Late Night (2019)

R   |    |  Comedy, Drama


Late Night (2019) Poster

A late-night talk-show host suspects that she may soon lose her long-running show.

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6.4/10
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  • Mindy Kaling at an event for The IMDb Studio at Sundance (2015)
  • Nisha Ganatra in Late Night (2019)
  • Emma Thompson and Mindy Kaling in Late Night (2019)
  • Emma Thompson in Late Night (2019)
  • Emma Thompson and John Lithgow in Late Night (2019)
  • Amy Ryan and Mindy Kaling at an event for The IMDb Studio at Sundance (2015)

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13 June 2019 | ferguson-6
6
| missed opportunity
Greetings again from the darkness. "A woman who hates women". That is how talk show host Katherine Newbury is described. Oh, and her show's ratings have been declining for 10 years, she doesn't even know most of her writers by sight (or name), and we are led to believe that her age has something to do with the new network executive wanting to replace her. Five minutes in, my opinion was that Katherine Newbury doesn't like people (not just women), is basically a narcissistic jerk, and her age has nothing to do with her being replaced ... it's the fact that her show is lame, she's not appealing to viewers, and advertising revenues drop with poor ratings. It's called business - not sexism or gender discrimination. Never once did this seem like someone getting a raw deal. However, it's only a movie, so I tried to play along.

Very talented actors fill the screen. Two-time Oscar winner Emma Thompson stars as Katherine Newbury, the stuck-in-her-ways, Emmy winning talk show host hanging on based on reputation and longevity in the business. Her character reminds me of David Letterman towards the end of his long run ... scandal and all. Mindy Kaling co-stars as Molly Patel, a factory, err, chemical plant worker, who dreams of being a comedy writer, but puts no effort into actually learning the craft. Instead, luck puts her in the right place at the time the show needs a token hire. Enter Molly, a woman of color in a writers' room full of white men. The interesting dynamic here is that most of the men in the room probably got their seat thanks to connections, while Molly got hers based on gender. Talent and skill seem to play no part for any of them.

The story is basically Molly trying to find her true self by helping Katherine modernize her evil ways and save her job. There are quite a few little sub-stories - can't really call them subplots - that mostly distract from the overall direction, but serve the purpose of allowing punchlines or supposedly insightful social commentary. John Lithgow plays Katherine's wise, Parkinson's stricken husband, and the writers' boys club includes Hugh Dancy ("Hannibal"), Reid Scott ("Veep"), Max Casella ("Ray Donovan"), Paul Walter Hauser (I, TONYA), and Denis O'Hare ("True Blood"). Ike Barinholtz plays the hot young comedian being groomed as Katherine's replacement, and it's Amy Ryan ("The Office") who really registers as the network President. More of Ms. Ryan's character and more attention to the network perspective would have improved the film.

Director Nisha Ganatra ("Transparent") is working from the script by Ms. Kaling, whose real life experiences as a token hire in the industry could have been better presented. A lame stab at a romance distracts from the reactions of the threatened writers materializing in a lack of respect towards Molly, and most of the comedy felt forced and obvious, rather than real and painful (the sources of the best comedy). It's a shame that most any episode of "30 Rock" or "The Office" provides more insightful commentary and comedy than this film. It's such a missed opportunity.

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Comedy | Drama

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