A woman taking a cab ride from JFK engages in a conversation with the taxi driver about the important relationships in their lives.A woman taking a cab ride from JFK engages in a conversation with the taxi driver about the important relationships in their lives.A woman taking a cab ride from JFK engages in a conversation with the taxi driver about the important relationships in their lives.
- Awards
- 1 win & 4 nominations total
Marcos A. Gonzalez
- Taxi Line Attendant
- (as Marcos Gonzalez)
Shannon Gannon
- Driver
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
8.0 stars.
This is a film that everyone must see at least once. This is where you take your troubles and dreams and talk to someone you love and trust, and tell them about a person in your life called Daddio.
What a compelling story about a complex woman and a down-to-earth taxi driver. As they continue to talk, he pulls all of her sorrows out of her and it's all on the table for discussion and healing. But she is not just an ordinary woman, she's also a person of great empathy and she will win this game of honest discourse and reparation of the soul.
I was profoundly touched by these two wonderful actors.
This is a film that everyone must see at least once. This is where you take your troubles and dreams and talk to someone you love and trust, and tell them about a person in your life called Daddio.
What a compelling story about a complex woman and a down-to-earth taxi driver. As they continue to talk, he pulls all of her sorrows out of her and it's all on the table for discussion and healing. But she is not just an ordinary woman, she's also a person of great empathy and she will win this game of honest discourse and reparation of the soul.
I was profoundly touched by these two wonderful actors.
Daddio is a story about a young woman who takes a long taxi ride from the airport to home with an older man as her driver. They both divulge personal anecdotes about their lives with seemingly no filter. At first glance it does not appear to be a great foundation for a film. However as the story progresses we find out that the young woman, (Dakota Johnson) who is never named, is involved in an affair with an older, married man. We also find out that the taxi driver 'Clark' (Sean Penn) has a fairly sharp focus on life and relationships after being married more than once.
They share details about their lives, taking turns in a sort of competition about who can reveal the most inner secrets. Clark seems to have a very clear insight into how people work and explains to the woman that she is in a relationship going nowhere. She on the other hand, appears to probably know this, but maybe she does not care as the relationship suits her present needs.
Whether you agree with Clark's opinions or the woman's actions doesn't matter, what matters is how they interact in sharing their stories and what it says about human relationships. We see Clark as possibly not able to have a proper relationship due to his cynicism about people and his free spirit. We see the woman as never been shown love from her father, so she seeks it through sexual relationships, to the point she even calls her married lover 'Daddy'. She even maintains a memory of her own father, on the only occasion he ever touched her, which appears to be a false memory.
The entire film was shot in the cab, in real time order, with 90% of the film being closeups of either Clark or the woman. Sean Penn is his usual fabulous self. He's getting on now but plays the part of the older, possibly wiser man with great insight and delivery. Dakota Johnson is excellent as the woman. She displays a whole range of emotions and you can mostly tell what she's thinking all of the time. She does her signature biting of the fingernail but it doesn't seem cheap or staged at all. The pair of them had so much chemistry and acted in such an understated yet brilliant way that I want to see it again.
The photography was perfect too and apart from Penn's and Johnson's faces the only other shots were outside the cab watching it drive along the street.
Some might find it uninteresting because there's only the two of them, in a cab, talking for an hour and a half. I think it's storytelling at it's best as within the conversations are so many worldly expositions and many people might find many differing points of view. I absolutely love this film and I gave it a solid 8.
They share details about their lives, taking turns in a sort of competition about who can reveal the most inner secrets. Clark seems to have a very clear insight into how people work and explains to the woman that she is in a relationship going nowhere. She on the other hand, appears to probably know this, but maybe she does not care as the relationship suits her present needs.
Whether you agree with Clark's opinions or the woman's actions doesn't matter, what matters is how they interact in sharing their stories and what it says about human relationships. We see Clark as possibly not able to have a proper relationship due to his cynicism about people and his free spirit. We see the woman as never been shown love from her father, so she seeks it through sexual relationships, to the point she even calls her married lover 'Daddy'. She even maintains a memory of her own father, on the only occasion he ever touched her, which appears to be a false memory.
The entire film was shot in the cab, in real time order, with 90% of the film being closeups of either Clark or the woman. Sean Penn is his usual fabulous self. He's getting on now but plays the part of the older, possibly wiser man with great insight and delivery. Dakota Johnson is excellent as the woman. She displays a whole range of emotions and you can mostly tell what she's thinking all of the time. She does her signature biting of the fingernail but it doesn't seem cheap or staged at all. The pair of them had so much chemistry and acted in such an understated yet brilliant way that I want to see it again.
The photography was perfect too and apart from Penn's and Johnson's faces the only other shots were outside the cab watching it drive along the street.
Some might find it uninteresting because there's only the two of them, in a cab, talking for an hour and a half. I think it's storytelling at it's best as within the conversations are so many worldly expositions and many people might find many differing points of view. I absolutely love this film and I gave it a solid 8.
When I first saw the trailer, I was like I will watch this movie because I like these genre stuff (simple storyline ,low budget, ,Relatable deep conversations etc ).
After watching this Movie, I mean all I can say about that the storyline is pretty streamlined but it could be better. The performance by Sean and Dakota both were top notch. I wish there was less swearing other than that the conversations were quite sincere. The bond shown in the movie kept in their heart knowing they might not meet each other ever again and their conversations remained in their heart for the rest of their lives.
After watching this Movie, I mean all I can say about that the storyline is pretty streamlined but it could be better. The performance by Sean and Dakota both were top notch. I wish there was less swearing other than that the conversations were quite sincere. The bond shown in the movie kept in their heart knowing they might not meet each other ever again and their conversations remained in their heart for the rest of their lives.
Movies, of late, have been boring me after about 20 minutes. It's either a remake or slightly different from an old movie. I usually am able to predicts how they end. Not this movie, sean penn and Dakota Johnson were amazing. Great chemistry. An entire movie filmed in a taxi. Normally I don't like Dakota Johnson but she was great with Sean Penn. Movies with good scripts, good actors and good directors are hard to find now, even with all the TV we have now. If you have the time, you will not be disappointed if you watch this flick. It did at times gives me collateral vibes. If you like that movie you'll like this one.
Girlie (Dakota Johnson) arrives in NYC at JFK and boards a yellow cab driven by Clark (Sean Penn). They have an intense conversation.
This is one of those two-handers. The actors are mostly in a confined space by themselves. Girlie does constantly text with somebody and that person is almost a third character in the play. It is a rich cinematic tradition with movies like My Dinner with Andre. In a way, this is more engaging since they start out as strangers. The audience is discovering them as they do. There are some great ups and downs in the conversation although one turn falters in my opinion. She is telling the story about her father and Clark doesn't push her at the end. Instead, he lets it float away. That is a human instinct, but for the drama, he needs to push. There are obvious implications and he needs to give them voice. It's also a time in the story where the tension needs to keep building all the way to the climax. In the end, they never considered what I was thinking and that's a little disappointing. The script seems to be smarter than that. Still, it's a very engaging ride all the way to the end.
This is one of those two-handers. The actors are mostly in a confined space by themselves. Girlie does constantly text with somebody and that person is almost a third character in the play. It is a rich cinematic tradition with movies like My Dinner with Andre. In a way, this is more engaging since they start out as strangers. The audience is discovering them as they do. There are some great ups and downs in the conversation although one turn falters in my opinion. She is telling the story about her father and Clark doesn't push her at the end. Instead, he lets it float away. That is a human instinct, but for the drama, he needs to push. There are obvious implications and he needs to give them voice. It's also a time in the story where the tension needs to keep building all the way to the climax. In the end, they never considered what I was thinking and that's a little disappointing. The script seems to be smarter than that. Still, it's a very engaging ride all the way to the end.
Did you know
- TriviaAccording to the director, the movie was shot in chronological order.
- GoofsThe taxi meter never changes the rate as the taxi drives, but Clark says that it is a flat rate from JFK. That's why he doesn't even start the meter.
- SoundtracksMy Heart Beats for You / Qalbi Daq Elak
Written and Performed by Ahmad Khalil
Courtesy of Forman Bros. Recordings in association with Levantine Music
- How long is Daddio?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Випадкова розмова
- Filming locations
- 21 Caven Point Avenue, Jersey City, New Jersey, USA(Sound stages)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $987,845
- Opening weekend US & Canada
- $424,091
- Jun 30, 2024
- Gross worldwide
- $1,878,377
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 2.39 : 1
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