothing to the film and, for me, became distracting then ... irritating ... very irritating.

    The recovered film and salvage is a story in itself I'm sure for historians and film buffs.

    For the historian, current and former residents of Dawson City, this will hold your interest I'm sure. For others? I'm not so sure.

    I live in Alaska and have visited Dawson City many times. I would suggest a visit rather than this movie if all you have is a passing or general interest.
  • Bill Morrison, the director and writer of Dawson City Frozen Time, is my new hero. Through an odd set of circumstances he landed at the National Archives in Canada and learned about the stash of silent films discovered as part of a landfill site in the Yukon. Early films were made on highly flammable celluloid, and in a new industry (the first film was in 1895 in France) creating an archive was definitely not considered. So, discovering over 500 "lost" silent films from the early 1900's was like discovering gold all over again. (A gold rush was how the city of Dawson initially came into being !!) Mr. Morrison has woven together the story of silent film, the Klondike gold rush and the creation of a city. If you have the opportunity to see this film, please do so. I expect it is going to win a few awards !!
  • A documentary that tries to do just a little too much. The story itself is fascinating - the discovery in 1978 of a trove of lost silent films preserved in the permafrost of Dawson City, Canada. To me, the 'star of the show' in the documentary needs to be the films, and I would have liked the focus to be there, after an introductory explanation of context. Instead, director Bill Morrison rewinds us all the way back through the history of Dawson, from its founding, the Yukon gold rush, and the subsequent changes to the town over the years. He also takes us through various news stories and social movements from the 1910's and 1920's, as they relate to footage that was discovered.

    I like history and some of this was interesting to me, and at its best he matches photos to footage (for example, a socialist agitator being deported back to Russia). At its worst he gets into minutiae of Dawson's history, and instead of just showing some number of the silent films fragments themselves with explanation of the actors, attempts to match footage to what people in the present are talking about. For example, one of the discoverers of the trove says he had to call someone up to come have a look at it, so as he's describing that, we see footage of someone on the phone in an old movie. The background music is awfully eerie and odd in places too. It was interesting enough to watch and a lot of research and care went into the production, so depending on your interests, you may like it better.
  • Frozen Time is a sophisticated documentary and an astonishing feat of film editing that combines still images and previously lost footage from the silent film era that was literally unearthed by archaeologists in Dawson City in 1978. Used as back-fill and buried for fifty years, over 500 reels of highly combustible nitrate film lay forgotten in an abandoned swimming pool, over which a hockey rink was constructed. Using clips from these restored films and newsreels, as well as early still images, Morrison retells the story of the 1890s Gold Rush and the history of Dawson City and its people within the context of world events (Klaus Ming December 2017).
  • A fascinating but flawed documentary that was based on a cache of old silent films discovered in Dawson City, Yukon Territory, Canada. The narrative tells of the boom and bust cycles of the town, beginning with the Klondike Gold Rush of 1897-98. It also tells of the terrors of old nitrate film, how combustible it was, and the many major fires it was responsible for. Images from the old movies are intercut with scenes from Charlie Chaplin's Gold Rush, interviews, and period photos. Alex Somers's music adds some nice atmosphere. Unfortunately much of the old film footage is in horrible condition and is hard to watch; it might have been nice if there had been some digital restoration or masking done. Additionally, the subtitles are small and clearly designed for theater screenings.
  • Warning: Spoilers
    What a story, eh?

    Nitrate film found under a skate rink in Yukon airlifted to Ottawa and this is the unravelling of those films to be functional and for the viewer to be mesmerized by the film. It also kind of acts like a historical book about Dawson City also incorporating still images and text depicted on screen. Its a film where you are left to yourself for a while to take in all this old ephemera and brought back with the curators of the local museum. There are not many films like this and this has left me in awe for many years after seeing it at the IFC Centre.
  • Warning: Spoilers
    I always look forward to the latest entries into the book 1001 Movies You Must See Before You Die, to tick off the ones I've already seen and look into the ones I haven't, in the latest edition this was the only one I had missed out on, and I couldn't wait to watch it. Basically it explores the history of Dawson City, Canada, deep in the Yukon territory, located about 350 miles south of the Arctic Circle. It sees the creation of the town during the Klondike Gold Rush, the area was an important hunting and fishing camp for a nomadic First Nation tribe known as Tr'ondëk Hwëch'in, then transformed into a gold mining town near the end of the 19th century. The town was settled in 1896 upon the discovery of gold in its creeks, the gold rush brought 100,000 prospectors to the area that year, the same year the world was introduced to commercial cinema with the advent of new large-scale projectors, and the "movie theater". The first transparent and flexible film base material was celluloid, they were then manufactured on a nitrate film base, both materials were highly flammable and difficult to extinguish. Estimates say that 80-90% of silent films have been lost over time, in 1929 Dawson City was forced to hide many original film stocks, when there was a possibility they would be destroyed. In 1978, Dawson City became a talking point once again, when 533 silent film reels, thought to be lost, were discovered buried in a former swimming pool or hockey rink. These films contained silent films and newsreels, archival footage, interviews and historical photographs, and also rare footage of historic events, including the including the 1919 World Series (the annual championship series of Major League Baseball (MLB) in North America). Extensive work was carried out to clean and rescue as much of this footage as possible. The story of Dawson City and its history, and the discovery of the lost film, is told through the silent footage found, and established silent classics (including The Gold Rush, starring Charlie Chaplin), accompanied with text and an original music score by Alex Somers. This film is very well edited, the footage used really brings to life what is happening, the music used fits very well, and it makes you feel like you are watching a classic silent movie, a wonderfully atmospheric and most interesting silent documentary. Very good!
  • Everything has been said in previous reviews: unsufferable music (music?), horrible captions, exaggerated length, incomprehensible lack of a narrator... Bill Morrison takes the elements of a very good story and glues them together in an excruciatingly boring patchwork without any inner structure nor any identifiable aim. There´s a total lack here of everything that constitutes cinema. I love long, slowpaced, thought-provoking films, but I felt cheated by this soporiferous, never ending thing. This fascinating story would have deserved a good storyteller, not some artsy lazybones who just took fragments of footage and couldn´t be bothered to elaborate one bit on such treasure,
  • Warning: Spoilers
    Director Bill Morrison's company is called Hypnotic Pictures, and never was there a more apt name. Most of this movie comes over you like a fever dream. Others may act to it differently, but to me it was the film equivalent of Roland Barthes's Camera Lucida. All of this film which by all rights could have been lost forever, never to be known, miraculously saved.

    There's a scene towards the end of the film where we learn that even with the miracle, much of these old silent movies had been ravaged by water damage. Morrison then shows some of the film that has this damage, and one of the clips is a man dressed nicely who reaches out to another on the right side of the screen. We can never see this presumptive woman; it's just an arm that reaches out of the vibrating water damaged film, teasing the viewer with what is lost to time. It's a haunting symbol which makes me mourn all that was thrown into the Yukon River, never to be seen again or that which exploded in nitrate fire after nitrate fire. This is the type of film that will stay with me for a long time.
  • Anyone who finds it boring has no appreciation of film history, or history of any kind. It takes you back in the moments and times being filmed. Not so much to be entertained.
  • Only interesting from an "american time capsule" point of view. But I do think there is an over-romanticized view of the silent films. I mean, honestly, other than the historical aspect, is there any artistic merit to those films? All of them? All that were burned or thrown in the river or got destroyed any other way? Then why are we crying over them?

    I do find it interesting that a lot of modern-day U. S. A. Is linked to this little gold-rush town in Canada. Much of Hollywood was linked in a way to this place...Trumps fortune was born here as well and so on.

    Narratively, it tries to keep a logical thread but it does sidetracks often...like all the baseball stuff. And the fact that it is itself a silent film for the majority of the time it is also a bit tedious.
  • You remember the feeling you have at the end of Cinema Paradiso? This is it again but with a passage of time and history that so overwhelming and superbly told. The film editing is a masterpiece. Love lost and found, as moving and emotional as it could get, before you realize you are a true lover of the seventh art form.
  • LOL101LOL9 September 2019
    10/10
    Golden!
    If you like silent films and black and white photos, then this is for you! Now I understand some reviewers did not like the way this doco was put together, as it is kinda odd, the music is somber and feels like a funeral the way through, but if you love silent films and the history attached with it like I do you will love this incredible story of cinematic history, frozen in ice and time. And shame on those that scored this so low, after all us that come on IMDB are here for the love of films, and this doco is magic just on what they found in Dawson City.

    This doco could have been done somewhat different to capture a wider audience, but I am glad I came across this masterpiece!

    10 out of 10 for me.
  • teaandoranges21 September 2018
    This documentary is perfect. History, editing, content and soundtrack. I can't say enough about how I love the city of Dawson, the people who settled there and built a town they could "live in the rest of their lives". Their beloved DAAA and the hundreds of long lost silent films they inadvertently stored there in the permafrost for us have reopened film history for us. Don't miss this movie!
  • ...One thing really really went on my nerves : the subtitles. They are way too small, it's a real pain to read, especially when english isn't your primary language. Plus the excerpts are too short, sometimes like one second, then one second of another and another and another etc. You don't even have the time to understand what you are seeing and read the stupid tiny subtitles that you are flooded with tons of others 1 second excepts... So I would say to the artistic director of this movie : please find another job and don't ever work on another documentary again.
  • It's an art project first and foremost, that secondarily offers a sweeping history lesson (world-wide and specific to Dawson City). Feels like that is important to say up front,

    The effort here to combine/edit and write alone is impressive, especially if you consider the dual constraints - a time limit of a modern film and and the shelf life of the found underground footage. That old footage with its pulsing black/white imagery, like some films by Guy Maddin, is strangely hypnagogic to me.

    I also wondered if some of the older footage was digitally enhanced to make some of the burbling distortions almost an "actor" of sorts. Besides the clever synchronization of text and image, there were many times that the visual noise would highlight a character or display as some kind of foe not just attacking the actual physical film, but the characters on screen.

    Decay is the villain, here and always.

    Just an admirable act of art to watch overall, even if the film itself is not so compelling. Sure the story of the Dawson City could have been told in briefer fashion, or gussied up to be more of a mystery, and I guess the soundtrack was a problem for others, not for me at all.

    I first saw Bill Morrison's work via the Ann Arbor Film Festival, where usually the shorter the film the better....the flash of invention often cannot sustain for too long, which again adds to the notable success of this full length effort.

    The miracle of permafrost preservation, the coherent vision and a reminder of how film tricks time (still remarkable to me when I consider the whole Frames Per Second slight of mind that perceives any motion picture as fluid). Enjoy!
  • knightwr1 January 2020
    Settle back and let this film wash over you. I found it moving on so many levels.

    The loss of silent films is heartbreaking. The story of the silent film industry and saving of a handful of these films is beautifully weaved into the history of Dawson City. I feel a need to visit it one day.
  • Warning: Spoilers
    I came across this documentary & was amazed. The film and pictures of a time most people know very little about. Gold rushes brought out the best and worst in people. I've seen other documentaries about the Klondike gold rush and how the law was you had to haul 2 tons of supplies over a mountain pass or the Mounties wouldn't let you pass. Many people died. There's even a picture of Donald Trump's grandpappy's hotel, brothel & restaurant. He took the dead frozen horse meat from the Chilkoot Pass to feed the miners. The history that's shown of the silent film era is impressive. Also the film was nitrate film which was very flammable and dangerous. Not much of the early silent film era survived the ravages of time. This film is very informative and enjoyable to watch. It mentions the native peoples who lost their land and their way of life was decimated due to gold rush and means to extract gold. It poisoned the rivers and almost killed the salmon runs on which many native people depended on. I highly recommend watching this excellent documentary film.
  • I'm a history buff and this is therefore a compelling story... but to enjoy or even simply watch this the whole way through, you'd have to be all but obsessed with silent films and absolutely in love with that New Age "soundscape" type music used to boot, as it drones on and on AND on throughout the ENTIRE film. Whose brilliant idea was that? Used judiciously, it would have been very effective (and was, at first)...but having to hear such depressing, oppressive music the entire time was like bleeding out. And this is from someone who actually enjoys that kind of music from time to time. Another fault was having almost the entire thing told through sub-titles instead of narration, which was a huge mistake. The interest here is the photos and films, but they show them in small snippets at a time, and by the time you read the sub-title, the picture/film clip that it's about is over and they've moved to another. I had to rewind countless times until I finally gave up on it. The last massive mistake was showing 10 billion short clips of silent movies. Why? Silent movies long thought lost now recovered, WE GET IT. Showing a few here and there, sure, but I can't imagine anyone, even someone who likes watching silent films, seeing 10 seconds of one...then 10 seconds of another...then another...rinse and repeat. That got as annoying and tedious as the background music. Again love the topic, in fact it's the only reason I lasted as long as I did, but this was poorly executed. I can't believe it won any awards.
  • Warning: Spoilers
    No, this movie isn't for everyone. It requires a lot of reading; seriously, 90% of the movie is reading, and looking at old black-and-white photography.

    That doesn't mean it's boring, though, because the way the movie delivers information is perfect, in my opinion. It gracefully travels from tidbit to interesting tidbit, while interweaving relevant antique photography, much of which was recovered in Dawson City in the 70s, which is how this movie came to be in the first place.

    It's a movie about greed, capitalism, art, society, and ethics. It's critical of humanity, but also empathetic. Mostly, it's about how a chain of good acts can result in the preservation of history when all odds are against it.

    I love this movie.
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