Review by steve-667-10190

There's process and then there's chemistry. When the process is right, that's good but it's no guarantee of anything beyond the generic. That's where chemistry comes in. The cast of Young Sheldon has chemistry. Much of the negative criticism in this forum is unwarranted I think. Viewers have been conditioned to mindless action, filth and gore to the extent where they can't see subtlety or appreciate an aside anymore. Look at how Two and a Half Men degenerated season after season from suggestivity (an art form) to near depravity. This happens due to a never ending demand to push the barriers of whatever the premise originally mandated to ensure ever increasing laughs or scares or rushes of adrenaline. Same thing happened to American Horror Story. It remains to be seen what the future holds for Young Sheldon but by virtue of the nature of a prequel, it's future is probably our present. This is where the writing, directing and interpretation of the characters needs to tread carefully. Too many reviews in this forum were done after just episode 1. It's a great show with some old fashioned values. The chemistry between Sheldon and Missy is magic. Reagan (Missy) nearly steals the show. Zoe Perry deserves an Emmy. She nails the Mary role. As does Annie Potts with Meemaw. Let's face it, the "fish out of water"premise has sustained comedy since there was comedy. The Three Stooges and the Marx brothers in high society. Check out Hoi Polloi and Night at the Opera as examples that typify the notion. Without ill fitting tuxes though, the Stooges would've worn thin. Without Margaret Dumont, the Marxes would've become tired quickly. Penny is the Big Bang's Dumont. Now in Young Sheldon, he himself is the Dumont amongst a horde of red necks, dummies and well intended warm working class folk. That's why it works for me. I sincerely hope the producers respect the short shelf life that this series has and resists any temptation to move away from the excellent formula the first season has created. It's a series that I thought Hollywood had forgotten how to do. Young Georgie is just as appealing as Sheldon. He's a brat but warm hearted enough not to dislike him. Missy is feisty without being precocious. Meemaw is earthy without being a lush. George likes his booze and BBQ's without being a loser. And Mary is the glue. Forget the millenials who's short attention spans have cheapened their taste. It's a great show. I can't get enough.