A thirteen-year-old girl named Mei Lee is torn between staying her mother's dutiful daughter and the changes of adolescence. And as if the challenges were not enough, whenever she gets overl... Read allA thirteen-year-old girl named Mei Lee is torn between staying her mother's dutiful daughter and the changes of adolescence. And as if the challenges were not enough, whenever she gets overly excited Mei transforms into a giant red panda.A thirteen-year-old girl named Mei Lee is torn between staying her mother's dutiful daughter and the changes of adolescence. And as if the challenges were not enough, whenever she gets overly excited Mei transforms into a giant red panda.
- Nominated for 1 Oscar
- 11 wins & 93 nominations total
Rosalie Chiang
- Meilin
- (voice)
- …
Hyein Park
- Abby
- (voice)
Maitreyi Ramakrishnan
- Priya
- (voice)
Wai Ching Ho
- Grandma
- (voice)
- …
Tristan Allerick Chen
- Tyler
- (voice)
Lori Tan Chinn
- Auntie Chen
- (voice)
Mia Tagano
- Lily
- (voice)
Sherry Cola
- Helen
- (voice)
Lillian Lim
- Auntie Ping
- (voice)
James Hong
- Mr. Gao
- (voice)
Topher Ngo
- Aaron T. (4*Town)
- (voice)
Josh Levi
- Aaron Z. (4*Town)
- (voice)
Summary
Reviewers say 'Turning Red' has mixed reviews, with some praising its animation and others criticizing it for being unappealing. The plot is deemed predictable and formulaic, lacking originality. Puberty themes are either seen as too explicit or inadequately handled for family audiences. Pacing issues and filler scenes are noted, along with underdeveloped supporting characters. Despite these criticisms, some appreciate the film's attempt to address complex themes and its vibrant animation style.
Featured reviews
It's 2002 Toronto. Meilin is a 13 year-old Chinese-Canadian girl on the verge of adulthood. Her family cares for their temple honorable their ancestor who turned into a red panda to defend her family. One morning, she wakes up to find herself transformed into a red panda.
This is a coming-of-age story from Pixar. It's fun. I love the characters. There is a realism in these characters. They feel very authentic. Aside from the supernatural, this is really a story of a girl trying to find her way through puberty and dealing with her mother-daughter relationship. There are no big name actors other than Sandra Oh which does give this a feeling of non-Hollywood. The Toronto locations are also part of that. This has plenty of fun while dealing with some real tween issues.
This is a coming-of-age story from Pixar. It's fun. I love the characters. There is a realism in these characters. They feel very authentic. Aside from the supernatural, this is really a story of a girl trying to find her way through puberty and dealing with her mother-daughter relationship. There are no big name actors other than Sandra Oh which does give this a feeling of non-Hollywood. The Toronto locations are also part of that. This has plenty of fun while dealing with some real tween issues.
The idea, the metaphor is not bad, coming of age or rather turning red (and honor your parents but stay yourself). Pixar production and graphics as good as ever. What is missing in the latest productions, in my opinion, is the genius of Pixar. They seem closer and closer to a typical Disney production, beautiful and musical but not brilliant.
This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.
Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.
This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.
This decline, I fear, may be due to an excess of production wanted by the Disney company, and I understand it but, there is a big difference between a tailor's shop and an industrial distribution of clothing.
Although I am an adult (and perhaps for this reason), I loved Pixar because in the past its target has never been solely that of children, they have included adults. Outstanding Pixar movies like "Wall-e", "Up", "Inside / Out", "Coco", "Finding Nemo" and Dory, also "Soul", even more than the still wonderful "The Incredibles", "Toy Story", "Ratatouille" , "Cars" etc. They bring with them messages, often moving, that do not concern only our children but also adults. Indeed, some messages are not immediately understandable by a very child / adolescent audience but they leave the fun to them anyway. In fact liked these movies as much as my son did.
This latest movie as well as "Brave", to a lesser extent also "Luca", show a slight flattening to Disney standards which I'm not saying are bad but they lack that typical modern tell and sneaky, Pixar genius.
I can recognize myself in a lot of Mei's experiences and learned something new about them as well. There are not a lot of movies that normalize other significant parts about puberty like periods and understanding your parents, but this one does and they do it perfectly. Even for those watching who cannot relate to Mei's experience, it's a great watch to see where she and other girls may be coming from.
There's a reason this movie is a PG and not a U! Everyone having a little turn because a 13 year old girl is given some maxi pads and has crushes on boys - it's not woke, it's reality.
And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!
This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!
And if you have a problem with characters wearing turbans/hijabs, then I really think you need to look deep inside yourself!
This movie doesn't feel like a Disney/Pixar because it's cringey and has anime elements - but it's still fun, and my 10 and 8 year old boys had no problem at all with seeing sanitary protection because guess what, they see it in our bathroom every day!
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"Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner.
A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement.
With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life.
One of the best movies of the year until this day."
Rating: A-
"Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner.
A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement.
With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life.
One of the best movies of the year until this day."
Rating: A-
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Storyline
Did you know
- TriviaThe number 4 is considered unlucky in Chinese culture; it sounds similar to the word for "death" in both Mandarin and Cantonese.
- GoofsLester B. Pearson Middle School has a sign for Canadian Indigenous People's History Month. It's actually called National Indigenous History Month, and it was first observed in 2009.
- Crazy creditsAt the end of the credits, a brief scene is shown revealing Jin, Mei's father, being a closeted 4*Town fan.
- Alternate versionsWhen the audio track is set to English (UK) on Disney+, Lauren's voice is re-dubbed by Anne-Marie.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: Turning Red for the Brawl (2021)
- Soundtracks1 True Love
Music and Lyrics by Billie Eilish and Finneas O'Connell
Performed by 4*Town (Jordan Fisher, Josh Levi, Topher Ngo, Finneas O'Connell and Grayson Villanueva)
Japanese version performed by Da-iCE
Produced by Finneas O'Connell
Recorded by David Boucher
Mixed by Rob Kinelski
Vocal arrangements by Finneas O'Connell and David Giuli
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Red
- Filming locations
- Toronto, Ontario, Canada(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $175,000,000 (estimated)
- Gross US & Canada
- $1,399,001
- Opening weekend US & Canada
- $578,047
- Feb 11, 2024
- Gross worldwide
- $21,813,358
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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