Papi Chulo

I think Matt Bomer does a fantastic job in this film, although I may be biased by the fact he is very handsome. However the story is absolutely lovely. A very sweet tale of loneliness, a longing need and an unlikely connection between two very different people.

At first I thought it was going to be another film that I might describe as pointless, but actually it was just a slow-burner.

Not your typical gay story, no coming-out tragedy or dangerous relationship or even a will they, won't they and for that I like it very much.

This movie is about a weatherman who is coming in terms with being alone and lonely after losing his partner. Matt Bomer has done different kind of movies over the years and this one is no different. He displays a complex character who goes from being kind and sad to awkward and kind of creepy and back to kind and sad. Unfortunately this movie chooses to show an immigrant as an emotional teddy bear.

This film tells a man going through a very tough time. We only find out why in the middle of the film, and to me it is quite a shock. It makes me appraise the story in another light. His loneliness is palpable and well portrayed as well.

This film is beautiful in so many ways.

Well acted and shows what happens when you lose a partner and how crazy you can become.

When he meets and has a friendship with the migrant worker it's so real. He doesn't want a Grindr hook up he wants a hug. A human that cares for him.

What I like about this film also is it's not all about being gay. The gay thing is just a trait. The friendship relationship with the married man is sweet and believable.

Some good laughs . A great film. Original.

Wonderful. Couldn't better it. Hence a ten.

John Butler both wrote and directed this sensitive film that tenderly explores the space that friendship secures despite hypothetical barriers of language, culture, gender identification and social mores. This is a film that is not only entertaining and well acted and directed, but also is a much needed platform for examining the prejudices that at times interfere with civility when those responses can be (and so often are) healing. Sean (a luminous Matt Bomer) is a gay Los Angeles television weatherman whose anguish over a 6-month separation of his ex-lover Carlos results in an on-camera breakdown. His TV crew encourages him to take a rest - a break from his broadcast duties - and spend some time talking to someone for support in his chronic loneliness. Sean decides to change his life, at least as far as his home atmosphere, by giving away Carlos' potted tree on his deck - the removal of which leaves a painted blemish that Sean decides to correct. This mission opens the gate to his picking up a middle-aged migrant Latino day worker - Ernesto (Alejandro Patiño) - to help him, and despite the language barrier the two become friends: Sean over-talks on hikes, rowing on MacArthur Park Lake, parties, eateries, and gay parties and Ernesto sensitively provides listening companionship. When Ernesto doesn't appear one day, Sean turns to drinking and trying to find Ernesto in his Pico Rivera living area, only to fall (literally) into Ernesto's backyard during a Quinceanera party and is cared for by Ernesto's family - a kindness Sean later repays as 'room and board'. During Sean's recovery he tries Grindr, and the hunky Ryan Guzman appears at his door: Sean is emotionally unable to respond to the encounter. Time passes. All's well that end's well - as when Ernesto's child knocks on the front door, followed by Ernesto, to fix the still unpainted deck. 'Sometimes a stranger makes the best friend.' A small but very fine cast support Bomer and Patiño and the result is a touching film that offers a fine view of interpersonal relationships - despite some barriers.