User Reviews (15)

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  • Warning: Spoilers
    Palm trees were not native to the USA, they were imported and then rooted here. So explained the father to the daughter when she was young. The protagonist's dad is now terminally sick and bed-struck.

    Ms Purple is now a late twenty/early thirty year old woman trying to make end's meet by working as a bar hostess in LA's Koreatown serving drinks. This also includes staying and sitting aside mostly arrogant US born Korean men in dingy karaoke bars. Her name seemingly coming from a purple dress a client once donned her. Her brother lives in a trailer and spends his time getting kicked out of a cyber cafe where he is addicted to his favourite computer games. The contrast to how palm trees flourish in LA vs how this family's life turned out since mom left them could not be starker.

    It is a tale of coping with loss, with stuff that life throws at you, and of persevering in adversity and drawing strength from the past and from close family. The brother does not judge the sister, and neither does she judge her loser brother. The scenes where both reminisce of past days feels forced and the director could have used less dialogue to convey the same message. Both siblings trying to cope, one at the verge of giving up, the other having given up ages ago, to life and to living. There is no joy in their existence, almost no hope to their lives. This is no fairytale, mr Richard Gere does not come and save this pretty woman, he is a prick who decides to pass her on to his mates.

    Multiple scenes where she is bathing or cleansing herself does not rid her of the weight she carries with her. We see her smiling only when she hangs out with her brother, the only other human being she feels comfortable with to be unguarded and shackle free.

    The film ends on a positive note, as she finally lets go of the past and sends father to professional care.
  • About a girl who works in a noraebang and the struggles that kind of environment brigs with it. She is also balancing being the full time carer of her father. A harsh look on the burden that life can sometimes bring on people. I thought the film lacked a bit more development and substance which could have improved it.
  • lor_7 September 2019
    Subtlety is not a strong suit in Justin Chon's movie, with striking shots, amplified music and jarring flashbacks taking precedence over story and characterizatons. Key information is denied to the viewer (e.g., purple is the color of mourning in Korean culture) and the use of 3 or 4 false endings (extra footage is shown even after the end credits roll) is a drag.

    Chon covers a number of weighty themes, unfortunately often trivializing them. His heroine suffered (along with her brother) from abandonment, as their mother left them, and is clinging to her dying father as a result, refusing to give him over to hospice care as nearly everyone suggests she do. The extreme difficulties of a caregiver are illustrated, but make for black humor comic relief (the brother wheeling comatose dad in his bed through traffic repeatedly as silly music plays).

    His depiction of the plight of a sex worker, as our suffering heroine is mired in prostitution working in karaoke bars that are merely fronts for sex, and her even more disturbing treatment by an egotistical sugar daddy is commendable in how her humiliation is shown to be even more debilitating to the human spirit than the sex and ultimate violence that comes with the territory.

    Chon also uses two subcultures, the Korean community and Chicano community, to portray immigrants as strangers in a strange land, seemingly his principal theme in the picture. More back story would be necessary to give this set of characters three dimensions, and the subpar acting in the brother's role is a major drawback to becoming involved or invested in their fates.
  • mossyyard26 May 2019
    The writing, directing, and cinematography are fantastic with a beautiful score as the cherry on top, but the acting can be lackluster at points bringing the over all experience down. The acting is good at parts, sometimes great, but when everything else is at it's a game, the acting sticks out like a sore thumb. Over all, really well executed. I do recommend.
  • This film really has some standout and profound moments, exploring familial dynamics, death, and autonomy. Crystal Lee's acting is really stellar and the film is very beautiful. There is even some very nice humor thrown in to lighten the intense themes of the movie. However, there was some questionable writing and dialogue that felt like it threw off the tone of the movie, at times. Overall a very solid picture that explores some very important topics.
  • Greetings again from the darkness. Kasie (an excellent Tiffany Chu) lives with her father (James Kang), who has an unidentified terminal illness, and has been in an extended coma, showing no real chance for recovery. Kasie is the primary caregiver, and out of familial duty, refuses to put him in hospice for professional care. She also works as a Hostess/Escort at a popular Karaoke bar and has a rich boyfriend, although there seems to be no love between the two - it's more of a business relationship.

    Out of necessity, Kasie re-connects with her older brother Carey (Teddy Lee) who bolted from home many years ago after disputes with the father. He seems to have done little with his life, and frequently gets booted from an internet café for lack of cash. Carrying guilt for deserting his sister and father years ago, especially since the mother/wife left home when the kids were very young, he agrees to help Kasie with caregiving, and even takes dad for "road trips". It's quite a comical sight to see son pushing dad's bed through town set to The Proclaimers' "I'm Gonna Be (500 Miles). Much of the siblings' adult issues can be traced to mom abandoning them for a better life with a rich man. Some emotional scars never heal, so this bit of levity is welcomed.

    Director and writer Justin Chon (co-written with Chris Dinh) was behind the critically acclaimed GOOK in 2017 (a Korean DO THE RIGHT THING). Here he uses Kasie's flashbacks to childhood with her dad and brother as a framing device, demonstrating how the father dealt with his wife leaving, and laying out the responsibilities and burdens that family can bring. There are recurring shots of lone palm trees whose significance to Kasie is only explained late in the film ... but does provide more insight into the bond she has with her father. The contrast between memories of her father telling her she's a beautiful girl and the obnoxious, entitled behavior of her rich Karaoke customers is heart-breaking. A nice young valet (the car parking type) played by Octavio Pizano offers Kasie a taste of normalcy and it slowly brings her back towards center.

    Ms. Chu carries the film. Her performance relays the vast array of emotions - the duty she fulfills that wears her down. She is quite something to behold. The film has a terrific score of violin music from Roger Suen, and lets us know that finding one's self while caring for another can be a breakthrough that may sometimes be loud, and may sometimes be quiet. I was fortunate to stumble onto this movie at the 2019 Dallas International Film Festival when another screening got cancelled. Such a pleasant surprise
  • Drama about Korean American sister and brother, were raised in LA Koreatown by Korean father and abandoned by their Korean mother. This drama pairs together Taiwanese born actress and Chinese born actor. Both leading roles does not respond back or speak Korean language. Something deeper that got me away from this movie. It's not the writing (which is actually pretty dull), is the lack of personality. After all, it felt like a generic movie with generic plot and generic issues. Doesn't fully represent Korean American.
  • I'm very glad I saw this movie. It gives a very lifelike and unique glimpse into the lives of a regular brother and sister who are dealing with a difficult situation. This is exactly the kind of movie that I like. It feels so real and so relatable while also letting us see some people from a culture that may be slightly different than our own.

    It really shows just how similar we are all while at the same time being unique. This film has the power to bring people closer together. Koreatown is not that far away from the homes of a lot of the people who will view this beautiful film. And yet this gives us a chance to see it from a new point of view, to see how different it is and how similar it is at the same time. How similar all the people are. The acting is wonderful, as are the directing and the story. Highly recommend.
  • This movie has been on my to watch list for a few months. i really didn't think it would be great but i was way wrong. a very powerful story with an incredible actress that makes you cherish the things you have. A very common story in asian families to take care of your parents yourself opposed to putting them in a home or hospice. it shows the burden on family and the guilt that comes with it.

    7.2
  • Realistic, stark and rough film about making a go of it under very difficult circumstances. Really carried by Tiffany Chu, hope we get to see much more of her. Well done.
  • Warning: Spoilers
    This is a really excellent and underrated film. Outstanding direction, a great performance from Jessica Chu, a wonderful and moody soundtrack, and good supporting performances. A rather nice contrast between a somber tone of Korean American culture and the somewhat joyous quality of Latino culture in Los Angeles.

    This is a quiet little film, strong performances a good story. DIfficult subject matter, well handled by the crew. A terminally ill father, a somewhat estranged brother, and the woman who basically takes the weight of the world upon her shoulders. A nice depiction of a common heroine, of the karaoke scene, which is probably fairly close to reality, in terms of general, low-life patrons and the kind of nonsense which these women have to put up with. I recommend this film it really gets under your skin.
  • gamelordofsony29 September 2020
    3/10
    Slow
    Slow and sad. even the farewell had a better story
  • This is a slow moving drama, but it is beautiful both aesthetically and plot wise. I find it engaging.
  • guytowere16 September 2019
    Yes, sad, but so realistic and natural. Tiffany Chu is incredible to watch, every minute of it. It breaks one's heart to see what she goes through. One of my best movies this year. I also enjoyed the music.
  • cdcrb26 September 2019
    Warning: Spoilers
    The reviews said "depressing, but with a ray of hope". they were right. a young woman "hostess" struggles to deal with her life. a bedridden father adds to her burden. she turns to her brother for help. this is for people who love movies. reread my first sentence.