With his debts mounting and angry collectors closing in, a fast-talking New York City jeweler risks everything in hope of staying afloat and alive.With his debts mounting and angry collectors closing in, a fast-talking New York City jeweler risks everything in hope of staying afloat and alive.With his debts mounting and angry collectors closing in, a fast-talking New York City jeweler risks everything in hope of staying afloat and alive.
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Featured reviews
The first five minutes of Uncut Gems are bewildering and disruptive; it feels like you re thrown into the middle of something, can't quite hear what is going on, and feel the pressure of whatever situation we have just found ourselves. It continues from there with an intensity that is relentless. It does not make for an easy film, but it makes for an engaging one. It totally sells the sense of addiction and relentlessness of gambling - the highs it offers through the thrill of the chase and the elation of the win, but also the lows of the many downsides and loses.
In doing this, it is a terrific film if you are looking to feel a sense of oppression and anxiety, because this is what it does best. It has a comparatively long running time, but it feels shorter because of how consistently relentless it is. Within this Sandler is the beating heart, convincing in every aspect of his character. It is a tough watch though, because it is very much one-note in its content and message - so it does depend on how much you enjoy that sense of falling self-destruction combined with joy - I really liked it for how well it did it, even if it does feel enclosing and tough. The way it allows Howard his highs and his lows helps; it is not some terrible cautionary tale - we get to see what his life gives him and how he chases (and occasionally gets) the thrill of the big win.
The whole production sets and matches the tone of the film as a whole. There is glamour in the locations, but they also feel tired and forced; the jewellery shop in particular gets this right - it is full of hugely expensive items and has celebrities in it, but yet it has that annoying buzzer, cheap furniture, no windows, and a smell of desperation around it. It probably as a whole isn't a film I'd say I really enjoyed, but as an experience it was engrossing and convincing in its highs and lows, with all aspects of the delivery perfectly in synch to make it work.
In doing this, it is a terrific film if you are looking to feel a sense of oppression and anxiety, because this is what it does best. It has a comparatively long running time, but it feels shorter because of how consistently relentless it is. Within this Sandler is the beating heart, convincing in every aspect of his character. It is a tough watch though, because it is very much one-note in its content and message - so it does depend on how much you enjoy that sense of falling self-destruction combined with joy - I really liked it for how well it did it, even if it does feel enclosing and tough. The way it allows Howard his highs and his lows helps; it is not some terrible cautionary tale - we get to see what his life gives him and how he chases (and occasionally gets) the thrill of the big win.
The whole production sets and matches the tone of the film as a whole. There is glamour in the locations, but they also feel tired and forced; the jewellery shop in particular gets this right - it is full of hugely expensive items and has celebrities in it, but yet it has that annoying buzzer, cheap furniture, no windows, and a smell of desperation around it. It probably as a whole isn't a film I'd say I really enjoyed, but as an experience it was engrossing and convincing in its highs and lows, with all aspects of the delivery perfectly in synch to make it work.
All reviews here are correct. The good ones and the bad ones. This movie is a mess and you can like it or hate. My wife hated it, I liked it very much.
They should hand out high-grade blood pressure meds to people going to see this after it ends. The major strength and in a way the slight weakness of Uncut Gems is how laser-focused the Safdies are in conveying total anxiety, stress and mania through this extreme act of full cinema SOUND (levels of acting and over-lapping dialog, that Vangelis-Blade-Runner-on-Steroids/Crystal Meth score, some of the cinematography and the tracking of the camera).
I do wish there was a little more than just flourishes of relief, though I'd be lying if I said Sandler was anything but exceptional and riveting playing degenerate crumbling right before our eyes. While Eric Bogosian, Lakeith Stanfield and Kevin Garnett and many others here are natural solid, it's Sandler's show, and it's soulful and tense and harrowing and ultimately (as terrible as Howard can be) tragic. The filmmakers's greatest achievement from the looks of this and Good Time is finding star-actors who aren't known for their wide range and getting career-triumph work from them. If the movie isn't all that complex, I do think Howard is and that helps make this pretty special as a depiction of addiction, more than anything else. It's got grit and style to burn, which is mostly fine by me.
I do wish there was a little more than just flourishes of relief, though I'd be lying if I said Sandler was anything but exceptional and riveting playing degenerate crumbling right before our eyes. While Eric Bogosian, Lakeith Stanfield and Kevin Garnett and many others here are natural solid, it's Sandler's show, and it's soulful and tense and harrowing and ultimately (as terrible as Howard can be) tragic. The filmmakers's greatest achievement from the looks of this and Good Time is finding star-actors who aren't known for their wide range and getting career-triumph work from them. If the movie isn't all that complex, I do think Howard is and that helps make this pretty special as a depiction of addiction, more than anything else. It's got grit and style to burn, which is mostly fine by me.
Some folks wrote that this movie was a mix-up of Marty Scorcese and Abel Ferrarra style and I think that's right. And Adam Sandler speaks, looks like, borrows every expression on the face from Al Pacino. I Don't know if the audiences have also noticed this but that's so obvious. Anyway, that's the kind of role, character that would have perfectly fit to Robert De Niro's co star in HEAT and the IRISHMAN. I like this uncut gem very much.
Intense 2 hrs !! It's loud and shouty and really in your face , gives you a rollercoaster of a ride from start to finish .
Adam Sandler is superb just brilliant, never knew he could be this way and he really became the person !!
It's a great film that never gives you a minute. No real sympathy for any of the characters but you do believe in them all !
A film to watch , just be prepared.
Adam Sandler is superb just brilliant, never knew he could be this way and he really became the person !!
It's a great film that never gives you a minute. No real sympathy for any of the characters but you do believe in them all !
A film to watch , just be prepared.
Did you know
- TriviaTilda Swinton doesn't appear on screen but is the voice of the auctioneer that Howard argues with over the phone.
- GoofsHoward asks his wife to change the channel to ESPN so he can watch the game. When the game is shown, the station logo is for TNT.
- Quotes
Howard Ratner: And who's this guy?
Julia: It's this guy The Weeknd.
Howard Ratner: What the fuck is The Weeknd?
Julia: He's gonna be major, even though he's from Canada.
Howard Ratner: This guy looks stupid.
- Crazy creditsSPOILER: The end is almost a mirror image of the beginning, with the camera tunneling into Howard Ratner's (Adam Sandler) face, again on a microscopic level and again transitioning, but this time into what is possibly the beginning of time, and showing the night sky.
- SoundtracksType of Way
Written by Rich Homie Quan (as Dequantes Lamar) and Yung Carter (as Lionel Carter Jr.)
Performed by Rich Homie Quan
Courtesy of Def Jam Recordings
under license from Universal Music Enterprises
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Diamantes en bruto
- Filming locations
- Okiep, Northern Cape, South Africa(opening scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $50,023,780
- Opening weekend US & Canada
- $537,242
- Dec 15, 2019
- Gross worldwide
- $50,023,780
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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