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  • You never know what you're going to get with non-Disney/Pixar animation. It might be an Illumination Entertainment-style effort -- lacking in substance but lots of wise cracks and kid-friendly touches (think "Minions" or "Sing") -- or a Laika-style affair, with depth and darkness to boot ("Kubo and The Two Strings").

    Warner Animation Group has form, of course, with "The Lego Movie" combining laugh-out-loud humour for the kids with a knowing, subversive quality to keep the Mums and Dads entertained. It also produced "Storks", a much more pedestrian effort. Thankfully, "Smallfoot" belongs in the former camp.

    Boasting impressive CG animation courtesy of Sony Imageworks, "Smallfoot" takes a tale reminiscent of "Monsters Inc." -- two groups ignorant and fearful of the other, in this case yetis and humans -- and twists it with a clever, topical message about the perils of putting dogma and self-interest ahead of critical thinking and the greater good. Ignorance really isn't bliss. This adult-friendly message may elude kids too busy laughing at the many visual gags, including a fantastic sequence involving fraying rope that brings to mind classic Warner animations of yesteryear, but it elevates the movie above most of its peers and ensures that not-so-young audience members are entertained too.

    The film isn't quite Disney/Pixar level -- the yeti character designs are a little odd, as though the animators were trying to avoid too close a resemblance to Pixar's Sully, and the featured songs are catchy rather than great (Zendaya's "Wonderful Life" being the stand-out).

    Still, "Smallfoot" is a thoroughly entertaining family film that aspires to be different, backed by appealing protagonists, well-judged comic moments, a thought-provoking message, and a rewarding resolution that steers clear of being saccharine. Recommended.
  • So many people panned this movie because it's message was about facing the truth regardless of what has been forced fed to the masses. I saw reviews which were so hypocritical they were just sad and pathetic attempts to push their religion instead of facing and embracing the truth. What is wrong with the truth? Why is truth such a bad thing?
  • jeymatt29 September 2018
    If you hear lots of children laughter filling the whole cinema hall, means the animation movie has been successful in delivering. My daughter and I were having so much fun watching this movie in cinema, it was so hilarious and meaningful. Definitely a good movie to bring family and kids!
  • Cleverly inverting the point-of-view from which a tale of human and Yetis would probably be told, 'Smallfoot' tells of a clan of bigfoots living high up in the Himalayan mountains whose peaceful and orderly lives are disrupted when one of their own stumbles upon a smallfoot. It isn't just that these smallfoots have thus far been the stuff of myth; in fact, their very existence goes against the community's long-held beliefs, which are literally set in stone and worn around the neck of the high and mighty Stonekeeper (Common). So as you can probably expect, that very individual is told to either rescind his account or face banishment from the community, but by bravely choosing the latter, opens up a whole new path of knowledge, understanding and enlightenment for his fellow 18-foot hairy denizens.

    Adapting from the book 'Yeti Tracks' by animator Sergio Pablos is Dreamworks Animation veteran Karey Kirkpatrick and his co-director Jason Reisig, and the duo fashion a lively, fast-paced and colourful action adventure that sees our hero Migo (Channing Tatum) venture below the clouds concealing their mountaintop habitat to find the smallfoot and prove that he isn't lying or delusional. But had the movie simply been about Migo confronting the ostensibly deceitful Stonekeeper, it would probably be no more than the stuff of Saturday-morning cartoons; instead, Kirkpatrick and co-writer Clare Sera find unexpected depth digging deeper into why the bigfoots had sequestered themselves in the first place, weaving in a poignant lesson on the dangers of fear and close-mindedness as well as the transformative power of communication.

    Lest you think that the movie ends up being heavy-handed, we can reassure you that it never does, or for that matter turn preachy. On the contrary, there are plenty of amusing details along the way - like how the exuberant Migo is at first perfectly content to follow in his father's (Danny DeVito) footsteps to have himself catapulted headfirst towards a giant gong every morning in order to wake the sun up; or the band of rebel Yetis called the clandestine Smallfoot Evidentiary Society (or S.E.S. in short), led by the Stonekeeper's own daughter Meechee (Zendaya), who assist Migo on his quest; or how Migo first runs into Percy (James Corden), an animal TV show host whom he will become unlikely buddies with, when the latter in his desperation for clicks tries to convince a fellow reporter to dress up in a Yeti costume so he can pretend to have captured one on camera.

    Just as worthy of mention are the couple of Looney Tunes-esque sequences that are clearly meant to hark back to its parent studio's golden era of animation. Migo's initial descent becomes an extended set-piece that includes a tangle with a rope-bridge and its two precipitous cliffs, as well as with the broken body of the propeller plane which Migo had seen the original smallfoot crash-land out of. Later on, a refuge from a blizzard inside a deep cave becomes the scene of a series of comic misunderstandings, including a warming up on top of a pile of burning firewood, an encounter with an irate mother bear who had just put her baby cubs to sleep, and a classic display of language barriers. There is inventiveness in each of these gags, and calibration in both pace and rhythm, so even though they are zippy and zany, they never get too hectic for their own good.

    Kids will also love the couple of musical numbers, penned by Karey and his fellow Kirkpatrick brother Wayne, including the narration-and-song opening 'Perfection' by Channing Tatum, the inspirational 'Wonderful Life' by Zendaya, and the edgy rap 'Let It Lie' by Common. To be sure, none of these reach the heights of Disney's 'Frozen' or even 'Moana', but they are definitely catchy enough to sustain their own energetically animated diversions. They also give the off-the-beaten voice cast ample opportunity to demonstrate their lesser-seen (or heard?) talents, and we dare say that Tatum, Zendaya and Common pull off the singing parts beautifully. Those familiar with Corden's 'Carpool Karaoke' series will be glad to know he has a quirky number here too, that is based on Queen's 'Under Pressure'.

    So even though 'Smallfoot' never hits the Pixar gold standard of feature animations, or perhaps even the subversive ingenuity of Warner Animation Group's own 'The Lego Movie', there is plenty of fun and laughs to be had in this fable on lies and 'myth-understandings', as well as on mis-communication and the lack thereof. Like we said, you'll be pleasantly surprised that its makers haven't opted for just another superficially glossy piece of kids' entertainment, and have instead decided to evolve the narrative in more complex and satisfying ways. It isn't small or unambitious by any measure, and is in fact big on both entertainment and emotion, so you'll find that there's something for every member of the family - big or small - in this delightfully joyous celebration of wonder, discovery and truth.
  • I had to go to this for a work thing (don't ask), and was not overjoyed by the prospect.

    But I really enjoyed it. I don't know what they were trying to achieve, maybe just entertainment and there's nothing wrong with that, and I left felling light and smiley, but if I look back at the movie now, I'm not sure I really remember much of it.

    Not sure that's such a bad thing, not every movie can or has to be ground breaking or thought provoking, but I do wonder at the huge amount of dollar spent on something like this for it just to be "ok".

    Maybe the kids will like it more, I'm way beyond being a kid, and if they get just a few hours of enjoyment, maybe it's worth the money.
  • The movie was beautiful, entertaining and funny. It had a good take away message and the casting was great. There was something missing though, I can't put my finger on it but something was missing from this that stops it from standing out as a fantastic movie. Maybe we need more songs or other lovable side characters I don't know. I did enjoy this but it's not my favourite this year
  • Warning: Spoilers
    Smallfoot is a 2018 animated movie featuring the voice talents of Channing Tatum, Zendaya,James Corden,Common,Danny De Vito and Lebron James. A yeti named Migo(Tatum) is on the look out for smallfoot. But when he pretends that he found smallfoot, a human named Percy(Corden).

    Overall it was a decent flick.
  • baz-6199026 September 2018
    I don't believe people can't see the messages in this film. The truth sets you free, tolerance, don't let others tell you what to believe in, accept and embrace differences etc etc etc. Enjoyable, warm and fun
  • Behind every animation movie there's always a great moral, "Smallfoot" film makers completely failed to deliver the message they indended to the kids in a simple, easily understood way. That doesn't mean that kids won't enjoy it, as it offers some good laughs here and there, cute characters along with the animation, colors and effects which were great as well.

    the songs were the highlight for me and i loved how they played with music genres instead of giving the same pop songs that you usually find in animation movies. I highly recommend this movie for the families, but i doubt the impact it's going to make with so many animation movies being released recently.
  • mamalbg29 September 2018
    There wasn't anything WRONG with this movie , there just wasn't a lot to be excited about. No catchy songs , no characters any of the kids really cared about , nothing noteworthy really.

    Add in some slightly religious undertones with the stones and how they can never be wrong and you get - meh. Went to a birthday party with seven kids aged 5-9. None of them liked this. None of the parents liked it past a couple laughs.

    Danny Divito was really the only high point in this.

    Wait for Redbox
  • We thoroughly enjoyed this movie. The soundtrack- especially wonderful life- is beautiful. The message is so heartwarming, and there were lots of funny moments too.
  • elijahgoglin21 January 2019
    7/10
    Fun
    This movie is a good movie for all ages. I liked it more than I thought I would.
  • Warning: Spoilers
    Here we got "Smallfoot" and these slightly over 1.5 hours are one of the most talked about animated films of 2018. I have seen people include this one on their predictions list for the 2018 Oscar nominations in the Animated Feature category, even if it is not considered one of the two front runners that deal with dogs and superheroes. But back to this one here. Director is Karey Kirkpatrick and while it is only his third directorial effort (and only second in animation), he has been prolific in other fields of filmmaking for a long time and is indeed very experienced. It fits that he is also listed as a producer here and one of the many writers. The latter list also includes Sergio Pablos, who wrote the book this film is based on. Well, what can I say. All in all, I was disappointed. It is a tolerable film at best. I don't know if the translation was the problem as I watched the German dub, but several other fields did very little for me too. First of all, for a film taking place in a world of snow for 99% of its time, I expect more breathtakingly beautiful shots to be honest. It comes very very short compared to Frozen for example in that department. As for the character animation, it was okay. I did like some of the supporting players, but the two protagonists, human and yeti, are very forgettable looks-wise. I guess that was the negative side from trying to keep them seem normal. But I did like many of the supporting yetis looks-wise if you want to call them that. But these looks could not make up for the weaknesses when it comes to elaborating on the characters. The best example there is the group of friends to our main character. Extremely forgettable to be honest and even his love interest feels really flat most of the time. Making her the main antagonist's daughter is not enough alone. Well, that's not true really. You keep wondering who the main antagonist is, the guy I just mentioned, the human, mankind as a whole or is there even a main antagonist at all? Actually, not really I would say.

    Unfortunately the comedy comes short too. The jokes fall flat most of the time and the gimmicky characters cannot make up for it overall. And there is again these jokes with all kinds of stuff coming out of your butt that only work for so long and for very small audiences. The only thing I found pretty funny is when they show us how humans hear the way yetis are talking and the other way around. That was pretty funny indeed and reminded me by the way that it is not very different between humans and all kinds of animals, pets especially. This was a nice running gag I thought. But it was really the only aspect here that had me kinda laughing occasionally. And there were other components that made this film that were really bad to be fair. First of all, the size of the yetis compared to humans changed constantly throughout the movie. A crucial flaw that should not happen in a film of this caliber. By the way, I keep saying yetis as they are no bigfoots, so the title makes only partially sense. Admittedly, it is about the humans, so it kinda fits, but certainly they could have gone with a better title. Second problem is the film falls completely flat in terms of emotion. This is one of the most crucial areas in animation these days in my opinion and an absolute deal-breaker, here for the negative side unfortunately. In addition, the film's message and explanations on how it may be better to replace old knowledge with new knowledge and a better and more open approach to anything feels very forced and stereotypical almost looking at the challenges of our time. I also somehow felt the film constantly criticized the Bible and Christianity and Creationism, which was not to my liking at all and really should not be included in a film like this. Now about the ending. It is very typical for a film, not just an animated film, these days. There was this big "all is lost" moment before the daughter goes again to find the human, but we all know there will be a perfect turn for the happy side again. And that's how it came. Sadly it had virtually nothing to do with realism again. They hate the yetis, try to capture them and two minutes later, they get closer and become best friends with the unknown. Like seriously? I did not buy it at all and the scene when they were cautiously moving closer to each other did not make it work at all. Just too much of a plot twist and all for the sake of a happy ending. Thanks, but no thanks. I prefer realism instead, as much as realism is possible in a film about yetis. But hey if they can make speaking toys work, then they can do the same with yetis. Here they did not. I don't think this should be nominated for an Oscar and give it a thumbs-down. Not recommended.
  • chearn-0973923 October 2018
    There was an awful lot here to unpack for an animated movie aimed primarily at kids. Good messages throughout. Terrible singing but lots of hilarity...when they weren't singing. If only they didn't sing...and just stuck to the deep messages.
  • Robbie K here with another review, this time hitting the latest animated movie to come into the big screen and help impress your little ones. While not Disney, tonight's first review offers the potential to teach, preach, and have your kids dancing in your seats as a new merchandising set debuts on the silver screen. What's in store? Read on to find out as I look over

    Movie: Small Foot (2018)

    Directors: Karey Kirkpatrick, Jason Reisig (co-director) Writers: Karey Kirkpatrick (screenplay by), Clare Sera (screenplay by) Stars: Channing Tatum, James Corden, Zendaya

    LIKES:

    Cute: Animated movies often take this approach, but Small Foot especially took the reins of selling the terrifying yeti as a cute, cuddly, anthropomorphized group that look fluffy and stylish at the same time. It's characters have that adorable round face, big shining eyes, and a happy, peppy attitude that feeds positivity to the audience around. As such, hearts will melt and smiles will shine bright as they watch the group come to life.

    Animation: No surprise here, a big budget production from WB has fluid movement and articulated sequences that show off their computer work. Small Foot's design is also colorful, vibrant, and somehow a tribute to the fashion/culture of multiple ethnicities that represent their voice actors. I myself loved the styles of the yeti's and how chique their fur was structured to make them unique. Definitely not the most realistic, but it works.

    Strong Messages: What would a kid's movie be without important life lessons and adult politics present to provide a double layered story? Small Foot is just that, working to teach the audience the importance of trust, the questioning of theories to pursue truth and make life better, bringing cultures together to make for peace, and a variety of other messages that the world can stand to learn. It's powerfully done, with all the magic thrown in to help bring the message to full light and let it fully settle in. Where other films are a little more subtle, Small Foot decides to just blare it full blast to get the message across, even promoting a few songs to teach the lessons.

    Funny at times: I think this states it enough, but Small Foot attempts a lot of comedic styles to entertain all ages. Many of the running jokes are tributes to vine and internet videos that should be familiar to the modern era. Some are brilliantly timed, and others are included haphazardly, there to be funny for the kids alone. I myself like the cleverer references or clever wordplay, which there is actually a decent amount, so kudos to them.

    Songs: While it seems the modern trend is to turn everything animated into a musical to get soundtracks out and money in. While that trend gets annoying at times, have to say that the music of Small Foot was very entertaining and fitting to the scenes that were designed with them. Beautiful, passionate songs led by Zendaya gave me the goosebumps and held such emotional fire to motivate your desire to learn new things, while the Corben's twist on Pressure was clever, fun, and humorous to break things up. Nevertheless, this would be a fun setlist to play in the car and one worth investing in.

    DISLIKES:

    Lacking The Disney Magic: We know there are plenty of reasons why this is the case, but for me Small Foot is lacking the same power that bigger budget productions hold. Small Foot may be cute, but it didn't push the boundaries of creativity, character cultivation or design. It's not bad by any means, and while there is some originality, all the pieces don't quite line up.

    The Overdone Comedy: Again, I like many of the things this movie offers in terms of laughs, but Small Foot has difficulties with finding that balance between too much and too little. The movie loves beating running joke horses to death, while skimping on jokes that were more diverse and bridged multiple ages.

    More Songs: Can't believe I'm saying this, but in truth, the movie actually needed a few more songs to round out the experience. Zendaya's song is amazing, but for me not so much to fashion most of the screen time songs around it. At least three different renditions were played during the film, plenty of opportunity for some of those more humorous songs to fill instead.

    Character Usage/Development: Lots of voices, means lots of time management needs, and Small Foot does okay to some degree. The problem is, that they just don't integrate the characters as well as I think they could have done. So many potential plot points, hindrances, and obstacles could have been introduced to add more to the story, but musical theatrics and cuteness took over. Much more was needed on many fronts to really tie all the characters together and launch more stories to the mix. This is probably due to lower run time, which was appreciated, but perhaps will set up for some type of Netflix series.

    THE VERDICT:

    Overall, Small Foot is a fun ride that will appease the target audience easily enough. Music is fun, the jokes are a variety of references to get on board with, and it has that cute atmosphere you got from the trailers. And if you've got the little ones enjoy it with them, but realize this one doesn't quite have the magic behind it like it wanted. It's a little off balance, did not take the potential of developing characters, and needed more of the gimmicks to help give it that push it needed. So overall, most are going to either avoid or reserve this one for NetFlix/Redbox.

    My scores are:

    Animation/Adventure/Comedy: 7.0 Movie Overall: 6.0
  • donaldricco1 October 2018
    Pretty cute with some strong messages! I hope all parents can discuss some of these with children that are age appropriate. I also think it works on other levels, but my 10 year old daughter and I had some good talks. And she also laughed pretty hard at some of the slap-sticky humor!

    On a brief note of WTF??? The song that rips of "Under Pressure" by Queen/Bowie is quite possibly the worst song my ears have ever been subjected to. How in the world was that approved by those artists? And for god's sake, why did James Corden agree to sing it? If you think Vanilla Ice ruined that song, you have no idea. I wish, wish, wish that Khan, from Star Trek 2, would get another Ceti Eel and put it in my ear to nest and release its eggs into my brain. I then wish the baby eels would eat up all the parts of my brain where the memory of that song exists - no matter how much devouring that took. Honestly, it's that bad. And it's on Spotify. wow...

    Now Common's song, that was awesome!!!!
  • SnoopyStyle6 December 2018
    Migo is a yeti living in an isolated community at the top of a mountain. The yetis have their own unique vision of the world and origin myth which is engraved on ancient stones wore by the Stonekeeper. Migo is learning to ring the gong from his father which raises the snail-sun every morning. One day, he is almost crushed by a crashing plane and he finds the impossible Smallfoot, a human being. Before others can see the evidence, the plane falls off the mountain. Nobody believes him except for a secret society of Smallfoot truthers. He goes down the mountain and encounters Percy Patterson, a struggling internet wildlife presenter.

    I really love the yeti world. I love their origin myth and their isolated world view. The human world is far less compelling and I don't like Percy's story. It would be so much easier for Percy to be a climber who finds the yeti community. All that internet stuff is annoying and unnecessary. If not for the yetis, I may not like this movie. I just love these yetis and the ending is lovely.
  • I enjoyed this so much that I rewatched it again immediately after. And I really can't think of a single negative point in the movie. Everything was made to near perfection. The story, the voice acts, and of course, the music. This amount of joy has become so rare these days.

    This animation was a proof to the fact that some rappers are a far better choice than the professional voice actors. I am so desperate to get my hands on the soundtrack! Please don't miss this one. It would be a really big loss.
  • Warning: Spoilers
    There was a lot of things that "Smallfoot" had going for it. A unique concept with some pretty humorous potential, animation from Warner Bros. Animation, a pretty strong cast, and a great writer/director helming it. This movie seemed to be bound to be pretty good, and sadly it ended up just feeling nothing spectacular. Now don't get me wrong. This is not a bad animated movie and it's certainly doesn't reach awful heights, but it just felt so predictable and basic that it just left me disappointed which is really a shame because I really wanted to like this movie. I honestly really did.

    High up in the Himalayan mountains resides a secret village of yetis. They follow legends engraved onto stones which foretold that there is nothing below the clouds and that there is no other creatures except for themselves and yaks. One yeti named Migo (Channing Tatum) does follow the legends and like the other yetis, practices their normal traditions. One day though, he comes into a bit of a shock after seeing an airplane crash down and finds a human whom the yetis call "smallfoots". He tries to tell the other yetis, but ends up getting banished from the village by their leader, the Stonekeeper (Common). He does eventually run into a secret group of yetis named Kolka (Gina Rodriguez), Gwangi (LeBron James), Flem (Ely Henry) and the Stonekeeper's daughter Meechee (Zendaya) who believe smallfoots do in fact exist and have been collecting their objects as proof. After venturing below the clouds, Migo then runs into a human named Percy (James Corden), a TV personality who has been trying and save his sinking nature show. What follows from their are lots of shenanigans and crazy moments which is all I'm going to say on the story.

    Considering that Karey Kirkpatrick wrote some great animated movies like "Chicken Run", I did go into the film with high hopes, but the film really left me mostly disappointed. I did say that the films concept was intriguing, and that is true. The idea of yetis being scared of humans and calling them smallfoots is pretty fun and honestly feels straight out of a Looney Tunes cartoon or from the mind of Chuck Jones. It does have some funny moments including the yetis misinterpreting the human objects and some funny slapstick including a scene with Migo on a rope bridge, but it also has unfunny moments including jokes featuring a screaming goat. Seriously, that joke is old now. Also, the story is predictable at times. It goes through the routes you expect it to go and most of the time doesn't really pull any odd twists or turns. It does do something very new and unique by the end of the movie involving one of the characters, but by then it kinda felt too little, too late. The animation was great though. The snow effects felt very well made and the slapstick was terrific. Then again, nobody does slapstick as well as Warner Bros. Though it did have one problem. The character designs looked like they came straight from "Hotel Transylvania". This shouldn't be a surprise since the company that provided the animation was Sony Pictures Imageworks who also animated the Transylvania flicks, but I feel they could've made the designs feel a little more unique. They just felt really similar to Genndy Tartakovsky's brilliant designs from that film. As for the characters, I like most but not all. The yetis are great. I do like how passionate Migo is, the group that believes in smallfoots is also hilarious and I do love how Meechee isn't all tough and eventually warms up to Migo, but instead is already nice to him from the beginning. Percy on the other hand, annoyed me. I don't have anything against James Corden and I do feel he can be funny, but he sadly has been put in some annoying animated movie roles which is a shame. There's also one more thing that I have to talk about before I wrap up my review. One thing the trailers didn't tell us about this film is that it is also a musical. Yes, you read that right. It put in some songs into the film, and it didn't work. They were all forgettable except for two. One for the right reasons, and the other for the wrong. The one that did it right was involved a rap song from Common explaining the yetis situation which did have a somewhat memorable hook to it and surprisingly actually tied into the story. I'll admit, that it was really well done. However, the musical number that did it wrong was a scene where Percy is trying to win back his girlfriend and he gets on stage and starts singing random lyrics to the melody of "Under Pressure" by Queen. I wish I was making that up. It left me baffled.

    Overall, I thought "Smallfoot" was fine, but disappointing. The story had some funny moments but was mainly predictable, the animation was great though designs felt to familiar, most of the characters were pretty good, and most of the musical numbers didn't work. This is a film that I think you should instead wait till it comes out to DVD and just rent it. It could've been so much better, but I'll still take it over the disappointment from last year that was "The Lego Ninjago Movie".
  • First of all I didn't quite enjoy the plot. It wasn't particularly entertaining to me but it also doesn't mean that it was mundane. Smallfoot just wasn't something that I looked for at that time. I thought not many characters were intriguing to me expect from The Stonekeeper and Fleem. The songs "Wonderful life" and "Now you now" (I literally got chills!) indeed struck me. The message this movie conveys was exceptionally important to me. I don't think the issue it raises is a common one so it's good that this neglected subject was brought up.
  • The movie has an underlying theme of seeking truth which is not a bad theme. However it is pretty heavy laden with symbolism suggesting religion is nothing more than well intentioned deception. It presents a theme that there is no truth to be found in ancient texts (the stones) For a rational Christian, the films overall message is one big inherent contradiction
  • I was surprised that the issues dealt with in this film were not only so significant and relevant but that they did it in a way that was not overly simplistic. Other than the slightly after school special ending, the movie was phenomenal. My 10yo loved it also.

    The songs mostly didn't blow me away, although Common was pretty incredible (uncommon?). There were a lot of big laughs from both me and my daughter.

    Gets a 10 because anything that is that funny that combines a great message in a way that both children and adults can relate to is extremely rare to encounter.
  • A great movie for younger audiences with lots of catchy songs, colourful characters and scenery and slapstick adventures, but it lacks the heart of a good Disney film. The modern references aren't as funny as they could have been, and although it's enjoyable enough, it lacks the magic, awe or wonder the premise could have presented.
  • maza-822991 October 2018
    This movie was made by and for atheists. The anti-religion message is far too heavy handed.
  • Warning: Spoilers
    I was taken by surprise at how great the messages of the movie was. Ask questions, don't believe everything you're told, just because it's "in stone" doesn't mean it's true, views are not everything, etc.

    The soundtrack was really nice. Zenday's song "wonderful life" was good but I found myself enjoying "let it lie" even more. It fitted in perfectly with telling the story of the evil smallfoot, a very well-worded rap.

    I was pleasantly surprised that the plot was not the same garbage as the other film they recently made; "storks." It has originality although similar to monsters inc. Great voice acting. Although I was never bored while watching I had already predicted the story within the first five minutes. It takes no genius to understand that the stones will be disproven, the humans will be befriended, etc.

    Nonetheless, it was a fun experience. It is after all targeted towards children (therefore i love the messages of this movie even more!) A very good family movie.
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