Hypnotic

Danny Rourke is determined to find his missing daughter, or at least learn what happened to her, he finds himself investigating some bizarre and inexplicable cases, where the crimes seem almost impossible.

I was almost quick to switch off, and simply dismiss it as a poor man's Inception, and whilst there are definitely some shades, that obscure surrealism, it's kind of worth sticking with.

I'm a big fan of Ben Affleck, and I'd watch him in anything, and boy has he been in some awful films, this one is far from awful, but it should have been so much better.

The narrative at times is non existent, you'll be sat wondering who, what, where, and on the other side, you have the psychic explaining bits of the plot, presumably to try and give the audience a clue as to what's going on, if you're not concentrating, you will lose it.

On the plus side, it looks great, and it does feel a little different to what's out there, Affleck and Braga are both good, though I feel their characters are both stuck in second gear, neither really offer up too much.

All in all, it's watchable, but it's a frustrating watch.

5/10.

I'm not really sure why everybody hates this so much. I read a few reviews that said there were huge plot holes, I didn't find that at all. There was only unanswered question for me and that is simply...were they born with it or are lots of people and it just an untapped brain function, that under the right circumstances can be honed? But everything from the opening scene after was answered! And it was answered very clearly. So either they didn't finish it or they weren't really watching, as they were watching. As far as the acting goes, I mean I've seen worse and I've seen better. But it was it wasn't such pitiful acting that I'd give a one star review for it. It really just centers around a several main characters and they all do a decent job. It's not an Emmy winner by any means but it's still a watchable movie. And if you are among the groups who believe the "government" tells us what they are doing, through channeling entertainment to program us, then I would say you'd like it even more. Because who's to say things like this aren't happening right now. Programming subjects for mass shootings comes to mind haha.

Hypnotic is a solid B movie aspiring to be Christopher Nolan's A-movie Memento or Inception with a whiff of Matrix. While it may play on notions of memory and hypnosis (see the title), it doesn't reach the nuances of Nolan's work. Yet it amuses and hints at the dangers lack of memory can cause.

For early summer and Ben Affleck in his prime (see Air), it's a safe bet for an evening that may cause you and your companions to philosophically speculate on its allegorical properties (social media mind bending, anyone?).

Danny Rourke (a perpetually glum Affleck) grieves to find his abducted daughter, Minnie (Hala Finley and Ionie Olivia Nieves), but has been searching for her for 4 years, even after arresting the kidnapper. You see, kidnapper doesn't remember a damn thing, and lo and behold more characters don't remember things either. It begins to sound like Hitchcock's Vertigo, whose re-release director Robert Rodriguez claims inspired him.

Something has a hold on their minds, a weapon far worse than guns and bombs. With the help of Detective Diana Cruz (Alice Braga), Rourke tracks from the heist to the master mind to get at the hypnosis generator. Along the way, a Hitchcock MacGuffin called Domino fades while our hero experiences a surprising facet of the titular weapon.

Although this is in no way a superhero film, it resembles one thematically with the emphasis on finding a daughter and making family whole again. That theme is more satisfactory than gaining riches or beating the hell out of bad guys.

The ending is sentimental to a fault, and the mid-credits sequence promises more of the same with a possible sequel. Summer fare could be worse, so relax in a comfy modern theater with your best bud and howl at the screen.

Hypnotic is an energetic B movie with a fleeting moment when Ben smiles. Now, that's entertainment!

The general concept of battling hypnotics is certainly interesting, but what Hypnotic ultimately fails in is the execution of its concept.

Specifically, the movie uses hypnotic powers as a way to build plot twists, but these plot twists feel more like a half-hearted "oh, actually that didn't happen" than satisfying. It was equivalent to when you play a game with a child who keeps making up new rules as you go:

Adult: "I cut your arm off with my lightsaber."

Child: "No you didn't! I actually healed it!"

In Hypnotic, it's much of the same, answering dramatic moments with a quick retcon that's flimsily attached to a quick "it was hypnosis" explanation. And like playing that game with the child, those "plot twists" only serve to make the Hypnotic viewing experience frustrating rather than fun.

Robert Rodriguez weaves a mesmerizing tale, shrouded in enigma, always keeping you on the edge of your seat. The truth dances just beyond your reach, as he deftly manipulates the story like a skilled magician. Admittedly, I've seen Ben Affleck deliver more captivating performances in other films. His innate charm remains partially hidden in this endeavor. Nonetheless, it remains an enthralling watch. Affleck portrays a cop haunted by the haunting disappearance of his daughter, a mystery that has plagued him for years. However, a string of daring bank heists propels him into a clandestine world of extraordinary individuals endowed with psionic powers, individuals who may hold the key to his daughter's fate. The film's convoluted twists and turns defy expectations, defying your attempts to unravel its secrets. Alice Braga mesmerizes with her portrayal, seamlessly embodying her character's essence. While I personally relish the challenge of deciphering the intricacies of a film's plot, Braga's character defies such expectations. She elucidates the intricate details, leaving little room for speculation. The veil of mystery is lifted, revealing the truth in stark clarity. Character development takes a backseat as the narrative unfurls, for we are explicitly informed of the events as they unfold. Nevertheless, JD Pardo, as Nicks, delivers a compelling performance, leaving us yearning to witness him take the lead in future endeavors. Affleck, in his portrayal of Danny Rourke, showcases unwavering strength, anchoring the film with his solid presence. The twists and turns of the story remain delightfully elusive, avoiding the trap of predictability that often plagues such tales. In comparison to its 2021 namesake, this film shines brightly, offering a far superior experience. I sincerely recommend embarking on this mysterious journey.