Blood Quantum (2019)

Not Rated   |    |  Horror

Blood Quantum (2019) Poster

The dead are coming back to life outside the isolated Mi'kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.




  • Michael Greyeyes at an event for Blood Quantum (2019)
  • Stonehorse Lone Goeman in Blood Quantum (2019)
  • Brandon Oakes in Blood Quantum (2019)
  • Blood Quantum (2019)
  • Forrest Goodluck at an event for Blood Quantum (2019)
  • Robert Vroom and John Christou at an event for Blood Quantum (2019)

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Reviews & Commentary

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User Reviews

6 September 2019 | BenHarley1138
| Seen at TIFF (2019)
With the lack of a trailer or really any information, I had no idea what to expect from this film, especially the tonality. The worry I have when watching a new Canadian film is that it will be as the majority are; slow, cheap, and morbid. But, I'm thankful to say Blood Quantum is a step above the average morbid Canadian film, and it even manages to get an important and overlooked message across amidst all the blood and gore.

The performances are all around very good, and to my satisfaction felt like honest portrayals of the Indigenous peoples of Canada. And the fact that a movie like this exists, featuring a majority-Indigenous cast in a bloody, gory zombie film, is very exciting for the ever growing presence of Indigenous peoples in cinema.

This film also offered a ton of blood and gore, which starts I'd say not even 10 minutes into the film. No time is wasted getting to all of the gory fun stuff, but it doesn't forget about its characters, managing to create relationships which I became invested in. I would say I think the handling of some critical moments of emotion could have been handled with a little more power, but with that said, the tone of this film is fairly lighthearted at times despite its core message (this is not to say the film is lighthearted). And I should also add, the gore effects are all awesome. Lots of practical work done, and so much of it is very creative and inventive. I had a blast during these scenes, and there are more than enough of them.

I could go on about the minimal, but very good musical score, which builds a tension of eeriness, and at times reminds you that this is in fact an indigenous film. The cinematography is also very good for a Canadian production, with most of the lighting and blocking feeling very expensive and consistent. Some aerial shots even reminded me of the intro to Kubrick's 'The Shining' in which a camera hauntingly looms over the Torrance car.

I enjoyed this film, and it offers a lot of quality effects, passion, and entertainment to be had. Not to mention it manages to leave us with an important, optimistic look towards the future relationship between the Indigenous peoples of Canada and the non-indigenous (English) peoples of Canada, a message that needs to be in the minds of every Canadian today and so forth.

If you get the chance to see this film, do see it, and pay for a ticket if you have the option, because there's no telling how much box office success a film like this will attain, and it deserves more than it may very well get.


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Release Date:

28 April 2020


English, Micmac

Country of Origin


Filming Locations

Listuguj, Quebec, Canada

Box Office


CAD5,500,000 (estimated)

Cumulative Worldwide Gross:


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