Epic drama set thousands of years before the events of J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' follows an ensemble cast of characters, both familiar and new, as they confro... Read allEpic drama set thousands of years before the events of J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth.Epic drama set thousands of years before the events of J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth.
- Nominated for 6 Primetime Emmys
- 18 wins & 58 nominations total
Browse episodes
Summary
Reviewers say 'The Rings of Power' receives mixed reactions for its stunning visuals, intricate world-building, and ambitious storytelling. Critics point to deviations from Tolkien's lore, weak writing, and inconsistent pacing. Fans express disappointment in character portrayals and plot changes. Some viewers appreciate the fresh take and potential to expand Middle-earth. The show's production quality, special effects, and cinematography are often praised, while the script and character development draw less favorable remarks. Overall, it is seen as visually impressive but narratively uneven.
Featured reviews
As a Lord of the Rings fan, I was eagerly awaiting the origin stories of Middle-earth. Of course, I have high expectations after Lord of the Rings, which is close to perfection in terms of time and fiction. Because they have a considerable budget and opportunities, that's why I gave my points by watching the first episode right away. Although it is the beginning part, I can say that I liked the first part very much. The character of Galadriel could have been more strong, but she is still successful. We will warm up to the characters better over time.
Characters: 8 Story: 10 Decor and venue: 10 Costume: 10 Music: 10.
Characters: 8 Story: 10 Decor and venue: 10 Costume: 10 Music: 10.
A pleasant surprise, the cinematography is impeccable, the characters quite well done, the plot looks like a link between the stories of the First Age, the Silmarillion and the stories of the Lord of the Rings of the Third Age, the rhythm of narration is pleasant albeit a bit slow. If the outcome of the series will be to narrate how Sauron forged the Rings of Power, it will definitely be something to watch. Until this moment, I think that in general terms, at least the first chapter delivers. I think enough to be cautiously optimistic about what the next 7 episodes might turn out to be. I must add, again that I am pleasantly surprised.
We all know liberties were taken with this series so my review is not based on faithfulness to the source material.
A lot of the marketing for this show led people to fear it would be woke. I didn't see anything like that. I wasn't rolling my eyes or cringing at any virtue signalling.
The pace is a little rough in parts but since it's the beginning of the series I almost expect a little dawdling. There's a lot going on, things to be set up and introduced etc...
The characters and the story is engaging though, the cinematography was well done, and the score seemed to fit... so I'm honestly excited to see where this series goes.
Definitely give this a shot and decide for yourself.
A lot of the marketing for this show led people to fear it would be woke. I didn't see anything like that. I wasn't rolling my eyes or cringing at any virtue signalling.
The pace is a little rough in parts but since it's the beginning of the series I almost expect a little dawdling. There's a lot going on, things to be set up and introduced etc...
The characters and the story is engaging though, the cinematography was well done, and the score seemed to fit... so I'm honestly excited to see where this series goes.
Definitely give this a shot and decide for yourself.
I wanted so badly to love this series. As a diehard LOTR fan since its original release, I always love any opportunity to return to Middle Earth.
And then this series happened. And I'm more than happy to NOT visit Middle Earth.
I realized by about the end of the second episode that from scene to scene, I don't care one iota about any of the characters or their outcomes. And I also forget pretty quickly who they even are. They're all bland, unlikeable, empty.
I'd rank this right up there with Wheel of Time as a thoroughly missed opportunity. Under-written with an unbelievably bloated budget.
And then this series happened. And I'm more than happy to NOT visit Middle Earth.
I realized by about the end of the second episode that from scene to scene, I don't care one iota about any of the characters or their outcomes. And I also forget pretty quickly who they even are. They're all bland, unlikeable, empty.
I'd rank this right up there with Wheel of Time as a thoroughly missed opportunity. Under-written with an unbelievably bloated budget.
I really wanted to like this. After having read almost everything Tolkien wrote in my childhood and the promotional materials and the music, I was ready to dive back into Middle Earth. But on first watch, something seemed off.
Visually, the series has the same brightness of the Hobbit. It's pretty, but doesn't feel real. Even the things that are old feel new. Costume design is okay, nothing special but not terribly egregious.
The script and acting however, falls really flat. It's stiff, lifeless, and unimaginative in places and many conversations feel incredibly unnatural, both in text and delivery. It's frequently hard to watch.
But my biggest gripe is with the in-world consistency. The glory of Middle Earth is in the world building which Tolkien meticulously designed and revised. I accept that any adaptation has to take a certain amount of creative license; the LOTR movies certainly did. The difference between the two is that the LOTR movies approached the story from the same angle as the book and made minimal adaptations in order to tell the story effectively. They also were reasonably faithful to the ethos of the world. This however, does none of this, instead having the arrogance to claim better knowledge of Tolkien's creations better than the author himself. This is a show centred on Galadriel. A Galadriel that bears precious little resemblance to the one in the source material save her name. Creative license lets you create new events, delete events, merge events, or modify events slightly to tell the story better. The problem with the way it has been done is that the original plot points will no longer fit.
The thing is, as a stand-alone series, if Tolkien had never existed or the LOTR movies never made, this would actually be a half decent serial deserving 3-4 seasons to see the story through. But, in light of its origins, it really is a let down. For some reason, the only part with any life is the Harfoots.
Visually, the series has the same brightness of the Hobbit. It's pretty, but doesn't feel real. Even the things that are old feel new. Costume design is okay, nothing special but not terribly egregious.
The script and acting however, falls really flat. It's stiff, lifeless, and unimaginative in places and many conversations feel incredibly unnatural, both in text and delivery. It's frequently hard to watch.
But my biggest gripe is with the in-world consistency. The glory of Middle Earth is in the world building which Tolkien meticulously designed and revised. I accept that any adaptation has to take a certain amount of creative license; the LOTR movies certainly did. The difference between the two is that the LOTR movies approached the story from the same angle as the book and made minimal adaptations in order to tell the story effectively. They also were reasonably faithful to the ethos of the world. This however, does none of this, instead having the arrogance to claim better knowledge of Tolkien's creations better than the author himself. This is a show centred on Galadriel. A Galadriel that bears precious little resemblance to the one in the source material save her name. Creative license lets you create new events, delete events, merge events, or modify events slightly to tell the story better. The problem with the way it has been done is that the original plot points will no longer fit.
The thing is, as a stand-alone series, if Tolkien had never existed or the LOTR movies never made, this would actually be a half decent serial deserving 3-4 seasons to see the story through. But, in light of its origins, it really is a let down. For some reason, the only part with any life is the Harfoots.
Renewed, Canceled, or Ending?
Renewed, Canceled, or Ending?
Check out our list of renewals and cancellations to see if your favorite show made the cut.
Did you know
- TriviaAmazon's original pitch for the television rights to J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' novels was to make the series a new adaptation of the latter (effectively a retelling of The Lord of the Rings: The Fellowship of the Ring (2001), The Lord of the Rings: The Two Towers (2002) and The Lord of the Rings: The Return of the King (2003)), but the Tolkien estate rejected this proposal. Amazon finally obtained the rights under the conditions that the series be distinct from Peter Jackson's earlier adaptations, and that they couldn't contradict anything that Tolkien had previously written. Early ideas that were proposed included prequel stories featuring characters such as Aragorn, Gimli and Gandalf, but the showrunners preferred to focus on important untold events from the novels' lore rather than simple side stories, so they settled with the studio that the series would take place during the books' Second Age. Since they didn't have the rights to Tolkien's 'The Silmarillion', 'Unfinished Tales' and 'The History of Middle-earth' (which explore the First and Second Ages), they checked the Lord of the Rings novels and appendices for passages about and references to the Second Age that they could set their story in. They consulted with the estate and several Tolkien lore experts (including grandson and novelist Simon Tolkien) about the inclusion of new characters and plot elements.
- GoofsThe dubbing credits for several languages mistakenly list King Durin III as "Durin II".
- Crazy creditsThe opening titles is a musical sequence of matter forming various shapes, based on the "Music of the Ainur" creation myth from J.R.R. Tolkien's "The Silmarillion".
- ConnectionsFeatured in The Critical Drinker: The Rings of Power - War For A Fandom (2022)
"The Rings of Power" Cast Through the Years
"The Rings of Power" Cast Through the Years
See the cast of "The Lord of the Rings: The Rings of Power" in all their most iconic roles from Morfydd Clark in Saint Maud to Benjamin Walker in Abraham Lincoln: Vampire Hunter, and more.
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El señor de los anillos: Los anillos de poder
- Filming locations
- Auckland, New Zealand(series 1)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content