Chappaquiddick

The movie is well made, moves a little slowly but is compelling due to it's subject. The actors do a superb job. Even Ed Helms and Jim Gaffigan manage to make you forget who they are.

Kennedy and his handlers do not come off well, of course. It's a not a documentary and I do not trust Hollywood or the media to portray anyone historical character completely accurately.

For me, there are 2 take aways from the movie:

1. This was a sincere young lady whose life was cut much too short. It was difficult for me to watch her on screen knowing what was about to happen to her. She deserved better. Sadly, she is a footnote in history. We should refer to it as the Mary Jo Kopechne scandal, not Chappaquidick.

2. The end of the film featured "person on the street" interviews from 1969. It was amazing to listen to the ones who dismissed his short-comings and continued to support him. Seeing those interviews in the Trump era makes for an interesting perspective. Ted Kennedy, Bill Clinton or Donald Trump, the American voter on both sides of the aisle will look past a man's sins if they think that person will advance their political agenda. The opposite is also true: People will mercilessly and unflinchingly condemn a person for his shortcomings if they don't agree politically. This was true during the 2016 election cycle. It was never about Hillary or Trump's demons, it was always politics. Until that is understood, people will never get why Trump has support.

The biggest unanswered question for me is: how did Kennedy get out of the car. If the doors were jammed shut and the windows unbroken, which kept anyone from getting Mary Jo out of the car, then how did he get out?

There are two tragedies in this film. The first is the death of Mary Jo Koepechne, the young woman left to die in an upturned car in shallow water. The second is Ted Kennedy's ultimate refusal to accept responsibility for his negligence. The fact that the second tragedy works so well in the shadow of the first is a testament to how well the movie is written and performed.

The movie begins with a montage of Kennedy family photos and audio describing the achievements and deaths of Ted's three brothers, Joe Jr., Jack, and Bobby. The implication is that Bobby lives in a world of tragedy already, but that he also lives in the shadows of three brothers. Throughout the film, we hear from Ted, his cousin Joey, the secretaries (including Mary Jo), and even Joe Sr. that Ted either needs to find a way out of those shadows or that he will never be able to get out from them. Ted wants to be his own man, but he can't quite escape the gravitational pull of his family name that, a mere decade before, had dominated American political life.

In seeming preparation for what could be a presidential run, Kennedy rounds up Jack's secretaries in order to try and get them to work for him. He invites them to a small cabin in Martha's Vineyard to drink and participate in a boat race (that Ted embarrassingly loses). The secretaries as a whole, save Mary Jo, have bought into the Kennedy mystique completely, but Mary Jo is scarred by the deaths of the Kennedy brothers and is reticent about coming back into the "family", as Ted puts it. Ted drives her back to town in an effort to continue to try and convince her, but he takes the ill-fated turn and drives off the bridge, overturning the car.

One of his first lines of dialogue after exiting the car cuts right to him. He's gotten out of the car (he doesn't know how) and walked back to the cabin. When he sees his cousin Joey out of sight of everyone else, he says, "I'll never be president." It's not the safety of Mary Jo whom he's left behind, probably dead, that concerns him, but his political future and his ability to live up to the family's expectations.

What follows is something between a comedy of errors and a tragedy as Ted, Joey, and advisors brought in by Joe Sr. work to mitigate the situation with Ted making poor decisions left and right from a sloppily written statement to the police (that gets to the media) to a neck brace that brings nothing but scorn due to its obvious needlessness. All through this, Joey, the faithful cousin lawyer, is Ted's conscience, begging for Ted to do the right thing by calling the police right after the accident, telling the truth, and eventually resigning.

It's the final scene, Ted's address to Massachusetts and the nation, that shows Ted as completely fallen and Joey's complete degradation in the face of Ted's insistence on weathering the storm. Joey has begged Ted to resign, even writing a resignation letter at Ted's request with the expectation that Ted would read it. But it becomes obvious that Ted's not going to do it. His voice seems distant. The lighting is low. There's something wrong, and he tosses Joey's letter aside in favor of the message written by Joe Sr.'s advisors. Joey's ultimate disgrace comes when he is shanghaied into holding up the cue cards for Ted in his final half of the speech. Joey does his duty, but he simply cannot believe what he's seeing and hearing from his friend. He had expected Ted to rise up above the shadow of the Kennedy family by doing what was right, but Ted had fallen in with Joe Sr.'s view of greatness instead.

It's that final scene that really makes the movie, distilling the central conflict within Ted by using Joey perfectly in contradistinction to Ted's actions.

This retelling of the death of young Kennedy entourage "Boiler Room" secretary Mary Jo Kopechne and the involvement therein (or lack of same, arguably) of rising US senator and last surviving brother of the Kennedy family dynasty, Edward Kennedy, holds back little as it nails its accusatory colours to the mast.

I re-read as much background as I could on the tragic incident and it's difficult not to come to the same conclusion as the writer and director of this movie, that Kennedy firstly failed to attempt to rescue the stricken girl immediately after he escaped the sinking car, then got two of his slavishly obedient underlings to repeatedly dive into the river to try to save the girl, didn't report the matter immediately to the authorities where we learn that if he had, Mary Jo might even have made it out alive, before most shamefully of all, he played down and indeed lied about his role in the matter to go along with the abhorrent advice of the supporting Kennedy machine, a phalanx of important Democrats, including former Secretary of State Robert MacNamara, to cover up his part and so keep alive his future eligibility for the presidency.

As usual in dramatisations of real life happenings, some dramatic licence appears to be taken with events. For example was Ted Kennedy really so scared of his elderly, paralysed father, the family patriarch Joseph (played by an unrecognisable Bruce Dern) and so ashamed of himself as the underperforming last son of the family to justify acting in this deplorable spineless way? Then, was there anything sexual between Kennedy and Kopechne on the night - there are cryptic but inconclusive flashbacks shown hinting at something and Kennedy, whose wife hadn't made the trip, was a known womaniser. Did he really contemplate resigning the Senate right up to the last minute before caving into the surrounding peer pressure and instead turn his live TV broadcast into the contemptible self-serving speech it turned out to be, including his horrendous assertion that this was the infamous "Kennedy Curse" working on him - this just in Senator Kennedy, you didn't die, Miss Kopechne did - and in so saying, trying to bathe in the reflected glory of his two slain brothers? I also thought it was a major mistake to fail to mention the substantial payment that was made to the dead girl's parents, presumably to hush them up.

Only one person knows what happened on that fateful night and I concur with the film-makers' assertion here that Kennedy not only acted in a selfish, cowardly way at the scene - he even tried to weasel out of this by faking a medical report that he was concussed in the crash which affected his actions and then compounded the felony by "wearing" a neck brace for effect at the funeral.

This as I said is a brave film, justifiably, I believe, taking a side and having the courage of its convictions to stick to it. Jason Clarke is excellent as Kennedy while the rest of the lesser known cast give him credible support. The direction could have done with less of the voguish drone shots which seemed at odds with the realistic approach adopted elsewhere plus I found the soundtrack dull and again lacking affinity with the era portrayed.

I doubt this film will gain wide distribution but hope it does. It's an excellent drama, the tragedy of which is how realistically it depicted a tragically avoidable real life accident.

Ted Kennedy and his memory even today is idolized by various women's groups. This movie shows the truth for those of us who remember his abandonment of Mary Jo and let her die a slow, agonizing death in the car he crashed. And then his contradictory stories in the cover up. The powerful family even reached into the court system to block exhumation of Mary Jo's body, thus helping the extensive coverup. This is a real story about real people and until this movie, the media protected Teddy and his powerful family. More people should see this, the truth should be out there. And Ted Kennedy should not be idolized. He should have faced a jury on manslaughter charges.

Let's just say Chappaquiddick is not the kind of movie I'm normally interested in. Politics, is there anything more boring than politics? They are all corrupted and the only thing that drives them is greed and power. In Chappaquiddick they show what happened with Ted Kennedy, the fourth brother, the only one still alive, the one who murdered a secretary. And yes I say murdered because she could have been saved. The good thing about the movie is the acting, that's good and you can't deny that. The story is what it is, the exact thing that would happen when a powerful rich person gets involved in the death of somebody, he just gets away with it and nobody cares. That's how our society works, there is a law for the rich and a law for the poor. Disgusting but nothing new. All in all the movie is worth a watch but don't expect a masterpiece.