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  • This film immerses us into the world of lower-class people in Florida who ironically are staying in a cheap hotel next to of Disneyworld, where a set of four magic band bracelet tickets goes for $1600. There are excellent performances all around, especially from Brooklynn Prince, who plays a tough, mouthy, and yet sweet little girl with an arresting honesty. The character is just six but in many ways seems older, growing up too quickly while left mostly on her own to roam around with her friends.

    It doesn't take long to feel sorry for the children in this situation, with no structure or guidance, and horrible role models. In ten years we can easily imagine the little girl grown up to be a similar mother, and ten years ago we can imagine how the mother must have grown up. Without even a hint of this message from director Sean Baker, who shows masterful restraint, we see how hard it is for someone to rise out of the lower class or a difficult upbringing - not impossible, but not easy. The film may be an ink blot test though, because I can also imagine the response of them getting what they deserve, since the mom doesn't get a job as others around her do, runs scams, and resorts to prostituting herself, and I have to say, feeling empathy for her is a real test. Just watching how poorly she behaves is one of the turn-offs to the film, even if it's honest.

    The little girl is easy to feel sorry for because she's still just six; this is what happens with awful parents. But the mother was also likely brought up in a difficult environment, so the film begs the question of what to do about vicious cycles like this while wisely not attempting to answer it. Instead it just gives us reality, as cringe-inducing as it may be at times.

    I loved how it was edited, with cuts tending to shorten scenes. I think that was a wise move, since a lot of the film is simply showing us a series of vignettes without the machinations of a big plot, and this kept it from lagging. I also loved the character Willem Dafoe played - what a tough job he has, and yet he's a model of empathy and kindness, an absolute angel under the façade of a grizzled hotel manager, never judging anyone. He plays the part perfectly too, without embellishing it with sweetness or anything that doesn't feel completely authentic. How it resolves is great too, because you can see both the tragedy and the need for it, after everything we've seen.
  • Warning: Spoilers
    This is my first Sean Baker film and I was impressed with the realism that he projects. I live in the Orlando area and easily recognize a lot of the buildings. So many before me posted a synopsis of the movie, so I won't bore you with that - just a few thoughts from an area local. If you have Amazon Prime you can watch this for free and I highly recommend that you set aside a couple of hours to do that. We watched it this weekend and were blown away by the genuine authenticity of the area surrounding Disney World that most "tourists" will never see. There is a lot of poverty in and around Disney and Orlando and a lot of people who live in these older motels that were once the main tourist hotels before Disney started isolating their guests by building Disney only hotels on property. What's so sad is that because they are hotels, the families that live there are technically considered homeless. Even worse, I have actually known families here just like this. While watching, I was wondering if they would address the problem of pedophilia and I'm glad that they didn't omit this from the movie, because it is a growing problem. In case you don't know, there are A LOT of pedophiles in Florida (not sorry tourism industry). I really liked the way that Mr. Baker addressed the irony of the fact that Moonee and her mom were in such a struggle for sheer survival that, although they lived in the shadow of Disney World, they couldn't afford to go and enjoy it as so many can. Yet, Moonee didn't seem to mind - she never really seemed to "feel" poor. It was cool to see all of the authenticity in this movie, from the Tastee Freeze building to the tourist helicopters. And the story itself was so well written and acted that you almost forget that it is just a movie. And the ending? We're still analyzing the symbolism in the ending. Enjoy!
  • Uncomfortable - yes.

    Language that children should not be using - yes.

    Situations that no child should be in - yes.

    A peek behind the curtain at the circumstances of those on the lower rungs of society, monetarily and otherwise.

    Be thankful for what you have for there are those with literally nothing.
  • Greetings again from the darkness. "The Happiest Place on Earth" has long been a Disney catchphrase. The irony for those living on the road to Disney World is the focus of the latest from ground-breaking filmmaker Sean Baker. Mr. Baker was the creative force behind the remarkable TANGERINE (shot entirely with iphones) a couple of years ago, and his most recent film solidifies his brilliance at bringing us the fringes of society – those we don't typically see on screen. Beyond that, these are the folks many of us pay little attention to in real life.

    The Magic Castle Motel is a lavender monstrosity that belies the daily struggles of those who live behind its purple doors. It's actually a seedy extended-stay that caters to ultra-budget guests. Included among those are 6 year old Moonee (Brooklyn Kimberly Prince) and her friend Scooty (Christopher Rivera). As we watch them spit on a car below their perch on the motel balcony, we quickly judge these as kids with a bit too much free time and a shortage of parental guidance.

    As the summer days roll on, we tag along as Moonee leads Scooty and their new friend Jancey (Valeria Cotto) in some boundary-pushing adventures. Their fun ranges from typical kid mischief to accidents with more serious ramifications. The brilliance here is that through the child's eye, we see joy and excitement and fun. We hear the purity of giggles and giddy screeches as the kids bound between tourist traps, ice cream parlors, and rooms forbidden as off-limits. All of this miscreant activity occurs amidst the adults who trudge on simply trying to survive another day.

    While we might be tempted to recall Cat Stevens' lyrics, "while the sinners sin, the children play", it's director Baker that refuses to pass judgment. Moonee's mother Halley (Bria Vinaite) was recently fired from her "dancing" job, and is now constantly on the prowl to make enough money to cover the weekly motel bill. She clearly loves her daughter, but is too proud and angry, and just has no idea of how to pull out of this vicious cycle of poverty. The artificial dreams that are prevalent in so many films have no place at the Magic Castle Motel. It's about the next meal and keeping a roof above.

    Don't go searching for plot here. Instead, at times it feels like a documentary on Moonee or the spirited need for fun and laughter that is in the DNA of kids. We are just following a real kid around, and that's a tribute to the marvel that is Brooklyn Kimberly Prince. She steals every scene and most of the movie … and that's in spite of the terrific performances from Ms. Vinaite and screen vet Willem Dafoe. It's a rare "normal" role for Mr. Dafoe, and he makes the most of it as Bobby, the motel's manager. He is also a father figure, mediator of disputes, bill collector, and protector of damaged souls. With no hint of saccharine or Hollywood mush, Bobby is unable to detach emotionally from those who live at the hotel, not because he is soft, but rather because he is human. We see his demeanor change drastically when the owner of the hotel arrives for inspection. Bobby understands the fragility of his own situation due to what he witnesses each day.

    Director Baker is a master of color use and the blending of abrupt framed images with the handhelds in close proximity within motel rooms and personal interactions. His story (co-written with his TANGERINE and STARLET collaborator Chris Bergoch) never feels condescending, preachy or romanticized. There is no blatant political statement being made. These are folks living their lives as best they are able within the confines of their situation. The police and Child Protective Services are always hovering as a reminder that the next mistake could significantly alter lives. Somehow, the film is both hilarious and heart-breaking. The obvious comparison is to last year's MOONLIGHT, and it could even be viewed as a prequel to American HONEY. Mostly it's a slice of rarely seen life and further proof that Sean Baker is already an important filmmaker, and one that likely has more to say. As for the debate around the final scene, does it really matter? There is no better place for a child to escape reality … even if it might only be in their mind. Sometimes that's the only escape we get.
  • Warning: Spoilers
    This movie is awesome and I will explain why I thought that.

    In 2013, I, my wife and my stepdaughter went to Orlando in vacation, was a "dream comes true" trip, we all are born in a poor family in Brazil, and can do that was really a dream come true. Everything in USA was amazing and we come back Brazil thinking "there is no poverty in USA, everything works, the things are cheap!".

    The poor people in Brazil live in not well done houses, in favela, near polluted rivers or very crowded neighborhoods. This movie show us where the poor people live in Orlando, conventily in cheap hotels (conventily to the ones that earn money from tourism). Just to you know the difference between the countries, in Brazil is impossible a poor family live in a cheap hotel, no way, this is very expensive.

    Many user reviews here, especially the lower ratings, takes the point of view of the mother, saying that "she not a good mother", "why she dont work?" and many other things. They say the movie protect this kind of people and becouse of this they are very disappointed.

    I say that all these people don't understand the movie, let´s take only the point of view of Moonee, she have a super mom for her. She can play all day with her friends, walk way in many places, eat icecream for free, and do stupid things, and if anyone go to your mother to complain about her, her super mom will make they go away. Moonee really love this.

    You can say that this is wrong, I don't agree to that kind of comportament, but the movie is showing to us one point of view, you don´t need to agree with it, but you need to see it.

    Just think about Moonee life, she love it, everything is good, everything is a party. There are so many middle class families, with kids that just hate their lives, they have school, toys, video games, computers, cellphones, but just don´t have good times with their parents.
  • Warning: Spoilers
    A lady once told me in Orlando. Good ole Uncle Walt. He bought a piece of swamp in Florida and turned it into a tourist magnet. He must have done a deal with the devil as well. Disney World is the only bit round here that has never been directly hit by a hurricane.

    The Florida Project is set on the outskirts of Disney. Motels with long term residents who are way down the socio economic scale. Living in the margins of society when others around the world see it as a dream Disney destination.

    Moonee, Scooty and Dicky spend the summer very much left on their own devices causing mischief and mayhem with their wild behaviour. Other kids descend to Orlando to visit the theme parks. These kids make their own adventure as going to Magic Kingdom is not an option for them.

    They are joined by Jancey who has moved into the neighbouring motel with her grandmother.

    Mooney's mum Halley is an exotic dancer who after losing her job becomes an online sex worker. Halley would do anything to survive, selling knock off perfume in car parks to scalping park tickets. Halley would even literally fight for survival and at the end she is is at risk of losing Moonee to social services.

    Only Bobby (Willem Dafoe) the manager of the motel is protective of the kids knowing the grown ups are having a hard time to make ends meet.

    Director Sean Baker has made a low budget independent slice of life film. In the absence of Dafoe's casting you would think this was a drama documentary. Baker has coaxed astonishing performances from his young cast. It actually made me think how he managed to get such naturalistic acting from the kids.

    The film does not have much of a plot and it is still better than many routine films pumped out by Hollywood. It is about the kids living aimlessly who get into constant trouble. There is a scene where Bobby spots trouble and confronts a dirty old man. However Halley's deteriorating issues begin to take a toll on her and Moonee.

    There is an element of magical realism with the ending. I had no issue with it and whether it was literal, figurative or metaphorical.
  • Many years ago I remember being in a shop where a rough-as-stones mother was there with a 5 or 6 year old girl who was so well spoken and friendly that I barely believed they were together. A bit snobbish of me, but at the time I felt for the child as I assumed her path was more or less chosen for her. Life is not as simple as that, and it wasn't fair of me to judge, but it is a memory recovered while watching this film. The Florida Project takes us into a motel mostly housed by those down on their luck (to say the least). We go there via the perspective of the child Moonee, who mostly runs around with other children while her mother Halley smokes and lies around. Money comes from stripping when she can, but mostly from selling knock-offs to tourists. For Moonee though, it is a world of wonder and color.

    It is important to say that it does this in a way that is very slow, and does spend a bit too long lingering in some scenes or ideas. This makes the film a bit harder for those (like myself) expecting something with more purpose, but if you know this then it is easy to go with it and be engaged by what it does. The film enjoys the nostalgic playing and fun of the children, and doesn't push the sadness of the situation. Likewise the extent of the poverty and desperation are not directly shown or labored other than the way a child would observe them. The personal drama plays out though, and in the end it is a depressing film for how it does come over as very real - and ultimately how Moonee probably doesn't have that bright future that she deserves; not to say people cannot escape poverty - but there is almost nothing here to help them do it.

    The performances are strong through, which is important for a film which spends so long letting the characters just be on camera. Prince is as good as everyone says she is; utterly convincing and challenging. Dafoe is the only real 'name' in the film, but he doesn't let that be what he is there for, and he is an engaging presence. Vinaite is very good as Halley - had the performance come from an established actress then this would have been Oscar material; I wonder if her tattoos etc made people assume that she was essentially just doing what came naturally? Regardless she is nuanced, unsympathetic, but yet human - the film doesn't pander or patronize her.

    The Florida Project is not an easy sell as a film, and it is perhaps a bit too slow for its own good, but it has a heart and honesty that make it work. The performances are natural and convincing throughout, and the film allows the child's wonder and fun come through, while never denying the depressing and oppressive reality of it all.
  • Warning: Spoilers
    It's only fitting that in the shadow of the corporate mouse...a society of people who live on the fringe would exist. In Florida (specifically Orlando) the desperate existence thrives on people who go off the beaten path...and actually get lost. That is where Halley (newcomer Bria Vinaite) and her daughter Moonee (played by another newcomer Brooklynn Prince) exist. Halley...seems to be a club kid who got knocked up by a man who shortly abandoned her. In some tribal/white trash code of religion, it seems she thought having a child would make her grow up. Not quite. Because the princesses' castle is within reach, it's still a world away. And that is heartbreaking. Imagine being a person unable to grow up (like what Disney promotes). Those dreams withered and died, but the worst residual effects remained. Which is the Magic Castle. A hovel of a (what one unsuspecting tourist calls a "gypsy project") dump managed by Bobby, played wonderfully sympathetic character Willem Dafoe. Bobby patiently overlooks the ship of fools and sometimes, babysits, though by default. Most who live there have feral children who explore the grounds and beyond out of boredom. The residents here are...they are who you think should live there. Look, this film is about character. There is zero plot, so don't go looking for a story. The reality of the people who live here are brutal. Like...on edge scary where you're not entirely sure you want anyone to exist here. But they do. Moonee is a lovely little girl caught up in an adult world she doesn't fully comprehend, but is forced to deal with. Halley is obviously a broken toy herself. And in a very quiet effective scene, we see glimpses of Halley coming to terms with what the world requires of her as parent ("pepperoni costs money").

    This is art at it's highest degree. A well paced, sometimes hilarious glimpses of life at the fray. I really hope Willem DaFoe gets nominated for an Oscar. There is a moment in the film where he becomes the knight in shining armor, unbeknownst to the complaining tenants of the complex. Essentially protecting their children from the monsters that are within grasp. And no one thanks him for it. His character Bobby just wants to make it to the end of the day like everyone else. But he is also...us watching and wanting to hug these people hard.
  • Set in Orlando, Florida, the story follows single mother Halley (Bria Vinaite) and her young daughter Moonee (Brooklynn KImberly Prince) as they struggle to survive. They live week-to-week in a tacky tourist hotel gone to seed managed by the compassionate Bobby (Willem Dafoe), who tries to help the various misfits and rejects that occupy the place. Things are looking bad for Halley, though, as she's lost her stripper job and her options are looking more and more limited, while the often-unsupervised Moonee gets into all sorts of trouble.

    I'm sure director Baker wants the audience to sympathize with these people living on the wretched edge only feet away from the tourist capital of the US, to think about the dichotomy of the overly-colorful, often grotesque architecture like something out of a child's dream serving as a backdrop for the struggles of the poor, and especially how it effects their kids. But often the film comes across as an illustration of how modern Western society has collapsed, and the only ones to truly blame are ourselves.

    The misbehaving Moonee is not much of a surprise when her mother is such a car-wreck. Halley is her own worst enemy. Willem Dafoe has won many supporting actor awards already for this movie, and at first he seemed like a shoo-in for a long-deserved Oscar. However I can't really see why Dafoe was nominated. He's not bad at all, but there's nothing to his role that seems worthy of the acclaim.
  • carrieannsphone10 November 2018
    9/10
    Ouch
    Warning: Spoilers
    I just got my heart ripped out. The end is painful and brutal and soul sucking. I'm actually editing this review 10 hours later. I fell asleep thinking about this film and I woke up thinking about it. Bria Vinaite was truly amazing and Brooklynn Prince will make you feel some stuff. A work of art.
  • I had been looking forward to seeing this new film directed by Sean Baker ever since reading the rave reviews for it that came out of Cannes and Toronto. While I can say that this film is beautifully filmed and features strong acting, it doesn't quite hit the mark. The film is about a poor young girl, raised by a single mother, and her friends who live in a run-down motel close to Disney World near Orlando, Florida.

    Baker uses a simple and low-key filmmaking style to deliver excellent cinematography. The film has a strong and commanding color palette to its simple aesthetic. The performances on display in this movie are very satisfying for the most part. The child actors do a very good and convincing job, especially given their ages. Williem Dafoe is very good as the manager of the motel, although it would have been better if he had been given more of an emotional range to work with in his role throughout the movie. Unfortunately, the film does have some notable flaws. The tone of the movie is all over the place, with joyous childhood wonder juxtaposed sometimes abruptly with more edgy and mature themes. Such abrupt changes in tone and motif hold back the movie's message to some degree. Some audiences will dislike that the movie is considerably darker than its trailers make it seem, although I was fine with that. The same concern over abrupt changes in tone is also evident in the movie's writing, mixing puerile scatological 'jokes' from the kids with more sophisticated and powerful material. Finally, the film's final scene feels like a cop-out. Without giving anything away, the way it is done also makes one (unfortunately) wonder if it was filmed on impulse, or if the filmmakers ran out of budget.

    I really wanted to love "The Florida Project," and it's certainly not a bad film, but I just wish it could have been better. 6.5/10
  • I really liked this film, as unorthodox as it was. The first hour was uproariously funny, before becoming a deep, and poignant study of the millions of lives of Americans who are living on the fringes of society, just barely surviving day to day. There is a shocking lack of cinema devoted to this underclass, and seeing this small film, was refreshing, enlightening, and surprising, and a refreshing contrast to the plutocracy we see all around us today.

    The performances were outstanding. I am not sure where Bria Vinaite has been hiding, but she was astonishing as the mom, Hailey. Her daughter and all of the other kids were great, and their interactions, behavior, dialogue and play was hysterical. Then it kind of morphed into a more serious story, that was credible, and powerful. Willem Dafoe was his usual masterful self, and played a very real, very likable guy. A tough guy with a heart of gold.

    I highly recommend this film. Not for everyone. Several people walked out during the film. My presumption was that they either thought the film focused too much time on the kids, or they were living in a state of denial, like so many Americans these days, pretending that this huge underclass does not exist. Regardless, it felt like a story that needed to be told. And it was told very well. Kudos to the filmmakers.
  • Looking back at this piece as a story it was an engaging film that, many times, had me enchanted and rooting for the characters. It is good without question, but what would have made it truly "great"?

    The kids are, of course, "cute", but just can't justify quite that much screen time - they don't advance the story further at that level of coverage. I would reduce the long closeups by about 25-35%. I believe that was time that would have been better spent on building Willem Dafoe's character - his family context, his role in the outcome of the film. Alternatively, perhaps a more in depth character treatment of one of the children as opposed to "the children" as a group entity. As the "Manager", Dafoe was very good as always, but I would like to have seen him play a slightly more defining role in the story. The ending was intriguing but ultimately unsatisfying - it seemed abrupt and thin. The story builds to a climax that simply can't end well, but the audience is left hanging.

    This film did a lot with $2,000,000 and seems to have been highly profitable. Sean Baker did what was no doubt a difficult and consuming job as Producer, Director, Screenwriter, and sole Editor, and all the awards and profits the film gathered do him justice. No doubt he'll be trusted with larger budgets going forward, and it will be exciting to see what comes next.
  • penny-parkin22 January 2023
    Warning: Spoilers
    This movie failed to ignite a shred of empathy in me for any of the characters, with the exception of Willem Defoe. I guess this is a story about the never ending cycle of poverty and addiction. But if it wants me to care, it needs to give me one tiny bit of honest vulnerability or a glimmer of hope. The kids are like wild animals. All I could think of was "Lord of the Flies," which works on a metaphorical level. Is that the intention of this director? We're all wild animals, under the glossy Disney veneer. Too dark for my taste. See "Fish Tank" for superior and believable dialogue and acting in a story about the underclass in England, with a slim but meaningful ray of human aspiration.
  • I had the privilege to catch an early viewing of this film along with a Q&A with writer/director/editor Sean Baker. Many know him from his breakout hit Tangerine (2015); I was sucked into his world since the release of Starlet (2012). Something that he never ceases to portray is the messed up realism that is hidden within our world and the Florida Project capture this in the most purest and colorful of ways.

    The story follows a ruthlessly mischievous 6-year old named Moonee who, along with a couple friends, explore, disrupt, criticize and takeover a simple hotel complex just on the outskirts of Disney World. She lives with her young, tattooed mother, who seems to have issues of her own, but seems content and manages to pay rent (almost) every week.

    Taking place over the summer, these kids are free to do as they please, that is, since there parents are not too strict. And being around tourists who can't afford the Disney Resort, they can make a lot of fun out of it. From panhandling money for ice cream to turning off the electricity in the hotel, these badmouthed hoodlums do it all. One thing this film captures well is the freedom children have and how far they go to test the waters of life.

    It was very easy to get lost in this film, making it completely enjoyable. I was worried about the kids being a bit over exaggerating, but they really weren't and every thing they did seemed natural and true to their character. I especially want to point out Halley, Moonee's mother, and her performance. I have never seen a character like her played so superbly and so factual. You will see as the story unfolds that she is a very complex person who, like a child, struggles to maintain complacency with the people around her.

    Another element I would like to touch up on is the camera work. By far one of the best storytelling methods for a film such as this that is mostly from a child's point of view. The colours being so vibrant and wide angles that show how big the world really is. The gorilla-style as well really depicts how on-the-go they are and trivial most disruptions are.

    One last thing I want to touch up on is that there is a number of great shots with a helicopter zooming away. I am unsure if it was intentional or if there was a popular helipad near by, but this was a great part of the film that was subtly used. To me it represented freedom, and escape from the world, referring to how fast it can get away.

    It is not everyday you come across a film like The Florida Project and I definitely intend on seeing it again, as it is simply rewatchable. Getting a taste of authentic realism in art nowadays is one of the most beautiful gifts we can receive. Enjoy!
  • Boy, did I hear some great things about this from film festivals and from critics I follow on social media. Trailer didn't blow me away but I knew there had to be something special about this film. I haven't seen Sean Baker's previous effort, Tangerine, so I didn't really have a barometer for what to expect. I can safely say the film works so well. It's incredibly well acted, and utilizes a charming and emotional script to convey an experience you won't soon forget.

    The film follows a young girl named Moonee (played by a really good young Brooklynn Kimberly Prince) and her mom who live in an extended stay motel managed by Bobby (Willem Dafoe). Halley, Moone's mother, has trouble making ends meet and does whatever she can to raise her daughter but her brash personality and lifestyle makes life difficult during their stay at the motel. Bobby tries his best to watch over them but realizes how tough it is keeping them as guests.

    Its hard to say much more without giving away key plot points. I have to say this film is a joyous good time. The kid performers are mostly yelling loudly and running around on adventures. you know, being typical hyper kids. Its done so well though. I think Baker may have legitimately had the child actors improvise their lines because everything felt extremely natural. Newcomer Bria Vinaite, wow. She is livewire. Love or hate her character, she is loudly unapologetic and rebellious and just wonderfully portrayed. Defoe is also typically great. Bobby is such an identifiable character.

    Baker uses his lenses to study a part of under-represented America. We don't get a lot of films about struggling families who find it hard to get by, definitely not the typical "Hollywood" character story. The film is definitely going to hit a lot of viewers hard at the end. Its a rather beautiful ending that reflects the innocence of the mischievous but ultimately innocent children. This could really be an Oscar contender.

    8/10
  • My wife and I watched this movie at home on DVD from our public library. The writer/director mentions in the DVD extras that he is a long time fan of the old "Little Rascal" films and making this movie his focus similarly was on the kids and what they do during the summer without supervision.

    Back in 1992 writer/director Robert Rodriguez as writer/director/editor gave us "El Mariachi" made for a mere $7000. This little movie has similarities, in fact some scenes were filmed using a phone, the writer/director rewrote some of the story during filming, and was the editor. Overall a fine effort, made to bring to light the plight of the near homeless, those families living in cheap motels in the Florida area near Disney World.

    To me the real star is first time actress Bria Vinaite as Halley, a single mom with a daughter maybe 6 or 7. The writer says she would have had her daughter when she was perhaps only 15 and has had to figure out how to keep a roof over their heads. As probably most would do in a strictly survival mode her actions stray way off the line of good morality and her mouth is filthy as they come. She finds a variety of ways, some legal, to make money each week.

    In a good role for him Willem Dafoe is Bobby, the manager of the motel. He clearly gets frustrated with the antics of the kids, and always having to remind Halley that the week's rent is due, but he also has a soft heart for all of them. He is perhaps the only father figure Halley ever had.

    There is also a short scene with little kids playing and an older man approaches them. Bobby is on a tall ladder painting, quickly jumps into action and prevents what might have become an ugly situation and muscles the man away.

    Much of the movie is hard to watch because we understand that, even though this is fiction, it mirrors reality very closely. This movie was made about Florida, you could probably make a similar one in every large community, including the one where I live in Texas.
  • 'The Florida Project' is probably one of the more interesting animals of 2017 for me.

    I was extremely excited to finally see this film, as I had heard praise showered upon it for multiple aspects of it. I was told it was a great Indie film, was trashy and unapologetic, and was told the performances were all spectacular. Heck, I even stayed in the same 1-mile stretch of Kissimmee, Florida that this was filmed in only a week or so ago!

    In the end, though...this film is TRASH.

    When I say 'trash', I don't mean it in the deriding, demeaning manner. I mean it in the FEEL of the film. This film spends its time covering a surprisingly ignored but very much present reality of the bottom class of modern American society.

    Taking place in the shadow of Disney World in Florida, this film strives to depict the harshness of the lives that these people face. I am almost reminded of the film 'Gummo', which depicted the life of slums in Ohio in an extremely similar manner. In fact, I would almost consider this a companion piece to that film. Considering this comes 20 years after the release of Gummo, I can believe they are tightly interwoven in their 'film DNA', so to speak.

    But enough about me comparing this to cult indie films. You probably want to hear me tell you whether it's GOOD or BAD, right? Whether it lives up to the hype or if it's 'overrated'?

    In the end, I feel it is an odd mix of both.

    The performances in this film are SPECTACULAR. Willem Dafoe turns in a subtle performance that has the most humanity I've seen from a character he's played in a long time. I'm almost upset that Sam Rockwell turned-in as good of a performance as he did in 'Three Billboards', because this is easily one of Dafoe's best performances and easily could have won the Oscar for Best Supporting Actor if it wasn't such a tight year for it.

    The real highlight of the performances featured here, however, is 7-year old Brooklynn Prince. Having worked with children for 6-7 years now, I cannot tell you how PERFECT they captured the way children speak in this film. They behave exactly as I'd imagine them to, and Brooklynn manages to capture a rough, childlike innocence that is really at the center of a story about children and the places they grow up in that influence them, positively or negatively. If there's anything I can point to that works at an incredibly high level, it is certainly the child acting. I cannot imagine a world where Prince does not have a career in the next 5-10 years.

    Other than the performances, another attribute the film has going for it is its gorgeous, sun-baked cinematography. Filmed on 35 mm film (Except for one sequence which we'll discuss later...), shots in this film evoke postcard-like imagery that makes the environment shine. Whether its something grungy and disgusting or natural and beautiful, this film looks incredible even on the smallest possible screens. Massive praise to Alexis Zabe, who'd likely get an Oscar nomination if Blade Runner 2049 didn't exist.

    The points of contention begin to arrive and the film becomes subjective when it comes to the story itself. Coming from my point of view, a man who really LIKES three-act structure and a coherent story, this film...really does not have a story at all. It is about a poor community that struggles to live with each other, perhaps? Or perhaps it is about children and what society does to corrupt them? Or perhaps it is a critique of society in general? I could not tell you, as the film flows freely and lets its imagery speak for itself.

    At times, the film feels bloated. There was a certain point around the hour and a half mark where I truly began to feel the film drag its knuckles and lose me. Again, a sacrifice that comes from such a free-form concept for a film, but it's not as if the film is "too long", as some have complained. It is simply just a very loose film, which requires a patient audience. Thankfully, I am patient. But not everyone is.

    Finally, we come to the thing that has gained infamy about this film; the ending. While I will not dare spoil the ending, it...is indeed as bad as everyone has made it out to be. It's jarring, it doesn't really work with any of the plot threads or character attributes established, and due to the nature of it, it is not even filmed in 35 mm and can retain the beauty of the rest of the film. It feels unneeded, and almost as if director Sean Baker struggled to find a cohesive way to end the film. If you ask me, endings to independent films are ALLOWED to be abrupt, which is why this attempt at a 'tying it with a bow' ending feels cliche, jarring, and just...bad.

    All of that aside, and with flaws taken into account...I think this film is still absolutely lovely. The performances are all excellent and sell me that the characters I see are fleshed-out, real people. The cinematography looks postcard-esque and captures a city I have been to and can validate is spot-on in its depiction.

    'The Florida Project' is uneven, but perhaps it has all the right to be. It is about characters who are rough around the edges and have their own issues, which we simply watch as their lives move along and they simply try to live by their means. It is a fascinating look at a part of the country that we sometimes forget exists, and I certainly can say I was not upset that I gave it my time of day.

    Despite it being rough and uneven, even by an indie film's standards, I recommend you give it a look! I think there's something to love for everyone in this film.
  • treywillwest23 October 2017
    9/10
    nope
    Beautifully humane film that at times recalls Italian Neo-Realism, at other times the child-based films that are so popular in Iran. That it was made in the USA, with a real if humble budget, seems surprising and is a testament to the commitment of the filmmakers.

    Subtly going back and forth between the perspectives of the child and adult characters, the film has, at times, an almost magical realist vibe, though nothing remotely supernatural or surreal transpires. Indeed, this is a film steeped in harsh reality, but also one that captures the almost mystical sense of discovering life on the part of the children and sometimes, momentarily at least, even the adults.

    On the other hand, the film also offers a very visceral sense of the stress of trying to survive amidst the scarcity of the margins of American capitalism.

    The acting is incredible, all the more so given that, with the very notable exception of Willem Dafoe, the performers are all either non- actors or unknowns.
  • Yeah this movie could have been Oscar worthy if it weren't for that terribly executed, irredeemably bad ending. I get the premise of it but I refuse to believe that there couldn't have been a better way to do it. I was loving everything else up until the last 60 seconds, which was seriously one of the most unsatisfying endings to any film that came out in 2017. It's such a shame.
  • Warning: Spoilers
    If you've never heard of this movie, i'm not surprised. It would be a challenge to market a movie like this from a big budget studio. but that doesn't make it a bad film. Luckily, A24 releases indies films that would otherwise struggle in the business.

    The film is about a mischievious young girl named Moonee, and her mother as they struggle to get by while living at a motel near DisneyWorld. The film features great performances from all of it's actors, the child ones especially. They all give it a very organic feel, seeming not just like characters but real people. This is also helped by how the film used very little well known actors.

    A major turnoff for most people though would probably be the lack of a central plot. The film is mostly segments of the different characters milling around over one summer. While I felt it worked in this case to help build characters up and develop them, others might feel bored by it. Sort of like Once Upon a Time in Hollywood.

    The film is beautifully shot. Showing bright colors and landscapes, while also showing how harsh it can be at the same time. The whole plot is all seen through the eyes of child, and how she creates her own adventures, oblivious to the grim, poverty-stricken reality that she lives in. One of the few films i've seen to shed a realistic light on these issues.

    I also enjoyed how the film used DisneyWorld in it's setting. Having the fireworks go off and people watching from outside the park. It almost made it seem like a dream, an far away place, where maybe the world feels a little bit brighter. The ending was beautiful. Just when you think you know how it's going to end, it switches. Maybe Moonee was taken away, or maybe she really did run off to a happier place. Maybe we know the answer, and maybe we just don't want to believe it.
  • Warning: Spoilers
    This was a good movie, except for the ending. I think the actors especially Bria Vinaite and Willem Dafoe did a good job. A mom struggling to care for herself and her kid, and a motel manager having to juggle all these different problems. I did like Bobby as a character. He felt very fatherly. I also felt bad for the people in the motel. They live right outside of Disney World, and while people are having fun at the happiest place on Earth, they're struggle to make ends meet. This movie showed that not everything is fun and games. Sometimes people have to result to prostitution, stealing and scamming others just to live their lives. People can also lose their kids and be arrested. But yeah, that ending. Oh man. As my good friend said, "it looked like a commercial for going to Disney World". Left a bad taste in my mouth.
  • From the description you might thinks this is some kind of uplifting film about getting by in hard times. It's not. It's a character study of a class of people who have pretty much given up and don't even realize it. To be fair, society has no use for them either, and they live week to week in a budget motel in Florida with no prospects for the future. It's bleak but fascinating as their lives slog along, a successful mom working in a diner, a guy who thinks things will be better in New Orleans, and the central figure, a petit-crime type and occasional hooker and her adorable, pre-criminal kid. You get the impression that the mom's childhood was much like her kid's and the cycle will repeat.

    Don't expect plot - there isn't any. It's a series of vignettes that drive from point to point along their hopeless lives. It's captivating and you want to look away, but it's hard not to watch. Part of my reaction comes from the fact that this is such a true story. Early on, I was a social welfare examiner in New York and had to deal with people like these characters and this film could be a documentary. Many of my clients would say they've had it with us and move to Florida to start a new and successful life and they usually returned within a year to resume the same life as before. They were at once, maddening and heartbreaking in real life and the director and actors in this film capture that so well. You'll find yourself with a mixture of anger and empathy.
  • How you see The Florida Project (2017) depends entirely on the lens you use. There are several options: it could be seen as a drama about a precocious free-range six-year old living on the edge of squalor; a reality-mockumentary about the gritty texture of life in the shadows of Disneyworld; or a post-GFC critique film that examines what inequality and hopelessness looks like in what is now Trump's America. Of course, it can be all of these at the same time but the one thing it is not, is pleasant to watch.

    There is no plotline in the traditional sense, rather a montage of moments in the pitiful ordinariness of living in poverty. Instead of a beginning there is an entry point; the middle has no discernible narrative arc; and the final chapter is inconclusive. Six-year old Moonee (Brooklynn Prince) lives with her unemployable stoner mum Halley (Bria Vinaite) in the run-down Magic Castle Motel adjacent to Disneyworld. It is temporary accommodation but most of the residents cannot afford to live anywhere else. The manager Bobby Hicks (Willem Dafoe) is a salt-of-the-earth humanitarian, dealing out tough love and genuinely caring for the residents. Moonee makes mischief just to watch grown-ups react: she is bright, funny, adventurous and likes junk food. The constantly slurred Halley struggles to provide food and shelter while Bobby tries to protect his wards from themselves. The trio are the human anchor points around a series of everyday happenings that are trivial, except that Halley's inability to pay the rent inevitably leads her to renting her body and stealing, and state child welfare authorities intervene.

    In many ways, the characters and events are not the point of this film. While the three actors excel in their roles, their performances feel like cameo roles or avatars for an underclass of people denied a fair share of their nation's wealth. 'The Florida Project' was the name given to the massive commercial development that became Disneyworld, and using it for the film title is a metaphor for unfinished work. These Disney neighbours have no hope of paying for a ticket inside. The helicopters landing and taking off all day bring the incessant flow of wealthy tourists dropping in for fun but never seeing what lies just outside the lavish gates of this capitalist paradise. Viewers see it all through Moonee's eyes, with camera angles at her height looking up at a world that offers her so little, expecting her to remain dispossessed.

    Hardly entertainment, this is a deliberately disturbing film. Some commentators describe it as beautiful. It may be so only in the sense that an as yet uncrushed daffodil on a battlefield can provide aesthetic relief from what is ugly. Despite its joyless offering, young Brooklynn Prince shines a warm light into a dark place and Willem Defoe gives a quiet portrayal of unacknowledged heroism. Several viewers walked out of my cinema and it is obvious why. I'm glad I stayed, but the memory is far from sweet.
  • Let me start with a positive. I absolutely loved Tangerine, it had soul, it had heart, and above all it had emotion. By the end of the film you seriously cared for the characters.

    However, this film had the completely opposite effect on me. From the first minute until the last, this was an uncomfortable watch. Not because of the subject matter, but because of the cringe factor. The kids were annoying little brats, the mum was an arsehole who got worse, the friend was an arsehole. The only adult who wasn't one was William Dafoe.

    Using the kids ad libbed acting as a juxtaposition against the more seedy element of the film just felt like a cheap trick.

    I thought this was going to be one of best films of the year, its actually one of the worst.
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