38 reviews
Love the style art and animation. The characters have their personalities back (daffy is in his crazy mood again). Only problem Elmer Fudd can't be hunting wabbits without his gun.
Captures a lot of the classic Looney spirit: Daffy and Porky get paired off and are a great comedic duo. Great art direction and classic music.
Not matter how many times you reinvent the wheel nothing can beat a classic square one approach!
- productionsreboot
- Jun 17, 2019
- Permalink
As you may know, I LOVE Looney Tunes! Who doesn't? I love the characters, I love the jokes, I love the animation, everything. We may have gotten plenty of great shows like Duck Dodgers and Animaniacs, for example, but we also had terrible shows, such as Loonatics Unleased and Baby Looney Tunes (those two shows were terrible). Wabbit/New Looney Tunes was okay, but did improve a little more as it went on.
This feels a LOT more like the classic Looney Tunes shorts of the golden age. And yes, this was made by Peter Browngardt, who also gave us two of Cartoon Network's horrible and drugged-up shows Secret Mountain Fort Awesome and Uncle Grandpa. There actually WAS a time where Browngardt had talent, working on Futurama, Venture Brothers, Chowder, and the Marvelous Misadventures of Flapjack.
I have a feeling Looney Tunes Cartoons is not only the best cartoon Browngardt has ever created, but is also the only good one of his creations to date. I can't wait to see it on HBO Max soon.
This feels a LOT more like the classic Looney Tunes shorts of the golden age. And yes, this was made by Peter Browngardt, who also gave us two of Cartoon Network's horrible and drugged-up shows Secret Mountain Fort Awesome and Uncle Grandpa. There actually WAS a time where Browngardt had talent, working on Futurama, Venture Brothers, Chowder, and the Marvelous Misadventures of Flapjack.
I have a feeling Looney Tunes Cartoons is not only the best cartoon Browngardt has ever created, but is also the only good one of his creations to date. I can't wait to see it on HBO Max soon.
- DannyD1997
- Jan 5, 2020
- Permalink
The original Looney Tunes and Merrie Melodies (1930-1969) from the Golden Age of American Animation were perhaps the greatest cartoons ever made: the humour, the originality compared to other animated films from that time, the unique and memorable characters, the unforgettable gags that became a basis for animated comedies that came after it...all of these elements make Looney Tunes one of the greatest and most influential series in history of the animated film. Unfortunately, as all the greatest things must come to an end, after the 1964 when the original studio closed, the series went downhill, with a series of low budget animated shorts, new directors, limited animation and obscure characters, the last WB cartoon from the classic era being released in 1969.
Many movies, TV shows, spin-offs and reboots based on the classic cartoons appeared after the original series ended. Some of them were great, for example shows like Duck Dodgers (2003), Taz-Mania, Animaniacs, Tiny Toons, while some of them were not: Baby Looney Tunes missed the point of Looney Tunes trying to appeal to preschoolers and ripping-off Muppet Babies. Loonatics Unleashed was an epic fail and a bad attempt of a futuristic sci-fi version of the Looney Tunes and The Looney Tunes Show wasnt like Looney Tunes at all, the sitcom version change the characters' roles and personalities for the worse. There also was a show named Wabbit/The New Looney Tunes, a series that tried to revive the classic slapstick and screwball spirit of the old shorts, but it failed horribly: the character designs were hideous, the animation looked cheap and the jokes arent that good.
However, Looney Tunes Cartoons that debuted on HBO Max this year is a perfect example of how you revive a classic cartoon series and introduce it to a newer generation. It's remarkable to see beautifully drawn characters, with lots of details and the return to the classic 1940s design and personalities, stunning backgrounds, gorgeous and instense, lively colors and very smooth and realistic animation movements. These shorts look just like the original animators and cartoon directors like Bob Clampett, Tex Avery and Chuck Jones lived today and used modern technology for creating their gems. As I said before the classic characters returned to their Bob Clampett style of design from the early-to mid 1940s, which happens to be my favorite era in Looney Tunes history and they also returned back to their original personality traits and humor, especially Daffy that became in the 1950s a greedy, envious and selfish sourpuss, now our favorite black duck returned to his zanny, energetic, screwball and...daffy roots. Porky returned to his classic Clampett-esque design, after the Wabbit/New Looney Tunes grotesque obese form that doesnt suit him very well in my opinion. The same goes to Bugs Bunny and Tweety. The humor and gags are similar to the spirit of original shorts, without remaking, copying or repeating the old ones after so many episodes previously done. Also, Coyote and Roadrunner shorts are well done and being shorter than a regular cartoon makes them funnier.
What can I say more? That's how a cartoon is done right ! It's clearly that these animated short films are a result of talent, hard work and passion, unlike most of today's cartoons that are simply a commercial product and targeted mostly to young children. If you love the cartoons from the Golden Age of American Animation or if you are a fan of classic slapstick/screwball humor, this is a must see. I recommend it to everyone ! Final score 10 out of 10.
Many movies, TV shows, spin-offs and reboots based on the classic cartoons appeared after the original series ended. Some of them were great, for example shows like Duck Dodgers (2003), Taz-Mania, Animaniacs, Tiny Toons, while some of them were not: Baby Looney Tunes missed the point of Looney Tunes trying to appeal to preschoolers and ripping-off Muppet Babies. Loonatics Unleashed was an epic fail and a bad attempt of a futuristic sci-fi version of the Looney Tunes and The Looney Tunes Show wasnt like Looney Tunes at all, the sitcom version change the characters' roles and personalities for the worse. There also was a show named Wabbit/The New Looney Tunes, a series that tried to revive the classic slapstick and screwball spirit of the old shorts, but it failed horribly: the character designs were hideous, the animation looked cheap and the jokes arent that good.
However, Looney Tunes Cartoons that debuted on HBO Max this year is a perfect example of how you revive a classic cartoon series and introduce it to a newer generation. It's remarkable to see beautifully drawn characters, with lots of details and the return to the classic 1940s design and personalities, stunning backgrounds, gorgeous and instense, lively colors and very smooth and realistic animation movements. These shorts look just like the original animators and cartoon directors like Bob Clampett, Tex Avery and Chuck Jones lived today and used modern technology for creating their gems. As I said before the classic characters returned to their Bob Clampett style of design from the early-to mid 1940s, which happens to be my favorite era in Looney Tunes history and they also returned back to their original personality traits and humor, especially Daffy that became in the 1950s a greedy, envious and selfish sourpuss, now our favorite black duck returned to his zanny, energetic, screwball and...daffy roots. Porky returned to his classic Clampett-esque design, after the Wabbit/New Looney Tunes grotesque obese form that doesnt suit him very well in my opinion. The same goes to Bugs Bunny and Tweety. The humor and gags are similar to the spirit of original shorts, without remaking, copying or repeating the old ones after so many episodes previously done. Also, Coyote and Roadrunner shorts are well done and being shorter than a regular cartoon makes them funnier.
What can I say more? That's how a cartoon is done right ! It's clearly that these animated short films are a result of talent, hard work and passion, unlike most of today's cartoons that are simply a commercial product and targeted mostly to young children. If you love the cartoons from the Golden Age of American Animation or if you are a fan of classic slapstick/screwball humor, this is a must see. I recommend it to everyone ! Final score 10 out of 10.
Ah yes, Looney Tunes, a great classic cartoon series, but has had divisive spinoffs over the years like Baby Looney Tunes, Loonatics Unleashed, The Looney Tunes Show, and Wabbit/New Looney Tunes (although I actually really like The Looney Tunes Show and New Looney Tunes). It is now back to its original greatness with this little show.
Animation and Art Style: The art does its best to mimic the original while still being its own thing. The same can be said for the animation. The animation can be stiff at times but most of the times is quite fluid, and really shows what you can do with digital animation.
Writing: Like always, the writing is sharp and snappy, the plots are simple yet executed greatly, the pacing is fast and the characterizations are top-notch. Best of all episodes are bite sized so you have plenty of time to watch them.
Characters: Like always, the characters are the strongest parts, and they're restored to their original personalities. Bugs Bunny is a karmic trickster who always outsmarts his rivals, Daffy Duck is selfish and sassy (and has a great dynamic going on with Porky), Porky Pig is nervous, the list goes on.
Music: The music is just like the original, and the classic themes such as the Merrie Melodies theme make a return.
Enjoyment: Unless you're some stuck up nostalgia purist like Trevor Thompson, you should be able to enjoy this show, no matter if you're young or old. 10/10, one of the best cartoons of the year along with The Owl House and Glitch Techs.
Animation and Art Style: The art does its best to mimic the original while still being its own thing. The same can be said for the animation. The animation can be stiff at times but most of the times is quite fluid, and really shows what you can do with digital animation.
Writing: Like always, the writing is sharp and snappy, the plots are simple yet executed greatly, the pacing is fast and the characterizations are top-notch. Best of all episodes are bite sized so you have plenty of time to watch them.
Characters: Like always, the characters are the strongest parts, and they're restored to their original personalities. Bugs Bunny is a karmic trickster who always outsmarts his rivals, Daffy Duck is selfish and sassy (and has a great dynamic going on with Porky), Porky Pig is nervous, the list goes on.
Music: The music is just like the original, and the classic themes such as the Merrie Melodies theme make a return.
Enjoyment: Unless you're some stuck up nostalgia purist like Trevor Thompson, you should be able to enjoy this show, no matter if you're young or old. 10/10, one of the best cartoons of the year along with The Owl House and Glitch Techs.
- BoxwoodExpress
- May 27, 2020
- Permalink
- UNIQUEUSERNAME7
- May 26, 2020
- Permalink
I was very skeptical about this remake since the The Looney Tunes Show remake was a dud. But I love how they kept the humor and animation just like the old ones! And bringing back some characters I forgot about . You won't be disappointed. Keep up the great work!!
- katie-19463
- May 27, 2020
- Permalink
The episodes are really hilarious, Daffy & Porky in an abandoned jungle temple provided a lot of gags, but all the good points i would make have "alwedy" been told.
The thing is, that the show will become lukewarmly recieved along the lines of New Looney Tunes because Elmer Fudd is missing his gun,
The thing is, that the show will become lukewarmly recieved along the lines of New Looney Tunes because Elmer Fudd is missing his gun,
- maddoxacox
- Jun 7, 2020
- Permalink
Pete Browngardt's "Looney Tunes Cartoons" is fun, amusing, and ultimately a step in the right direction for the Looney Tunes franchise. The art style is classic eye-candy and the animation is stunning on the foreground characters despite using computer rigs. In terms of voice acting, Eric Bauza gives a hell of a performance playing Daffy and Bugs and the same goes with Bob Bergen voicing Porky, but the other characters don't sound quite right for some odd reason. The music, while decently arranged and composed, isn't played by a full orchestra and instead played by a small ensemble, which makes it sound "empty". The music could be improved by a better sound editing crew as well. Most importantly, the characters and stories fit the spirit and tone of the original cartoons from the early 1940s, however, the more you watch, the cartoons start to wear thin and feel repetitive. The gags and comedic execution are hit and miss, but when the gags hit, it's very funny. The slapstick and visual gags are fairly creative and can push simple ideas to crazy heights, but it needs more of that signature subtle wordplay that made Looney Tunes iconic. It simply just needs a little more wit, satire, and wisecracks. It would also help if this show didn't try to copy Bob Clampett and Tex Avery's work, it needs more influences, especially from Chuck Jones. Instead, why don't these directors experiment with their own distinct styles of art, storytelling, and humor. This is a great return to form, but this is not as mindblowing, unique, or as funny as Paul Rudish's Mickey Mouse Shorts from this past decade. Think of this as a continuation of the cartoons of the '40s, not a reinvention. It guarantees quality, but it lacks a certain "distinction" to make it truly unique on its own. Overall, I highly recommend some great, wholesome fun.
- jacksonamrobeson
- May 26, 2020
- Permalink
So Looney Tunes has been brought back a number of times over the years, and this one is certainly better than most. however, the writers/artists watched/integrated way too much Ren and Stimpy for me. great try, but it needed to be more like the classic.
- richardklepper
- Jun 21, 2020
- Permalink
What can I say? I tried hard to like this one, but except for nostalgia and beautiful backgrounds, I've been disappointed. I think it's my fault though: every product is part of their time, and The Looney Tunes was born thanks to the artistic atmosphere of the Golden Era of Hollywood and Animation, which cannot be replicated just copying. I think the totally different direction of Looney Tunes Show, or new Mickey Mouse shorts is a batter way to use old characters.
So this new Looney Tunes is what you should expect from a 2020 reboot cartoon show: an honest copy of the original one, with great character models, super fluid and bad (really fake vibe) character animation, and with humor half good and half typical 2010s-animated-show-humor for kids which I honestly never liked: the one that tries so hard to be funny, with gross humor, unfunny fast paced scenes, and predictable unpredictability. Even the most classical slapstick scenes are deprived of any weight. I dunno, they just happen.
Overall these shorts are not the best LT material, but they are better than the greater part of the LT of the 60s. If you are an animation lover, you'll probably find the same problems of mine; if you are mainly a LT lover, you'll probably like this show anyway.
So this new Looney Tunes is what you should expect from a 2020 reboot cartoon show: an honest copy of the original one, with great character models, super fluid and bad (really fake vibe) character animation, and with humor half good and half typical 2010s-animated-show-humor for kids which I honestly never liked: the one that tries so hard to be funny, with gross humor, unfunny fast paced scenes, and predictable unpredictability. Even the most classical slapstick scenes are deprived of any weight. I dunno, they just happen.
Overall these shorts are not the best LT material, but they are better than the greater part of the LT of the 60s. If you are an animation lover, you'll probably find the same problems of mine; if you are mainly a LT lover, you'll probably like this show anyway.
- example123456789
- Jul 9, 2020
- Permalink
I'm really impressed with the work that went into this show. It's long overdo that Looney Tunes gets an actual remake akin to the original series. With that in mind, while this appeals largely to children it very much appeals to adults as well. The characters in the show are often self aware they are in a cartoon, almost like breaking the fourth wall.
- FireHead322199
- Jun 7, 2020
- Permalink
I didn't see "Foghorn Leghorn" in the first season, but I'm still glad that looney tunes are back.
- renegadeviking-271-528568
- Mar 10, 2021
- Permalink
I must say that unlike Wabbit / New Looney Tunes, this is a much better version and remains 100% true to the classics. I love that they brought back all of our favorite characters like Bugs Bunny, Daffy Duck, Porky Pig, Yosemite Sam, Wile E. Coyote, Roadrunner and all the other characters that have always made generations laugh. I love his amazing new animation, it has that classic, fluid touch and can really get quite creative with his plots. I also really like his running gags; FREAKING FUNNY. The best modern Looney Tunes series without a doubt. Highly recommended for older generations.
- leumasgoncalvez
- Aug 20, 2021
- Permalink
- georgehazard73
- May 29, 2020
- Permalink
If I didn't know better, I would have thought it was the original artists and voice artists from the 50's/60's/70's.
Well done for those seeking more of this classic series. Perhaps it would be less than a 10 if I wasn't so fond of these loony characters and plots.
Well done... well done.
Well done for those seeking more of this classic series. Perhaps it would be less than a 10 if I wasn't so fond of these loony characters and plots.
Well done... well done.
- elonmusk-is_a_moron
- Aug 27, 2024
- Permalink
Wow! All I can say is this is shockingly well done. It's as if I've gone back in time, and suddenly my favorite cartoons from decades ago are now in crystal clear widescreen and surround sound. The best way to describe the series is that they nailed it. They simply hit every note - the animation, the wit, the story, the vocals, the music. I think the Big League Beast ranks just as highly as the classic monster episodes from the past. Kudos to everyone involved for bringing this series back to life. Perfection!
- SouthernViews
- Jul 9, 2020
- Permalink
I love all of the Looney Tunes iterations, but this new one really feels like it's geared for a very young generation. With its classic animation style and music, you would think you're watching a refreshed version of your favorite cartoons; but when you see the writing of most of the jokes, you feel like this is a modern take on "Itchy & Scratchy".. just mindless cartoon characters bashing about. The voice acting is semi on-par with what I think they wanted, but I just really hoped that Warner Bros. would have given us a bit more than what we received. After watching the whole first season, I really wish they would take it in a different direction knowing which audience is actually watching this show. It has huge potential and I hope it does well!
- smphillipinoboy
- May 29, 2020
- Permalink
I loved Looney toons when I was a kid. Great idea to bring them back. Little kids need this kind of cartoons , not the garbage that we have now.
- piramidaargint
- May 29, 2020
- Permalink
THIS IS WHAT CARTOONS ARE SUPPOSED TO BE LIKE. REALLY GOOD FIRST EPISODE! LOVE IT!
- jack-43362
- Jun 1, 2020
- Permalink
The Looney Tunes have been making audiences laugh one way or another for over 90 years. Under the creative direction of Pete Browngardt (creator of Uncle Grandpa for Cartoon Network), the Looney Tunes find a new home with HBOMax and are just as looney as ever. From the outstanding humor to the very stellar animation, this show would most certainly make long time Looney Tunes creator Chuck Jones very pleased.
Staying true to the original formula, Looney Tunes Cartoons features different segments focusing on the various characters. The segments last up to 7 minutes each and every single second is utilized to deliver classic Looney Tunes slapstick. Pete Browngardt and his crew take full advantage of their creative freedom with the comedy in this show and they certainly don't shy away from being brutal with the slapstick and dark humor. Scenes like Daffy attempting to cut Porky open with a chainsaw or Bugs getting mutilated by a mummy stick in my head for how daring and funny they are. Aside from slapstick, there are also clever one-liners, cute visual gags and witty wordplay to shake things up.
The characters maintain their classic looney selves and each one of them is very entertaining to watch. Bugs Bunny is ever the sly trickster who more often than not gets the upper hand. Daffy is more in lined with his more loonier side as opposed to being Bugs' rival. He's such a chaotic, psychopathic toon who acts before he even thinks and thus leading to some of the funniest jokes. Elmer Fudd appears to be more antagonistic than mild mannered, but is still easily gullible. Yosemite Sam is still a hothead, Porky is a well mannered but short tempered pig, Sylvester is a determined and sneaky cat, Tweety is sweet but secretly devilish and so on and so forth. One character I was pleasantly surprised to see get her own cartoon segment was Petunia Pig. She's a very optimistic little lady, even when things don't go her way and she nearly gets herself killed. I thought she was really funny on her own and I hope to see more of her in the future.
All of these characters are given new life by the amazing vocal talent on display. Eric Bauza is fantastic as the voice of Bugs, Daffy, Tweety and Marvin (among other characters in the show), making them all sound distinct from one another and nailing each of their respective personalities. Jeff Bergman nails both the cunning nature of Sylvester and the antagonistic yet gullible personality of Elmer. Bob Bergen was excellent as Porky and maintains a very convincing studder for the character. Fred Tatasciore perfectly captures the animalistic nature of Taz as well as Yosemite Sam's hot temper. Candi Milo is the perfect fit for Granny, making her sound kind, yet fiesty and full of pep. Then we have Lara Jill Miller as the voice of Petunia. I really liked how she gave Petunia a Brooklyn accent and she nailed her optimistic personality. Major credit should also go to voice director Jack Fletcher, who did an amazing job bringing out the best from these actors.
Visually this show has some top notch animation. The characters maintain their classic designs from the 1930s-1940s with the animation being brought to life by companies such as Yowza! Animation, Yearim Productions, Snipple Animation and Tonic DNA. The character animation is very smooth and makes great use of squash and stretch. The backgrounds are beautifully colored and the effects blend in nicely with the animation.
Looney Tunes Cartoons does these iconic characters more than enough justice. The animation is amazing, it has a whole lot of laughs and the characters maintain their classic selves and then some. If you haven't seen the show, I highly recommend subscribing to HBOMax just to watch this show alone. It's basically classic Looney Tunes in a fresh coat of paint.
Staying true to the original formula, Looney Tunes Cartoons features different segments focusing on the various characters. The segments last up to 7 minutes each and every single second is utilized to deliver classic Looney Tunes slapstick. Pete Browngardt and his crew take full advantage of their creative freedom with the comedy in this show and they certainly don't shy away from being brutal with the slapstick and dark humor. Scenes like Daffy attempting to cut Porky open with a chainsaw or Bugs getting mutilated by a mummy stick in my head for how daring and funny they are. Aside from slapstick, there are also clever one-liners, cute visual gags and witty wordplay to shake things up.
The characters maintain their classic looney selves and each one of them is very entertaining to watch. Bugs Bunny is ever the sly trickster who more often than not gets the upper hand. Daffy is more in lined with his more loonier side as opposed to being Bugs' rival. He's such a chaotic, psychopathic toon who acts before he even thinks and thus leading to some of the funniest jokes. Elmer Fudd appears to be more antagonistic than mild mannered, but is still easily gullible. Yosemite Sam is still a hothead, Porky is a well mannered but short tempered pig, Sylvester is a determined and sneaky cat, Tweety is sweet but secretly devilish and so on and so forth. One character I was pleasantly surprised to see get her own cartoon segment was Petunia Pig. She's a very optimistic little lady, even when things don't go her way and she nearly gets herself killed. I thought she was really funny on her own and I hope to see more of her in the future.
All of these characters are given new life by the amazing vocal talent on display. Eric Bauza is fantastic as the voice of Bugs, Daffy, Tweety and Marvin (among other characters in the show), making them all sound distinct from one another and nailing each of their respective personalities. Jeff Bergman nails both the cunning nature of Sylvester and the antagonistic yet gullible personality of Elmer. Bob Bergen was excellent as Porky and maintains a very convincing studder for the character. Fred Tatasciore perfectly captures the animalistic nature of Taz as well as Yosemite Sam's hot temper. Candi Milo is the perfect fit for Granny, making her sound kind, yet fiesty and full of pep. Then we have Lara Jill Miller as the voice of Petunia. I really liked how she gave Petunia a Brooklyn accent and she nailed her optimistic personality. Major credit should also go to voice director Jack Fletcher, who did an amazing job bringing out the best from these actors.
Visually this show has some top notch animation. The characters maintain their classic designs from the 1930s-1940s with the animation being brought to life by companies such as Yowza! Animation, Yearim Productions, Snipple Animation and Tonic DNA. The character animation is very smooth and makes great use of squash and stretch. The backgrounds are beautifully colored and the effects blend in nicely with the animation.
Looney Tunes Cartoons does these iconic characters more than enough justice. The animation is amazing, it has a whole lot of laughs and the characters maintain their classic selves and then some. If you haven't seen the show, I highly recommend subscribing to HBOMax just to watch this show alone. It's basically classic Looney Tunes in a fresh coat of paint.