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  • After a slow start, the situation escalates onboard the ISS Discovery as the crew continue on their mission to get back to their own universe...

    Burnam and Emporer Georgiou finally meet face to face but things don't go quite to plan.

    This episode comes with an epic sting in its "tale", one I haven't seen pulled off with such finesse for a long time.

    I'm really enjoying this arc now, and I think this show has, after bumpy start established itself as a top notch, well produced sci-fi romp.

    It may not be Rodenberry's Star Trek, but I think even he would be enjoying this story.
  • Don't wanna spoil but holy fricking wow!!

    This is one more super solid, sci fi adventure, a la everything that makes Star Trek great. Michael Burnham continues to dazzle. Doug Jones's Saru has amazing humanity, despite makeup that is inches thick. I don't know how he does it. Effects, sets, costumes, and some creative direction from Trek newcomer Hanelle M. Culpepper make this another standout episode of Discovery. Tilly and Samets also have strong showings in this episode, as does guest Michelle Yeoh.

    I can't wait to find out what happens next!
  • Warning: Spoilers
    While the plot twist(s) from the last episode was as unexpected as the conclusion of Titanic and Dunkirk, this time however, is great! I am glad I stayed aboard despite the disappointing initial episodes, and now I get to enjoy the payoff! I can't help but wonder if the writers have story arcs planned across seasons. The only pity is that this episode isn't longer: it has a peculiarly short run-time.

    And spoiler ahead: RIP Saru. At least he was well "prepared".
  • Just goes to show, there are no more "filler" episodes in shows, no idle moments, not one line spoken by any character that will not have significance later on. The way these episodes have been constructed, we see now that everything that has happened has brought us right to here. It's all been pieces of the puzzle.

    So: Stametz is talking to "himself". Burnam is on an intrigue filled palace ship and has to make a tough, quick decision, Tyler/Voq is in need of L'Rell's help, but she is loathe to give it. And Lorca, Lorca is...

    We've been trying to excuse and explain Lorca's behavior this whole season. We can stop now. And that time when Admiral Cornwell was going to relieve Lorca? (In "Lethe") - Now we know, she was right. But then she was conveniently kidnapped by Kol.

    "Nothing is as it Seems"

    Going through my review, I don't see any blatant spoilers, so I am changing it back. Thank you.
  • paul-136222 January 2018
    Even though the signs were obvious in hindsight in regards to this weeks twist, I did no pick where this was going. Absolutely remarkable and enjoyable. I was scrolling through some of the early reviews ripping into this show and they're looking pretty silly now, there was a review titled "boldly going nowhere" - this show is anything but.
  • Hitchcoc11 February 2020
    I may need to watch everything again at some point. I just started to realize what was going on and who was who. Don't get me wrong. I understand the foundation, but different uniforms don't even help me juggle it all. My great joy is that the show is pushing us and creating great fun with its twists and turns. I can't imagine giving it a one at this point. This is just mean spiritedness. Something IMDB has to deal with all the time. I can't wait for the next episode.
  • Ever since they entered the mirror universe, the series is fantastic. It took me a while to get into it (the start was slow and very different to what I was used to), but now I think it's the best series so far! It's a grown up, darker version of Star Trek. It's unpredictable with great plot twists, main characters can actually die and other character come in and can become main characters. It's interesting, shocking and in the end you will beg you for more. Nothing is written in stone and that's waht makes it so good. The second time you watch this show it might be even better. This episode was the best so war. Captain Lorca - what a shady character. His story arc totally turned STD around! And I love it!
  • Manwhofell24 January 2018
    10/10
    Wow!
    Wow! Thats it, just wow! This hit me from left field.
  • I've just added the word "holysh**f**ks" to my dictionary, I really do not want to spoil anything of this episode but this is something worth watching!
  • Warning: Spoilers
    1.12 "Vaulting Ambition"

    Still seeking to find a way home, the crew of Discovery continue to attempt to navigate the treacherous universe in which they find themselves. Onboard Emperor Georgiou's flagship, Burnham and Lorca search for crucial information to help them get home, while on Discovery Stamets and the rest of the crew do the same.

    This one was also decent, but they seriously need to chill with the surprise twists. Tyler is Voq! Georgiou is the Emperor! Lorca is really Mirror Lorca! Ok so I did not see that last one coming but it's starting to get old. Tricking your viewers with surprise twists is not a substitute for thoughtful and intelligent writing.

    That said, I am immensely relieved that Lorca is not really Lorca. The actions that he had taken throughout the show were utterly irreconcilable with his role as a Starfleet officer, much less as a starship captain. I was really hoping there would be an unholy reckoning for his actions and while this is a bit of a cop out, I am still satisfied with it.

    THE GOOD

    -I legitimately was gut punched by the Lorca revelation. As cheap as the surprise twist gimmick is, that one was surprisingly well executed and made a lot of sense when viewed in retrospect.

    -Lots of Michelle Yeoh. She is great, as always. The show is at least 15% better when she is on the screen.

    -Love the way Saru deals with the Klingon woman. He is equal parts stern and warm. He is my favorite of the main cast so far and it's not close.

    THE BAD

    -Three surprise twists in three eps is too much. It feels like the writers are just trying to trick the viewers at this point, which isn't fun to watch.

    THE UGLY

    -The only issue I have with the Lorca revelation is that I have doubts about his ability to fit into the prime universe. In the original episode "Mirror, Mirror," Kirk asks Spock how he knew that their counterparts were not them and Spock replies, "It was far easier for you as civilised men to behave like barbarians, than it was for them as barbarians to behave like civilised men."
  • Burnham takes Lorca to the Emperor.

    This is a strong episode with great plot reveal.

    The story weaves three plots together and culminates in what is the biggest twist of the show so far. This helps make sense out of some character development seen in previous episodes. A lot of fan criticism aimed at a certain character behaving outside the established Star Trek vision of the future has been made to look a bit silly by this episode. Of course the rewriting of established Trek history continues to feel lazy, but as I don't take a fictitious sci-fi universe that seriously I can't say it troubles me as much as it might others.

    Similar to the last few episodes the visuals are excellent and made me feel like we are in a different universe with atmospheric cinematography, colours and lighting.

    All performances are solid, particularly Sonequa Martin-Green, Jason Issacs, Michelle Yeoh and Anthony Rapp.
  • bobcobb3014 February 2018
    Warning: Spoilers
    Another episode that was pretty interesting, but I am already tired of the alternate universe concept. This show is telling a good story, something people ragged on the first half of the season for not doing, but there is just not enough excitement and immediate threat going on.

    Save the dream sequences and visions and instead give us the old Trekian battles and moral quandaries.
  • Warning: Spoilers
    I'm starting to sympathize with the episode writers of STD.

    It's almost as though the show's creators sat in a dimly lit room and came up with a lot of disparate plot points and twists and basically assign them on a per episode basis to a staff writer who has to string them together into a coherent script. They pick straws and then the loser gets the byline.

    On the positive side, there was some good pacing in this episode. The acting, I think, is as good as it can get given the material the actors have to work with.

    But problems continue to abound, as the writers twist and retwist and reretwist the plot so many times they are starting to lose credibility.

    The AshVoq nonsense goes further down the rabbit hole and is now inconsistent with the medical data, as interpreted by Dr. Culber in an earlier episode. Contrary to Culber's belief that AshVoq's bones were shortened and that his insides were rearranged, we find out that this was more of a consciousness transfer. Similar to the transfer of a Vulcan Katra--first seen in the third Star Trek movie--L'Rell uses some Klingon hoodoo to transfer Voq's memory essence to the tortured Ash. She ends up helping Ash by doing a Katrectomy this episode, because she can't stand to see Voq suffer.

    How she concealed her Katrectomy gloves whilst in captivity is yet another mystery. Worse, it's not clear why she brought them along in the first place, as the Klingon prayer was supposed to awaken Voq. Moreover, where/how was she going to use them, except as a fashion statement or if she anticipated their need as a plot device. As Voq, now, apparently lacks a body to reimplant his Katra into, the gloves would be of little use, even in a pinch. If they really wanted to twist the plot around yet again, she would have exorcised Ash and left Voq inside the body. Just saying.

    As sci-fi concepts go, the transfer of consciousness thing is on the verge of patently ridiculous. The only reason it was added to ST III was that it was a way to bring back Spock. It was implausibly lame back then, but at least they just tried to hand wave around it. We have seen a more temporary transfer of consciousness with varied success, usually used by races with much superior technology to the Federation but with--thankfully--little explanation. This episode, though, went all Spock's-Brain on the concept and we have crossed into the realm of laughable. On the bright side, the Voq character was so viscerally obtuse and two dimensional he really needed to go. So, hopefully, (per L'Rells Klingon death roar) Voq is gone for good.

    Then again, Katragate has nothing on the Great Empress Caper. This whole subplot really doesn't hang together. It does make sense that there was some betrayal perpetrated by Burnham on Mirror-Giorgiou, but given that Burnham has been in Mirrorland long enough, it is surprising that she didn't bother to look up anything about it from the Mirror-Shenzou's logs while she was biding her time. It is even more surprising that Lorca didn't tell her about it, as--well--he would have known. If Lorca really wanted to succeed in his revenge on the Empress, he needs Burnham to survive to help pop the grand dame. Besides, as we find out, he has a thing for Burnham.

    It's not clear why the Empress is inclined to believe that Burnham is from an alternate universe or how the exact scanner needed to determine the unique composition of an alternate-universe object was conveniently present in Giorgiou's chambers. (Apparently, her interior decorator knew it would come in handy...) Given the rashness of the denizens of the mirror universe, I don't buy that Mirror-Giorgiou would be able to wait long enough to find out if Burnham was telling the truth. She would have judged Burnham a liar and offed her post haste. I do get the arrangement to trade micelial travel tech as a life-sustaining bargain for Burnham, but, Mirror-Giorgiou would have to have enough impulse control to make the bargain in the first place.

    After the fan-predicted reveals that Ash is Voq and the Empress is Giorgiou, we now complete the trifecta with the great reveal that Lorca is really Mirror-Lorca. Surprise. Sure, it feels so good in the moment, but the writers have once again opened up a whole can of Regulan bloodworms that they are just not prepared to contain.

    First off, it's not clear how Lorca as a mirror-universe guy could truly conceal himself in the Federation. (Although, who knows, in the 'new and improved' STD vision of the Federation, where back stabbing, double dealing, and expletives are the norm, it might just work out...) Maybe he used data from the Defiant to figure out how to get to Universe Prime, but then why did he not use the same technology to get back? Why did he need the micelial drive? As above, these mirror-universe people shouldn't be able to control themselves long enough to fit in. (Heck, even Voq couldn't contain himself enough as a Prime-Klingon to be a good spy...) Lorca's intentions at the moment are mysterious (actually a good thing), but what is not clear is that after concocting a ridiculous plot to get to the Empress, the least he could have done was to arrange some way of call in some backup. Did he really intend that his only means of escape from captivity would be a dullard of a guard?

    And then there's the whole micelial nonsense. Not only do we get extended dream-like sequences in the miceleal plane--a really frustrating construct in any movie, science fiction or otherwise--but we get to meet mirror-Stamets there. He and real-Stamets can now work together to solve the degradation of the micelial network problem together, in a light-up, Tron-like way. They can also roam about the ship in a Matrix like fashion, eventually joining up with their corporeal selves. Very metaphysical, very weird, and (still) lousy science fiction. (Maybe I'd be on board if they brought in some unicorns. I like unicorns.)

    And if that were not bad enough, Culber lives on as a dead guy in Micelia. No, Culber is not just a vision, he is a Sixth-Sense, honest-to-goodness, resident of Micelial Heaven. Yes, Micelial Heaven, a different dimensional plane where we all go to after death. And wherein Stamets can visit Culber at his leisure. He can tell Stamets information that there is no way Stamets could otherwise know. And, I bet, will be instrumental in curing Stamets' yeast infection. So now Stamets can now speak to dead people. Please, please, please give me a break...

    Meanwhile, back at the ranch, the writing has done little to flesh out the characters of the story. We are starting to get into the 'Enterprise' problem where most of the characters are just too flat and vanilla to connect to. Only Lorca and Stamets have any real personality. Rather than writing natural dialog and creating relationships where character can come to the fore, the writers are too busy--what else--twisting, retwisting, and reretwisting their plot lines and developing wacky sci-fi concepts.

    Sadly, I really do want to like this show, but they are making it awfully hard. Hopefully, we escape the mirror universe after the next episode and get on to some more interesting, character driven territory.
  • Warning: Spoilers
    SPOILERS! When I first realized we were going into a multi-verse, I was disappointed because it has been done too many times before. As a science geek, a true alternative universe would not have Spock with a beard versus Spock without a beard. The differences would be more along the lines of carbon-based life versus silicon-based life. Anyway, just when I thought it was another "evil version of the empire", I have a Sixth Sense shocking moment. Now I have to go back and rethink everything I was watching up to this moment. I LOVED THE SURPRISE!
  • I've been spending fake time waiting for a real next atempt on creating science fiction content for today's time. The time has come...
  • After spending max time looking out for a solid atempt to make good content, the people of STD finally nailed the idea of sci-fi to the cross.
  • I like others, did not see these particular twists coming and yes, wow is the reaction. Of particular note is the Stamets "twins" in the mycellium world and also the heartbreaking "reunion" there.
  • Warning: Spoilers
    Well, this is fun. If you thought the earlier episodes were fast-paced and had lots going for them, you have seen nothing yet. There were some important reveals last episode. Guess what? There are even bigger reveals here. The biggest one...with Captain Lorca...surprised me the most. In hindsight, I shouldn't be because the reveal that he is from the Mirror Universe explains his behavior very well. Some of the explanation is a bit...icky. Essentially, Lorca loved Burnham and was waiting for her to grow into childhood. While Jason Isaacs and Sonequa Martin-Green bounced off each other very well, there was never any truly romantic tension, which is a reason why their chemistry worked. I am curious to know how everything will play out. Stamets is given lots to do! His storyline doesn't work as well to the extent of Lorca's reveal, but it is interesting enough. His consciousness is in the mycelial network where he gets to know his Mirror Universe counterpart. I couldn't discern a huge difference between the two unless you count the wardrobe change.

    The episode starts off with Burnham and Lorca being summoned to the ISS Charon, the massive ship of the Emperor's (and a visually impressive one if I may add). Lorca is sent to the torture chamber, while the Emperor requests to have dinner with Burnham. We learn that that Mirror Burnham was the adopted daughter of the Emperor and she ran away with Lorca. They plotted to overthrow her which is why Georgiou is planning to execute Burnham. Burnham tells her the truth about where she is from which allows her to find the truth about Lorca. Meanwhile, Stamets encounters his M. V self in the network. He realizes that the spore has been infected. He also gets to have an emotional farewell with Culber. I understand that Stamets is a hate him or love him type character, but you cannot deny that these emotional scenes with Culber are powerful.

    Overall, this is another fast-paced episode that does not stop with the hits. I honestly did not see the Lorca reveal at all. Well done, guys. Not mentioned in the plot is L'Rell, who wants nothing to do with Tyler. We learn that Tyler's personality wins out or might win out over this human/Klingon hybrid. Saru is also stern but respectful to his prisoners. I will admit, these Mirror Universe episodes won me over.

    My Grade: A.
  • Warning: Spoilers
    -I'm glad too see some good acting (finally),this is the first episode where nobody is annoying (except Tilly,off course,her character is still looking fake).I really hope to see Jason Isaacs again in the next season,because he is a good actor,although i thought he is not a good choice for the captain's role .The only thing that bothers me (except the fact the Klingons are not looking like Worf ,or like Tyr Anasazi if they are under treatment ,lol,and i really hope they will appear in one episode about a parallel universe,for the sake of the past) is the part with eating sentient beings,because i never really like any classic story about that form of murder or cannibalism(their Klingons are eating the heart of another enemy even if is a Klingon) although i like horror movies,it is shocking and unnecessary IMHO.The fans are making cruel jokes about the Kelpiens even now ,but even i don't like them,i still don't understand what is so funny.I really hope to see modern enemies and modern wars , not something from the movies with Tarzan (except maybe the Tarzan's hair,lol).Another thing that bothers me is the lack of beautiful women as the good characters,i know in these days that kind of girls are considered artificial ,superficial or unnecessary,but is not true,whenever i see the numerous comments against them in the fan groups i know we are not better than the others.Enjoy watching the series and live long and prospere.
  • Warning: Spoilers
    -I can't give less than five stars to a STAR TREK (or is it Torchwood ?!? ) series ,but the part with eating Saru is the most disgusting thing i ever saw ,and i want to ask the writers for this series if they know the difference between a zombie movie,Torchwood and a Star Trek series , because they seems to be clueless .The explanation for changing Voq is absolutely stupid,firs they say Vow was ghangwd in to a Human ,after that evxplanation they say Tyler's cloned body merged with Voq's body but in the end it was just Tyler with Voq's mind added by the wannabe Klingons.The Federation uniforms seems to be very thight because the actors are looking pregnant ,it's a real pain to look to Stamets or Tilly .I have nothing against fat people,my whole family is fat,but if the producers wanted to have fat characters then why they created this very tight uniform (we know the tight uniforms are uncomfortable to wear by the actors) ?!?..IMHO they should produce a Enterprise C timeline series about the war with the Klingons ,with the uniforms,Klingons,and ships looking just like the ones from Yesterday's Enterprise ,but it seems they don't have the class for producing brilliant things.They already confuse aliens for example the behaviour of their lame Klingons which should be the Remans behaviour.This series is full of Dark Matter style of action,but the main characters are too close to a villain's mentality IMHO, and the fans feel the need to have a hero or even more and Burnham,Tilly or Stamets are far below that type of characters.I like dark series but a style from The Last Ship (realistic) or like the one from Space Above And Beyond (flawless and clean sci-fi action ) should be more appropiate ,this series is too dirty and too morbid for an ordinary man,because the normal men are watching sport games for refreshing and relaxing their mind instead watching a creepy show like this one.
  • Warning: Spoilers
    Wow, this show knows no bounds, and not in a good way. It's all over the show, pulling out plot twist after plot twist with no rhyme or reason.

    Lorca's a baddie, Tyler's Klingon, etc etc, it's as bad an an endless stream of mission impossible characters pealing off perfect masks to reveal they were someone else all along, who was someone else all along etc etc. Suspension of disbelief only goes so far, especially if you are watching a show that was traditionally aimed at intellect. It's all flash bang with no substance, no point, and a scary undercurrent to justify war and violence because we're the good guys, which is nothing out of the ordinary for US produced content these days but is a giant leap away from the original vibe of the Roddenberry shows. Star trek for people who don't like Star Trek.
  • Thumps up!! The story has taken a super twist. Everything seems upside down, in a good sense!! Of course!!
  • Warning: Spoilers
    This for me was kind of a shark-jump moment: not because of the "twist" which everyone saw coming, but because of the show's relationship with violence, specifically the fact that it's not commenting on it (let alone condemning it) as Trek has always done, but using it as a selling point - violence as sensation, gore as titillation.

    There have been plenty of Trek episodes about violence, even some about torture, and several effective Trek horror episodes (Conspiracy, Catspaw, Schisms, The Thaw). Before Discovery, Trek's most violent moment was the one-off gore of TNG's Conspiracy (a fantastic episode, with the gore effects both rudimentary and limited to a single scene). Chilling episodes like TNG's Chain Of Command II and The Best Of Both Worlds II are fantastic because they show us just enough horror for the storytelling to be effective while never dwelling on or reveling in the unpleasantness, instead keeping a human focus on the character experiencing the suffering (Picard). Similarly, DS9's Empok Nor is a fantastic exercise in gothic style that has only one explicitly violent moment (just enough to establish that Garak means business), while The Assignment and The Thaw are fantastic psychological horror episodes precisely because of the extent to which they hold back and leave things to the viewer's imagination and empathy.

    In terms of violence in Trek action episodes, it's 20 years since DS9's To The Death was edited down pre-broadcast because the climactic battle, though in no way gory, was simply considered too long/intense/violent. Even a totally schocky episode like ENT's Impulse avoided descending into gore, as did Voyager's enjoyable Alien-lite Macrocosm and its ring-combat episode Tsunkatse.

    For me, Vaulting Ambition marked the episode where Discovery had turned into torture-porn, and after watching I really felt like not continuing with the show, even though there are only 3 episodes left. Other people I was watching with who don't like the show's violence and tone have already quit, and there's no way I'd watch this with a kid. It's less about what's actually shown than the tone - the show has nothing to say about violence, no thoughts in its head or moral message. When Empress Georgiou fires blades through people's skulls or a man is torn apart in front of Lorca, it's just there to look cool. Even more than it did with the Klingon war, the show is using the mirror universe as an excuse to revel in un-Trekkian schlock gore. No previous mirror-universe episode has wallowed in violence like this - DS9's Crossover and TOS's Mirror Mirror showed just enough of the mirror universe's brutality for the story to work and for the stakes to feel real without reveling in it. I dread to think what an episode like VOY's Scientific Method or The Thaw would be like in the hands of the Discovery makers.

    In terms of the series overall, I think a lot of the problems we're seeing are because the show's entire setting and cast of characters was conceived for a single-season arc. That's why all the characters are plot devices and the overall plot is self-resetting so as not to affect later continuity (the spore drive and the collapse of the "mycelium network", the extended stay in the mirror universe, and probably Section 31 being invoked soon so that much of what happened on Discovery in the prime universe is covered up) - it was never supposed to last more than a season, as per Bryan Fuller's original pitch of a Trek anthology show that would be different each season. That raises really big questions for season 2.

    After escaping to the prime universe, Lorca recruited Burnham because after she rebelled against Georgiou, he realized she could be useful to him - that explains why Burnham's mutiny in the pilot was so arbitrary, illogical and poorly rooted in character, it was just there for long-term plot reasons.

    One hope I had going into this series (other than Michelle Yeoh's character not dying) was that Jason Isaacs's character wouldn't turn out to be a villain, as he's so often cast as villains. Just because he's from the mirror universe shouldn't automatically mean he's a bad guy - the smart writing decision now would be for his characterization to be similar to DS9's Smiley or Mirror Spock. Mirror Georgiou is a monster, psychopath and mass-murderer, he wants to overthrow her - this has to be a good thing, right? If the show starts siding with Mirror Georgiou, or has Burnham side with Mirror Georgiou against Lorca, I'm gonna have even more of an issue with it than at present. Burnham should help Lorca (who got her out of prison) and not forget that Mirror Georgiou was about to have her executed.

    The reset button on Voq/Tyler (with L'Rell deleting Voq from his brain using her magic gloves, which she ridiculously just happened to have with her) was laughable but not surprising: the reveal was the endgame. They have no further interest in what this means for either character (Tyler or Voq... or L'Rell for that matter). And yeah, the dialog on how Voq was turned into Tyler directly contradicted itself. Two episodes ago, Culber noticed that Voq/Tyler's bones had been shortened, and found scarring around all his organs; in last week's episode, Tyler said that his Klingon body was "reduced" to a human one. But in this ep, L'Rell says of Voq "We grafted his psyche into Tyler's." I'm no wiser.

    I predict that Lorca won't last the season, Stamets will get with Mirror Culber (and possibly bring him back to the prime universe?), and that the Discovery will turn out to be a Section 31 ship (hence the black com badges etc., an element that was never resolved) - so everything that happened this season surrounding Burnham and the mirror universe will be made classified, pseudo-explaining why we never heard of Spock having a human half-sister, why the TOS crew didn't know about the mirror universe and why we've never heard of the spore drive. Michael may even be made a Section 31 agent and the Discovery may continue as a Section 31 ship into season 2, allowing the show to continue to be "edgy" and non-Trekkian in its values, ethos and aesthetic. In the remaining 3 episodes, once we get back to the prime universe, I'd also hazard a guess that we're gonna be seeing a lot more of Captain Tilly and whatever havoc she's wreaked, as Tilly is one of the few remaining characters who hasn't yet been sufficiently turned into a plot device - ergo some sort of plot-based instrumentalization of Tilly is still to come. (Maybe she even dies defending her crewmates from her mirror counterpart?) I also have a feeling that Saru and the nature of the Kelpian species as prey is going to feature more and possibly figure in the season's resolution. Again, the show has so far treated Saru as a person and character when it's treated every other crew member as a plot device, which makes me think Saru's instrumentalization in plot terms is yet to come. Something where he uses his instinct, fear and super-speed to save the day, then perhaps dies tragically as a hero and experiences a final moment of no longer being afraid. Very much bearing in mind that all these characters were created to only last a single season.
  • Prismark1022 January 2018
    Vaulting Ambition was an uneven episode that just started off too slowly but it does have a cracking reveal at the end, something that was ruminating at the back of my mind for a few weeks when Discovery ended up in the mirror universe.

    In the mirror Universe Michael was not raised by a Vulcan but by Empress Georgiou as a daughter. Yet Michael betrayed her by teaming up with Lorca for a coup against her.

    Georgiou is ready to kill Michael for her treachery when Michael takes huge risk and tells Georgiou of who she really is and that she has come across the mirror universe. The risk is Georgiou might get Discovery's technology and attempt to invade our universe.

    At the heart of this episode is duality. Saru learns about Tyler and seeks L'Rell's help is somehow separating the conflicting personas. Yet it seems Tyler was not the only one on Discovery who was hiding something. Someone else was hiding in plain light.
  • Warning: Spoilers
    We have lots of Las Vegas style glitter in the Mirror Universe and Michelle Yeoh gets to sharpen her teeth on the scenery as the Empress with an extremely long list of titles and a rhinestone-encrusted satin cloak. She also has some sort of stand-up throne with an inbuilt scanner and a handy little carotid artery slicing drone that whips round killing all but one of her senior advisors. The remaining one does a bang-up job of removing the bodies and the blood, though, because when Michael Burnham and her newly reunited foster mother step down from the dais, the floor is perfectly clean.

    Anthony Rapp as Paul Stammets wanders around in a dream state meeting first himself and then his dead lover. If you have been engaged with these characters and can understand what is supposed to be going on, then their scenes together are very affecting. Unlike the tawdry, casino-style décor of the throne room, the interior of the mycelial network appears genuinely subtle and atmospheric.

    Poor Mary Chieffo gets to wear the most ridiculous prison uniform ever invented in her role as L'Rell, the Klingon spy. Her relationship with the altered Ash/Voq/Ash is completely incomprehensible. I've got no idea what has been going on with these two. Was she torturing him or were they lovers? Why was she altering every aspect of a Klingon's body to make him pass for human when she could have just used the body of the human? Why did some viewers objected to the sex but not the surgery?

    We finish up with more torture, this time for Captain Lorca in the agoniser booth. He manages to escape but, unfortunately, we don't.