8 February 2019 | BeneCumb
Good, but not among the finest Swedish crime series
Sweden has always been a big producer and exporter of weapons, and with modern times and approaches, it is natural that there are many people opposing it or at leasy trying to find attenuating circumstances. All this is the leitmotif in Ingen utan skuld - sometime "outworked", but at times just preachy.
In spite of pleasant actors present, the characters are often arid (except one - see below) and try to develop a story with distant/cruel past and "painful" present; so the events are not always smooth and there are some excessive scenes and characters. The role of the police is oddly limited, enabling to depict the events hardly plausible in a modern and transparent society Sweden is. So, bearing in mind many other Swedish series (e.g. Innan vi dör, Springfloden), I can consider the series in question above average, but not too catchy.
PS At least one grade from me due to Krister Henriksson as Martin "Marianne" Lindhe; his character and performance is so different I used to know. Definitely the greatest actor in this series.