EB convinces Michellee to let the fugitives in her house. Sam, aware of Guy's crush on Michellee, suggests Guy bond with EB to get to Michellee. Guy objects, but his love for Michellee overcomes him, even though the process seems like stalking. Some feminist he turned out to be. I knew it was too good to be true.
That said, he does see EB's value, and his recognition of her talents plus his kvetching saves the day.
Michellee's long ramble about how she became a bean counter is hilarious, because it's all puns. Normally I don't like puns, but they did really clever takes on the terms "number-crunching" and "ladder-climbing". Sam can barely keep his eyes open during her speech because it's so boring, although within the narrative it makes sense as he and Guy hadn't slept in two days.
The animation of Guy and EB out in the rain is beautiful. The whole of the series is beautifully animated but those scenes are breathtaking. Guy seems to be channeling Rabbit from 'Winnie the Pooh', especially the part where he stammers indignantly.
Props for the 'Romancing the Stone' reference, especially considering the fact that Guy is voiced by Michael Douglas.
The biker bar reminds me too much of the running gag of the punk Who from 'Horton Hears a Who', but it's keeping with the time period (1960s, early 1970s), and the scene of the Yes Man visiting also recalls 'Perfect Strangers', 'Shrek 2' and 'The SpongeBob SquarePants Movie'. The goat is a bounty hunter voiced by John Turturro and has an impressive gravelly voice.
The whole will-they-won't-they between Guy and Michellee is already getting stale, but when they're nice to each other, it's adorable. She's going to realize at some point that Guy is an innocent pawn in a corporate plot.