Roma (2018)

R   |    |  Drama

Roma (2018) Poster

A year in the life of a middle-class family's maid in Mexico City in the early 1970s.

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  • Marco Graf at an event for Roma (2018)
  • Roma (2018)
  • Carlos Peralta at an event for Roma (2018)
  • Marina de Tavira in Roma (2018)
  • Yalitza Aparicio and Verónica García in Roma (2018)
  • Alfonso Cuarón in Roma (2018)

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Director's Trademarks: The Films of Alfonso Cuarón

IMDb dives into the distinct trademarks of Alfonso Cuarón's directorial style to illustrate what Children of Men, Gravity, Y Tu Mamá También, and his latest, Roma, have in common.

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16 January 2019 | thomaseastmand
| Roma.
Quietly and commonly tragic. That's where this film's beauty comes from. However, I would say that there is a degree of cinemanarrative dissonance in that the story being told is one of viscerality, triumph and sorrow but the visual language paints a different picture. Cinematically, the film has beautifully lit shots, masterful camera work and a silky slow pace. It is in this juxtaposition that the film falls short for me. The text and the visuals tell different stories, making the audience feel disconnected from the protagonist. But maybe that disconnection was intentionally done, asking viewers to question their perspective on the everyday tragedy that is so painfully common.

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