The Ah! My Goddess: Bad Goddess and Marller Gets a Spinoff Video Comics were conceived by a Zombie Life TV intern at Austin Public Access as a Storyboarded Practical Joke Pitch Third Season intended to shock the original show producers and audience into a state of disbelief that something as outspoken and tongue in cheek as it was could ever be made. It was made without the knowledge or permission of Kodansha or Kosuke Fujishima for the Ah My Goddess Internet Community. As Kevin Neece did not attempt to secure the rights to the characters, or the photo backgrounds he used, or the photoshopped actor likenesses he used, or anything else, the series can never be legally released on DVD/BluRay through a Legal Distributor, but is available on YouTube and Archive.org. It is considered a Student Fan Film, and interestingly enough, features an Arthouse Subtext making it a Psychological Allegory film series disguised as a South Park/Doctor Who Spoof of Ah! My Goddess.
In addition to Kevin' trial and failure editing projects inspiring Skuld's mid-life crisis in The Bad Goddess Who Fell to Earth Episode, Skuld's restaurant franchise, Casa De La Skuld, is also a metaphor for the insanity of Zombie Life TV's evolution from a Paranoid Conspiracy Discussion show to a Goth Punk Pagan Variety Show that increasingly tried to top itself every week by packing in more and more acts. Charlie Day's "Art is about Restriction" scene is directly inspired by filmmaker Josh Becker, who has dedicated his life to writing essays to get young filmmakers to follow proper screenwriting structure, even if he has to beat it into them with his outspoken film opinions. Skuld's technology leak stated at the end represents Kevin's guilty conscience and second thoughts about remaking Alamo Drafthouse's entire show from scratch, and extends itself into the Assault on Yggdrasil incident when a cyber terrorist takes advantage of the leak to try and take down Yggdrasil Central. At the end of Bad Goddess Assault on Yggdrasil, The Almighty offers Skuld forgiveness stating that what she did pointed out the security flaws in their system, and should they choose to address them, may help save them from future attacks. A few months after writing the story, Kevin linked all of Alamo Drafthouse's preshow material he collected on youtube as playlists and tried to properly credit the original editors. Alamo appeared to let it go, some of them even thanked him, although someone did eventually erase his victory account. Kevin tries to explain to the audience the metaphorical nature of this story in Bad Goddess What is the Meaning of All This, though it may somewhat confuse them as to what all of this had to do with Ah My Goddess in the first place. Kevin states that Alamo Drafthouse Lake Creek introduced him to Ah My Goddess through their Anime at the Alamo show back in 2011.
When Kevin decided to use live action backgrounds for the Bad Goddess Video Comic, he chose the background photos for Nekomi, Japan (featured in the first episode before Planet Earth is destroyed), from online photos of Kosuke Fujishima's hometown of Chiba, Japan. According to the fans on Goddess Project, Chiba is the closest geographical location with a layout that resembles what Fujishima imagined in the Oh My Goddess universe. Kevin has no way of knowing if the Buddhist Temple he used is the same one that inspired the Tarhiki-Hong Temple in the Anime Series, but feels it's close enough.
There's a Bad Goddess episode called Renaissance World, that's missing major scenes and plot points. This is a joke homage to an episode of Gavin Stone's Fanservice that Kevin worked on where Sherwood Renaissance Fair came on as guests and gave the best performance of the show's entire run... and the entire episode cut off after the first five minutes due to a faulty hard drive. Kevin also makes fun of how Eddie Rotten repeatedly got cut off mid air by cutting off his narrator character, Kevin from the Other Dimension, mid-sentence at the end of Bad Goddess Let's Get a Pizza.
In the Bad Goddess episode, The Rejected Sequel, Kevin Neece openly admits at the beginning of the movie that the inspiration to turn Ah! My Goddess into a universe that survived the Nuclear Holocaust, was inspired by Donald Trump "winning" the election. That much is true. But there's another inspiration nobody is aware of. In the story, the Pagan Goddesses that run Heaven find themselves comically overwhelmed with overpopulation due to the entire human race on Planet Earth being wiped out at the same time, and are forced to take the intolerant Christians into their homes as refugees. This is actually metaphorical of Alamo Drafthouse's handling of the Star Wars Force Awakens advance tickets sales. Like the Angels who had been preparing for Ragnarok their entire lives, Alamo Drafthouse spent the entire year preparing their servers for the tickets to go on sale, but when the system went live, despite all of their efforts, the demand for Star Wars caused the system to crash anyways leading to chaos at all of the theater locations as everyone stormed the theaters to get their tickets in person. Oh, by the way, in case you haven't noticed yet, Kevin has a thing for Allegory movies like The Swimmer and Emperor of the North Pole.