8 April 2019 | MisterWhiplash
in a nutshell: full blown madness, dark/violent/nihilistic comic excess, and I liked it (I think)
How much you like or dislike this movie depends on how much you're into Matthew McConaughey and Harmony Korine making their Cheech and Chong/Hunter S Thompson flick (well, Thompson but as a poet and more The Dude than Raoul Duke).
This is funky, loose, crazy, and dumb, but often wildly funny. I dont know if Korine is going for a terribly deep message, and thats ok! It veers into mania and real darkness and terror, and it is legitimately shocking because he's got his chops as a provocateur (in part because Debie, for all his filters, has a sense of naturalism alongside his director), but the whole experience is riveting. It's his most "conventional" movie in that it isn't aggressively full of oddities, but that doesn't mean it doesn't dance enough there to be what it is.
I knew at times I shouldn't be laughing, or at least questioned it, and I think I can see someone coming to it and not having any of it. I wouldn't be mad if someone told me this got on their nerves - like Fear and Loathing in Las Vegas, it'll either hit you or it won't. For me, I dug McConaughey (how much this is how he is deep down and how method or who knows what for it, don't care, I was equally charmed and repulsed and couldn't look away) and I dig seeing Martin Lawrence, as the world's greatest dolphin tour guide, make a quasi comeback in one of the more insane comic set pieces I've ever seen. It keeps you on your toes and doesn't let you know how to feel about the shenanigans go down.
Soundtrack is an all-timer (give or tair a Creed song).