The wives of New York gangsters in Hell's Kitchen in the 1970s continue to operate their husbands' rackets after they're locked up in prison.The wives of New York gangsters in Hell's Kitchen in the 1970s continue to operate their husbands' rackets after they're locked up in prison.The wives of New York gangsters in Hell's Kitchen in the 1970s continue to operate their husbands' rackets after they're locked up in prison.
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Novice writer Andrea Berloff makes her directorial debut, and manages to do a better job (for a newbie) with the camera, than her story.
The story started off good and held my attention, until the boys got out of jail. Then the writing just got ridiculous, convoluted and full of plot issues, and tanked from there. The entire conflict towards the end (especially the whole 'black power' component) between McCarthy and Haddish's characters was just dumb and unnecessary. There were so many more much better options the films' direction should've headed to after the boys got out. I wanted more... more action and suspense - in good old fashion mob storytelling, instead of this equal rights and gender equality garbage.
This was more of a drama, than the gangster film it wanted to be. The gals all played their roles well, but their story was just bland and unconvincing from the start. The 102 min length felt longer with the slow pacing and some dragged out and unnecessary scenes, especially towards the end. The editing was terrible. The cinematography and score were on point.
It's certainly no female Goodfellas, nor anything close to a Scorsese film... it's a dumbed down version of Widows, albeit still enjoyable - if there's nothing better to watch.
It's a 6/10 from me.
The story started off good and held my attention, until the boys got out of jail. Then the writing just got ridiculous, convoluted and full of plot issues, and tanked from there. The entire conflict towards the end (especially the whole 'black power' component) between McCarthy and Haddish's characters was just dumb and unnecessary. There were so many more much better options the films' direction should've headed to after the boys got out. I wanted more... more action and suspense - in good old fashion mob storytelling, instead of this equal rights and gender equality garbage.
This was more of a drama, than the gangster film it wanted to be. The gals all played their roles well, but their story was just bland and unconvincing from the start. The 102 min length felt longer with the slow pacing and some dragged out and unnecessary scenes, especially towards the end. The editing was terrible. The cinematography and score were on point.
It's certainly no female Goodfellas, nor anything close to a Scorsese film... it's a dumbed down version of Widows, albeit still enjoyable - if there's nothing better to watch.
It's a 6/10 from me.
Violent crime drama.
Set in 1978, 3 wives of Irish mobsters take over after their husbands are imprisoned for armed robbery. After a weak start the movie progresses at a better pace although I couldn't help thinking Melissa McCarthy was badly cast and her rise to power was all too easy.
The movie made me think of 'Widows', which I didn't enjoy much either. The whole movie is pro extortion, murder, and corruption in the manner of Scorsese but not really made in a way that can be compared.
Probably not one to watch.
Set in 1978, 3 wives of Irish mobsters take over after their husbands are imprisoned for armed robbery. After a weak start the movie progresses at a better pace although I couldn't help thinking Melissa McCarthy was badly cast and her rise to power was all too easy.
The movie made me think of 'Widows', which I didn't enjoy much either. The whole movie is pro extortion, murder, and corruption in the manner of Scorsese but not really made in a way that can be compared.
Probably not one to watch.
Competently made - with believable performances from Melissa McCarthy, Tiffany Haddish, Elisabeth Moss, and the rest of its cast - but 'The Kitchen' suffers from a mediocre, paint-by-numbers script that wastes the full potential of the story.
"The Kitchen" seemingly sunk without a trace upon its release back in 2019, despite being an adaptation of a comic book and staring two comedy talents and the always wonderful Elisabeth Moss. Watching it now, it's easy to see why it couldn't connect.
When their low-level Irish mob husbands are sent to prison for a stick up job, three women, Kathy (Melissa McCarthy), Ruby (Tiffany Haddish) and Claire (Elisabeth Moss) short of money but with some connections, decide to step in and fill the gap. Because they actually provide the services that their husbands long since stopped delivering, they are very successful soon decide to take control of the whole of Hell's Kitchen, which draws the anger of the rest of the Irish families.
The immediate problem, and "The Kitchen" biggest failing for me was that I'm not sure what it was supposed to be. It doesn't help that I wasn't sure going in that it wasn't a comedy, as it a) sounds like a premise for a comedy and b) casts two comedic stars as two of its leads, but watching it you soon get that it isn't. So then you're left with a story about these characters coming up in organised crime, a story that's been well covered by other films before, but here, one where I never had any idea of the scale of the enterprise. They seemed initially to just be collecting from a couple of stores, but then it just seems to get bigger and more successful without ever showing us how, or what, they had to overcome to do so. And then it ends without ever reaching a conclusion. From a storyline point of view, it's a mess.
The performances are fine, I've not enjoyed all of McCarthy's comedic films, but she's probably the standout here. It's just that it's in a film that doesn't really have a story to tell.
When their low-level Irish mob husbands are sent to prison for a stick up job, three women, Kathy (Melissa McCarthy), Ruby (Tiffany Haddish) and Claire (Elisabeth Moss) short of money but with some connections, decide to step in and fill the gap. Because they actually provide the services that their husbands long since stopped delivering, they are very successful soon decide to take control of the whole of Hell's Kitchen, which draws the anger of the rest of the Irish families.
The immediate problem, and "The Kitchen" biggest failing for me was that I'm not sure what it was supposed to be. It doesn't help that I wasn't sure going in that it wasn't a comedy, as it a) sounds like a premise for a comedy and b) casts two comedic stars as two of its leads, but watching it you soon get that it isn't. So then you're left with a story about these characters coming up in organised crime, a story that's been well covered by other films before, but here, one where I never had any idea of the scale of the enterprise. They seemed initially to just be collecting from a couple of stores, but then it just seems to get bigger and more successful without ever showing us how, or what, they had to overcome to do so. And then it ends without ever reaching a conclusion. From a storyline point of view, it's a mess.
The performances are fine, I've not enjoyed all of McCarthy's comedic films, but she's probably the standout here. It's just that it's in a film that doesn't really have a story to tell.
This film tells the story of three women who pick up their husband's job to run the neighbourhood.
There is a bit of comedy, and there is a bit of gangster in the story. However, there is not enough of both of these elements. They try to please two crowds, but end up pleasing neither. Unfortunately, the film doesn't quit work for me.
There is a bit of comedy, and there is a bit of gangster in the story. However, there is not enough of both of these elements. They try to please two crowds, but end up pleasing neither. Unfortunately, the film doesn't quit work for me.
Storyline
Did you know
- TriviaWhen referring to a site for a planned convention center project, Alfonso Coretti mentions "some millionaire's kid, a little s**t-for-brains." The project would become the Javitz Center, and the millionaire's kid is Donald Trump who owned the option on the rail yard site that the Center would eventually be built upon.
- GoofsAt the 12:34 mark when Elisabeth Moss' character leaves the diner, an address number next door shows 6920. That shows that the shot was nowhere near Hell's Kitchen. (Actually it's 3rd avenue in Bay Ridge, Brooklyn.)
- Quotes
Kathy Brennan: Bunch of men that have forgotten what family means.
Ruby O'Carroll: So we remind them.
- Crazy creditsRetro-style versions of the Warner Bros. and New Line Cinema logos are used, suiting the film's 1970s setting.
- SoundtracksIt's a Man's Man's Man's World
Written by James Brown and Betty Newsome
Performed by Etta James
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Căn Bếp Địa Ngục
- Filming locations
- Production companies
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Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $12,180,032
- Opening weekend US & Canada
- $5,527,410
- Aug 11, 2019
- Gross worldwide
- $15,980,032
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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