We are living in times where it is getting increasingly possible (and necessary) to make movies on erstwhile unimaginable topics.
A young girl with conflicting thoughts about love grows up in a confused state of mind and ends up blaming herself for her feelings for the same sex. Needless to say that once the skeletons fall out of the closet, friends and family lose no time in expressing their displeasure and passing judgement.
SONAM KAPOOR is the perfect embodiment of 'much ado about hardly anything'. In the lead role here, she doesn't bring anything interesting to the table. It is sad because the role had enough scope to showcase one's talent (of course, provided one has it). The lack of depth in her emoting skills fails to move the audience and her dialogue delivery continues to remain flat.
RAJKUMAR RAO is so natural as the young man in whom SONAM unwittingly finds a true friend that you will probably not notice that he is acting. Given his talent, the role is hardly a challenge and as always, he makes good use of his inherent malleability to fit into his character perfectly.
ANIL KAPOOR effortlessly plays the rich businessman father who continues to nurture his dream of making it big as a chef. The role gives him ample opportunity to exhibit his versatility. Watch out for the scene where he is engrossed in cooking and RAJKUMAR (who mistakes him for a cook) asks him to sneak in a letter to SONAM. Sans dialogues, ANIL's expressions (more than) do the job as they swing from curiosity (for a stranger giving him a note for his daughter) to joy (when RAJKUMAR praises the aroma of his cooking) and back to curiosity/concern.
JUHI CHAWLA revels in her comic avatar and fits the bill as a Punjabi lady in the catering business who has her heart in acting. MADHUMALTI KAPOOR as SONAM's grandmother is great and some of her banter with ANIL (her son) begs for an encore.
SEEMA PAHWA (Badki from Hum Log) puts her comic skills to fantastic use without ever going overboard. BRIJENDRA KALA continues to excel with his signature style of subtly creating humour through unique expressions. REGINA CASSANDRA (from the Southern film industry) makes an impressive Bollywood debut as SONAM's love interest. She exudes sheer confidence and shines in her small part.
The first half is masterfully woven and peppered with funny lines. Sample this - ANIL's mom (who is always against him indulging in cooking) has this to say about men in the kitchen...."Banda tabhi kitchen mein jata hai, jab usay gas ka cylinder change karna hota hai!"
The soundtrack is pretty average. The title track is not bad but the Kumar Sanu original is so magical that you just can't concentrate on this new version. Also, the effervescent, pure beauty of MANISHA KOIRALA keeps popping up in the subconcious mind there by adding to the distraction.
Edited smartly, the movie is delightfully short at 120 minutes and there is no cheap/stale humour at any juncture. The part where SONAM shares her secret with RAJKUMAR is nicely done without any superfluous offshoots. In fact, till the interval, the light hearted flow of the narrative is smooth like a breeze.
Alas, as the movie progresses towards the end, it starts to go astray. The method adopted to break SONAM's news to the world is so simplistic.....it feels amateurish. It really is a pity because otherwise, the topic has been maturely handled and the message that children going through such confusion (of why they feel differently from others) need to be understood and accepted (as they are) by family and friends is apt and genuine.
If only films had an option of paying for pre and post interval separately, I would have asked you all to definitely see the first half. As for SONAM, she needs to quickly get her act together or when we see her we will be compelled to say - "Ek Ladki Ko Dekha To Aisa Laga.....ki iski aur ABHISHEK (Bachchan) ki kahaani kitni milti julti hai!" Ouch! Did I hear someone say 'Galat Jawab, Sameer ji'. 😉😁