Sink or Swim

The very fact of making a movie about men in these years when women's films are the focus of attention is a proof of originality from the director and co-scriptwriter Gilles Lellouche, better known as an actor and only at his second film after a pause of 14 years. Even more, the heroes are not comics characters or super-spies saving the world, neither great thinkers, politicians, or other celebrities of the day, but rather a collection of middle-aged men, each with its problems and failures, who find their escapist refuge in practicing one of the most feminine possible sports - synchronized (or artistic) swimming. And no, none of them is gay, this is not the theme of 'Le Grand Bain'.

The subject is taken from a real case in Sweden, and in parallel with the French movie, an English film that I have not seen yet has also been produced and released to screens. As it often happens, the label 'inspired by a true story' is a good excuse for situations and a story that seem incredible at first sight or hearing. The model is of course 'The Full Monty' which I liked a lot about 20 years ago. The story has an air of deja vu, but paradoxically this does not matter because the approach is light and empathic. Each of the heroes comes with his personal history and the problems of each of the characters are gradually revealed in a well-orchestrated chaining alertly edited together. The common denominator is the need to compensate for the professional or family failures of each of the heroes with the sporting teamwork in which eight or ten personal failures can be gathered to create collective success by accepting the differences and rejecting the macho patterns of the surrounding society.

Gilles Lellouche gathers some of the most popular of his fellow actors in this film. I viewed with great pleasure, as always, Mathieu Amalric and Benoît Poelvoorde, two of my preferred actors in the francophone space. I also liked the interpretation of Philippe Katerine whom I knew less. There are also some less explored threads that could have been developed (the Sri Lankan team mate - the only 'stranger' in the team, the stories of the two girls), but on the other hand maybe it's better that the film does not try to to send too many messages risking to dilute in too many directions. As it stands now, 'Le Grand Bain' is a humorous and empathetic film which succeeds in conveying a credible and important "feel-good" message, despite the routine or lack of credibility of some of the details.