Finding a ghost named Ernest haunting their new home turns Kevin's family into overnight social media sensations. But when Kevin and Ernest investigate the mystery of Ernest's past, they bec... Read allFinding a ghost named Ernest haunting their new home turns Kevin's family into overnight social media sensations. But when Kevin and Ernest investigate the mystery of Ernest's past, they become a target of the CIA.Finding a ghost named Ernest haunting their new home turns Kevin's family into overnight social media sensations. But when Kevin and Ernest investigate the mystery of Ernest's past, they become a target of the CIA.
- Director
- Writers
- Stars
- Awards
- 2 wins total
Jahi Di'Allo Winston
- Kevin Presley
- (as Jahi Winston)
Scott A. Martin
- Sheriff Brown
- (as Scott Martin)
Peggy Walton-Walker
- Ramona Scheller
- (as Peggy Walton Walker)
Sherri Eakin
- Young Ramona
- (as Sherri Eakin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
So, the movies "alright".
It's competently directed, acted, and it looks decent. The issue I have is it's waaaaaay long. For what the movie was presented to be, it should've been about and hour and forty five minutes TOPS. With a running time of two hours and six minutes... the film is extremely difficult to get through.
And... the tone is all over the place. Is it a comedy? A drama? A thriller? A mystery? It tried to be all of these things. I've seen a lot of movies on Netflix like this recently. Is it a Netflix thing? Or just something Hollywood is trying on for size. Hopefully they cut the crap because it doesn't work.
The main hero, Kevin, is really likeable. And I appreciate that. Performances are good, but the jumbled mess is not the casts fault. It rests with the filmmakers. Netflix should've advertised this as more of a drama revolving around a family. There ARE funny moments, but the preview makes it seem like this will carry throughout the entirety of the movie and it doesn't.
It's average and gets a higher rating for me because I'm a fan of David Harbour.
It's competently directed, acted, and it looks decent. The issue I have is it's waaaaaay long. For what the movie was presented to be, it should've been about and hour and forty five minutes TOPS. With a running time of two hours and six minutes... the film is extremely difficult to get through.
And... the tone is all over the place. Is it a comedy? A drama? A thriller? A mystery? It tried to be all of these things. I've seen a lot of movies on Netflix like this recently. Is it a Netflix thing? Or just something Hollywood is trying on for size. Hopefully they cut the crap because it doesn't work.
The main hero, Kevin, is really likeable. And I appreciate that. Performances are good, but the jumbled mess is not the casts fault. It rests with the filmmakers. Netflix should've advertised this as more of a drama revolving around a family. There ARE funny moments, but the preview makes it seem like this will carry throughout the entirety of the movie and it doesn't.
It's average and gets a higher rating for me because I'm a fan of David Harbour.
This movie was fun, touching, well filmed and a tad bit silly. The mix of mystery and action felt well timed and the pacing made a 2 hr movie feel like a lot less. The story was a fun version of the typical ghost story and the characters were endearing enough to keep you interested until the end. And most of the acting was solid even the over the top roles of the government sector. Anthony Mackey was solid as always. To be fair... David Harbour is my favorite actor, so I may be a bit biased. That being said... he hit this role on the head and did an amazing sell of a script without saying a single word. Enjoyed it for what it is.
From Christopher Landon, the man behind films such as Happy Death Day and Freaky, comes a funny and moving ghost story, with great cast and cool car chases as well. The story follows a family of four who moves into a new house, only to find out that it's haunted by the ghost of a guy (David Harbour) who wears a bowling shirt with the name Ernest on it. The first to come into contact with him, is the younger sensitive son, Kevin (played by Jahi Di'Allo Winston), who feels all alone and can't connect with his family, especially his father (Anthony Mackie). When Kevin sees Ernest, he bonds with him and makes it his mission to find out his story and help him cross over to the other side, but naturally it's not that simple, as the family find themselves targeted by the CIA (Tig Notaro and Steve Coulter), who want to capture Ernest and do experiments on him. Kevin teams up with the girl next door (Isabella Russo) in order to uncover the mystery behind Ernest and help him out. Even though there are so many ghost stories, this one does offer something fun and new, first of all seeing David Harbour playing a ghost (with unattractive hair cut) and not being able to say any words, is truly impressive. The rest of the cast does good job all around (too bad Jennifer Coolidge had such a short time on screen though). I especially loved a moving scene between Kevin and his father, where he becomes honest and tells him that he's proud of him. Also the visuals and soundtrack are also great. The films discusses many topics such as family, social media and the power of friendship (even with a ghost).
It seems Netflix are determined to releasing new weekly movies that are mediocre and too long. This easily, just like other Netflix-films like the recent Jason Mamoa films Slumberland and Sweet Girl or the very recent Your place or mine, could have been 90 minutes. I'm confident I would have enjoyed this film much more if it was shorter - now I just feel numb.
Sometimes a light comedy can be just what I crave. It can have medium reviews but in a certain mood, a "medium" film can be perfect. But for two hours? Landons previous films in the Happy Death Day-franchise + Freaky are much more succesful in being enjoyable.
Sometimes a light comedy can be just what I crave. It can have medium reviews but in a certain mood, a "medium" film can be perfect. But for two hours? Landons previous films in the Happy Death Day-franchise + Freaky are much more succesful in being enjoyable.
Set in a house in the Chicago area, one year after the previously family fled without explanation, the house is now occupied by the Presley family consisting of father Frank (Anthony Mackie), mother Melanie "Mel" (Erica Ash), and Fulton (Niles Fitch) and Kevin (Jahi Winston) the older and younger sons respectively. Kevin is none too thrilled at the prospect of having moved yet again as Frank has made a habit of going for ill-advised business ventures that necessitate their moving from place to place. While exploring the attic Kevin encounters a ghost of a man in a bowling shirt with the name "Ernest" (David Harbour) stitched on the breast who tries in vain to scare Kevin who records the apparition on his phone. As Kevin tries to communicate with Ernest in the hopes of getting to know him better, the two strike up a friendship. However Kevin's brother and father soon find the video on his phone and posting the video on the internet turns Ernest into a social media sensation much to Kevin's annoyance. As Ernest can't remember anything from when he was alive, Kevin works with his next door neighbor Joy Yoshino (Isabella Russo) to track down clues to Ernest's identity as Dr. Leslie Monroe (Tig Notaro), an agent of the CIA paranormal program "Wizard Clip" attempts to get Ernest into CIA custody.
We Have a Ghost is the latest film from writer director Christopher Landon who had previously made a name for himself with the two Happy Death Day films as well as the body switch slasher Freaky. Based on the short story Ernest by Geoff Manaugh, Landon taps into more high concept territory as he takes the familiar premise of comic haunted house movies (such as 95's Casper and especially Burton's Beetlejuice) and puts his own spin on it for the modern age. Like Landon's previous efforts, he takes a well trodden formula and makes it feel fresh thanks to a smart script, strong direction, and good performances from the ensemble.
At the center of the film is undeniably David Harbour as the titular ghost and it's a fantastic performance from Harbour in spite of the fact he can't speak. Harbour was hesitant to take on the role as it would be challenging to create a compelling character without words, but Harbour shows just how versatile and charismatic of a presence he is not only scoring big laughs from his physicality and the pantomime nature of his performance, but also eliciting some strong emotional resonance and a sense of sadness and tragedy that makes you really care about him. Outside of Harbour, the movie is supported by a terrific ensemble. Jahi Winston is very good as the co-lead and he makes a solid audience proxy whom we enjoy seeing go through the supernatural shenanigans. Winston does a good job of making his interactions with Ernest and his neighbor and love interest Joy played by Isabella Russo very endearing and when the three of them are together in the movie they play off nicely against each other. Anthony Mackie, Erica Ash, and Niles Fitch get some good mileage playing Kevin's family and their varying reactions to how the ghost affects their lives with Frank booking TV appearances, Fulton using it for popularity and Mel at her wits end with the crowds of Ernest fans and TikTokers camped outside their house leads to some fantastic comic set pieces. Tig Notaro is also very good as Dr. Leslie Monroe who serves as our primary antagonist and serves as a more nuanced take on the role Walter Peck played in Ghostbusters. Tig brings a lot of humanity to the role and does well playing a driven and quirky CIA agent.
At it's core the movie is essentially a mash-up of Beetlejuice by way of Starman or E. T. (particularly in the second half). While the stuff around centered around the house is very good with the satire of internet fame and haunted house trappings, Landon takes the action on the road in a creative way as Kevin, Joy and Ernest search for more clues to Ernest's identity and we get some really creative and humorous sequences that often had me giving solid belly laughs. We Have a Ghost runs strongly for a good 75% of the runtime, but around the last 25% I started to notice some things began to drag. I personally think the movie runs a little long at two hours, and while it does stay funny there is a "flabbiness" in the structure that made the comic rhythm stumble a bit. I also felt like the movie had two different ideas of how it wanted to end because they introduce a secondary antagonist towards the end of the second act and it feels like it deviates a bit too far from the established pieces in my opinion and it probably could've been tied up better by having a singular antagonistic force.
We Have a Ghost is a strong high concept comedy that features a great comedic performance by Harbour and a likable ensemble strongly directed by Landon. Landon's script remains funny for a good chunk of the running time, but does feel like it loses some integrity around the 90 minute mark and feels like the third act could've done with a bit of tweaking. A solid recommendation especially if you've an affinity for the likes of Beetlejuice, Ghostbusters, or Starman.
We Have a Ghost is the latest film from writer director Christopher Landon who had previously made a name for himself with the two Happy Death Day films as well as the body switch slasher Freaky. Based on the short story Ernest by Geoff Manaugh, Landon taps into more high concept territory as he takes the familiar premise of comic haunted house movies (such as 95's Casper and especially Burton's Beetlejuice) and puts his own spin on it for the modern age. Like Landon's previous efforts, he takes a well trodden formula and makes it feel fresh thanks to a smart script, strong direction, and good performances from the ensemble.
At the center of the film is undeniably David Harbour as the titular ghost and it's a fantastic performance from Harbour in spite of the fact he can't speak. Harbour was hesitant to take on the role as it would be challenging to create a compelling character without words, but Harbour shows just how versatile and charismatic of a presence he is not only scoring big laughs from his physicality and the pantomime nature of his performance, but also eliciting some strong emotional resonance and a sense of sadness and tragedy that makes you really care about him. Outside of Harbour, the movie is supported by a terrific ensemble. Jahi Winston is very good as the co-lead and he makes a solid audience proxy whom we enjoy seeing go through the supernatural shenanigans. Winston does a good job of making his interactions with Ernest and his neighbor and love interest Joy played by Isabella Russo very endearing and when the three of them are together in the movie they play off nicely against each other. Anthony Mackie, Erica Ash, and Niles Fitch get some good mileage playing Kevin's family and their varying reactions to how the ghost affects their lives with Frank booking TV appearances, Fulton using it for popularity and Mel at her wits end with the crowds of Ernest fans and TikTokers camped outside their house leads to some fantastic comic set pieces. Tig Notaro is also very good as Dr. Leslie Monroe who serves as our primary antagonist and serves as a more nuanced take on the role Walter Peck played in Ghostbusters. Tig brings a lot of humanity to the role and does well playing a driven and quirky CIA agent.
At it's core the movie is essentially a mash-up of Beetlejuice by way of Starman or E. T. (particularly in the second half). While the stuff around centered around the house is very good with the satire of internet fame and haunted house trappings, Landon takes the action on the road in a creative way as Kevin, Joy and Ernest search for more clues to Ernest's identity and we get some really creative and humorous sequences that often had me giving solid belly laughs. We Have a Ghost runs strongly for a good 75% of the runtime, but around the last 25% I started to notice some things began to drag. I personally think the movie runs a little long at two hours, and while it does stay funny there is a "flabbiness" in the structure that made the comic rhythm stumble a bit. I also felt like the movie had two different ideas of how it wanted to end because they introduce a secondary antagonist towards the end of the second act and it feels like it deviates a bit too far from the established pieces in my opinion and it probably could've been tied up better by having a singular antagonistic force.
We Have a Ghost is a strong high concept comedy that features a great comedic performance by Harbour and a likable ensemble strongly directed by Landon. Landon's script remains funny for a good chunk of the running time, but does feel like it loses some integrity around the 90 minute mark and feels like the third act could've done with a bit of tweaking. A solid recommendation especially if you've an affinity for the likes of Beetlejuice, Ghostbusters, or Starman.
Storyline
Did you know
- TriviaIn November 2017, Legendary won an auction for screen rights to Ernest, a short story by Geoff Manaugh published on Vice.com. Christopher Landon (Happy Death Day (2017)) both adapted the short story into a feature and directed the film.
- GoofsThe size of the interior and the exterior of the haunted do not match at all. The interior shots show a grand double staircase, three rooms abreast on the ground floor, and an attic in which you could play football.
- Quotes
Joy Yoshino: Will they let us off if we pull over?
- Crazy creditsThe first part of the end credits has each of the credits fade away in the same particle effect used for Ernest.
- ConnectionsFeatures Bewitched (1964)
- SoundtracksNo More Mr. Nice Guy
Written by Alice Cooper and Michael Bruce
Performed by Alice Cooper
Courtesy of Warner Records
By arrangement with Warner Music Group Film & TV Licensing
- How long is We Have a Ghost?Powered by Alexa
Details
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- Also known as
- Tenemos un fantasma
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- See more company credits at IMDbPro
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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