Profile

Greetings again from the darkness. French journalist Anna Erelle documented her month-long correspondence with an ISIS terrorist in her 2015 book, "In the Skin of a Jihadist." Her experience resulted in a fatwa being issued for her ... basically an Islamic death sentence on her head. Based on (more like influenced by) Ms. Erelle's story, writer-director Timur Bekmambetov (ABRAHAM LINCOLN: VAMPIRE HUNTER, 2012) and co-writers Brittany Poulton, Olga Kharina bring us a movie version via computer screen storytelling.

Valene Kane ("The Fall") stars as Amy Whittaker, a British freelance journalist with a bright idea for an important story. With so many western girls being recruited by ISIS and sold as sex slaves, Amy decides to track down a recruiter and gain intel on how the process works. She does this by creating new Facebook and Skype accounts under the fictitious name of Melody Nelson, an "almost" 20 year old new convert to Islam who just doesn't fit in to her current world. With the beep of a new post, Melody is contacted by Bilel, a terrorist and ISIS recruiter, whose profile expertly blends cat videos with bombings and beheadings.

Bilel (Shazad Latif, "Star Trek: Discovery") is handsome and charming. He talks the talk and walks the walk as both a terrorist and man who can seduce vulnerable young women via FaceTime. There is a lot happening on Amy's/Melody's screen at any given time. The pop ups come fast and frequently from her hard-nosed news editor Vick (Christine Adams, "Black Lightning"), curious best friend Kathy (Emma Cater), confused boyfriend Matt (Morgan Watkins), and IT specialist Lou (Amir Rahimzadeh), himself the son of a Muslim. As if all that isn't enough, YouTube videos come and go, and Melody is constantly googling the latest topic of conversation so she doesn't give away her ruse.

Artistic license is taken with her in-the-moment research and blunders. Although Ms. Kane is strong in the role, Amy never comes across as a professional journalist on a job. She does, however, expertly play to the stresses - rent due, concerned boyfriend, social commitments, dual personas, work deadlines, and the social media chaos that comes with flirting with terrorists or "making friends with jihadists". It's just impossible to imagine a job like this wouldn't find all parties better prepared and protected.

Still, the reality of young women being seduced and recruited by terrorists is quite real, and this should generate fear in every parent. I kept thinking "that wouldn't happen", all the while my stomach churned with the tension. It's the reality of the threat that creates the fear, but director Bekmambetov effectively uses the online interactions to create a current and urgent scenario.

In theaters on May 14, 2021.

7/10 - probably my least favorite of the Screenlife thrillers (I have an unhealthy obsession with Unfriended and Searching), but still a really interesting true life story about ISIS recruiting all on the computer screen.

516. Profile. The whole movie takes place looking at a laptop screen, I thought I was going to be bored out of my mind, but I was wrong, it was well done. Again though, the trailer is most of the movie. But that is just the way things are these days, no surprises in cinema released movies. The story is about a journalist, Amy, posing as another younger girl, Miranda, and how she comes in contact with, Bilel who's part of a terrorist organization, and how that organization recruits young women from foreign countries, promising them love, then sell them into slavery. What a world!! It shows Amy's relationship with Bilel and how his words may be working on her, shows her work life and social life spiraling out of control! So basically, it's a public service announcement brought to you by Skype, Facebook, and Microsoft on watching who you talk to over the internet! Builds up to a pretty scary ending, that's apparently based on a true story, swell. Filmbufftim on FB.

It astonishes me that a movie set entirely on a computer screen can be in any way entertaining, and yet all the movies I've ever seen using that concept ('Unfriended 1 and 2', 'Host', 'Searching' and now 'Profile') are terrific. The concept requires a really well crafted script that moves at a lightning pace. 'Profile' does this extremely well too because it never feels like it's rushing either. I had a really good time with this movie.

The thing about this story is that it feels very real. Obviously it is based on a true story which helps, but the subject matter is very raw. Ghosts and demons attacking people can be scary, but it's always in your mind that they aren't actually real. Terrorists on the other hand are extremely real and are always in the deep recesses of our minds. This creates a very uneasy feeling that the film gives to its audience.

I was going to be very interested in how dark the ending of the film got. Found Footage films are notorious for having particularity brutal and ominous endings (one of the main reasons I lover them so much). I liked the ending 'Profile' went with, but I think I would've liked them to take an extra step further to really keep the film memorable. That's one of the only flaws I found though in an otherwise extremely good film. I highly recommend this one.

I find it quite an intense and captivating story, as danger increases when the journalist digs deeper.