The Possession of Hannah Grace (2018)

R   |    |  Horror, Mystery, Thriller


The Possession of Hannah Grace (2018) Poster

When a cop who is just out of rehab takes the graveyard shift in a city hospital morgue, she faces a series of bizarre, violent events caused by an evil entity in one of the corpses.

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5/10
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  • Shay Mitchell in The Possession of Hannah Grace (2018)
  • Shay Mitchell in The Possession of Hannah Grace (2018)
  • Shay Mitchell in The Possession of Hannah Grace (2018)
  • Shay Mitchell in The Possession of Hannah Grace (2018)
  • Shay Mitchell in The Possession of Hannah Grace (2018)
  • Kirby Johnson in The Possession of Hannah Grace (2018)

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Cast & Crew

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Director:

Diederik Van Rooijen

Writer:

Brian Sieve

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User Reviews


11 December 2018 | jwwalrath-227-85487
6
| One of those almost-there films
The Possession of Hannah Grace is by no means a must-see, but I found it to be a decent time-waster.

The movie has a nice sense of direction. The beginning, where main character Megan gets a job working the night shift in the morgue in the basement of a city hospital, is especially well-done. Major exposition and the workings of the hospital is introduced in a quick and natural manner.

The hospital in this is appropriately creepy, a blend of grey concrete blended with cold, sterile white floors.

The possessed body of Hannah Grace is an affective monster. She avoids being being a generic zombie/possesed person by having a distinctive look being partially slashed and burned. Heck she's scary when she's just lying still before she's even doing anything. (I'm actually disappointed they didn't stick with the film's original title of The Cadaver). Contortionist Kirby Johnson really kills it as Hannah, not only in her freaky movements but also in her malevolent facial expressions.

Despite the praise I've just given, there is one big issue wit the film: the second act is just too slow and could've been cut down, which is disappointing given how fluidly it started. The problem is that they have one too many victims and spend a little too much time introducing them and building up to the kills.

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