In an abandoned bungalow complex two man have made themselves a peaceful haven. Although the relationship between them is unclear, the unexpected arrival of the third man is going to disrupt their little utopia.
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The red chair that appears in the film refers and symbolizes a private moment or better a trauma in Danes life. He used the film to overcome this "trauma" and move on. During the Q&A at the Auteur Film Festival in Belgrade he said that he cried while they were spray painting the chair red.
Cameraman at 1:09 on the left-hand side of the frame.
Serbian