'Ramaleela' would have been just another Dileep movie (sans the usual unfunny slapstick seen in most of his recent films) had it released a year or two ago - what makes it all the more hyped up is the timing of its release, and the parallels the story draws with certain actual happenings in the life of its lead actor.
Ramanunni has just switched parties (from a Communist-inclined one - CDP, to a Congress-inclined one - NSP) due to a bitter spat between himself and one of the senior veterans (Ambadi Mohanan, played by Vijayaraghavan) and is now entitled to carry a gun for self-defense. The NSP decides to nominate Ramanunni as their candidate in the upcoming elections, and in no time, the man gets disowned by his mother Ragini (played by Radhika Sarathkumar), a staunch Communist, for jumping parties (much against her wishes) and is later pitted against him. The first half mostly moves along highly predictable lines (such as the dad-son rivalry track we saw in Dileep's earlier political thriller 'Lion'); Dileep comes up with a somewhat restrained act but there's not much to Ramanunni that challenges the true actor in him. Kalabhavan Shajohn as TC, the side-kick to Ramanunni, is well within his comfort zone and adds to the humor element, although I'd have to say that almost half his quips were purely hit & miss. Somewhere in between, the characters played by Ranji Panicker and Prayaga Martin pop up.
The story does gain some pace when a politically-charged murder adds to Ramanunni's already trouble-filled life and soon he comes under the radar of Paulson Devassy (Mukesh), the office in charge of the investigation. The interval block gives us hopes of a crackling thriller to unfold in the second half. The setting all of a sudden shifts to a resort in Goa, where Ramanunni and TC are living in hiding. Dialectics make a silent exit through the backdoor and what we see on screen for the rest of the film is just 'mediocrity hitting an all-time new high'. The inclusion of Tehelka-styled videos, IP-spoofing, and silencing of guns using software cans are just a few of the unconvincing antics that scenarist Sachy and director Arun Gopy resort to, so as to make the proceedings look wickedly entertaining (and believable at the same time). The result is, to be honest, a mixed bag.
The music by Gopi Sundar is a less-pleasing rehash of his own 'Left Right Left' while the cinematography by Shaji Kumar and editing by Vivek Harshan are serviceable. It does feel astounding as to how some of the dialogues that Ramanunni mouths in the movie, turns out to be a serious reflection of actualities in the life of the actor - a 'hot' topic, that the media unwittingly blew out of proportion during the last few months. Dileep gets the maximum screen-time and he manages to hold the (lengthy) film together to a certain degree (in anticipation of better-written roles for him in the future), ably supported by Siddique, Vijayaraghavan and the rest of the ensemble. But let's be honest: everything about 'Ramaleela' screams commonplace.
While I'm bound to get lambasted for giving my genuine opinion on the film (when the general consensus has been in favor of it), there's absolutely nothing appreciable about 'Ramaleela' that deems it even within the above- average category. Agreed, it might have upheld my attention for 160 minutes, but that's just it. We do get faint hints of the talent that director Arun Gopy really is, though his approach feels a little dated (and reminds us of decade-old Joshiy flicks featuring the same lead actor) whereas Sachy's screenplay only tries to cater to the masses. The climax is the most predictable aspect of the film, and it's a thoroughly unexciting crawl to the finish-line. The genre-thrills and goosebump-moments that we expect in a film such as 'Ramaleela' are definitely lacking and this makes it a middling experience overall.
Verdict: Strictly average!