Captures a lot of the classic Looney spirit: Daffy and Porky get paired off and are a great comedic duo. Great art direction and classic music.
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jalivezb18 September 2021
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productionsreboot18 June 2019Not matter how many times you reinvent the wheel nothing can beat a classic square one approach!
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mforsting20 January 2021Love the style art and animation. The characters have their personalities back (daffy is in his crazy mood again). Only problem Elmer Fudd can't be hunting wabbits without his gun.
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As you may know, I LOVE Looney Tunes! Who doesn't? I love the characters, I love the jokes, I love the animation, everything. We may have gotten plenty of great shows like Duck Dodgers and Animaniacs, for example, but we also had terrible shows, such as Loonatics Unleased and Baby Looney Tunes (those two shows were terrible). Wabbit/New Looney Tunes was okay, but did improve a little more as it went on.
This feels a LOT more like the classic Looney Tunes shorts of the golden age. And yes, this was made by Peter Browngardt, who also gave us two of Cartoon Network's horrible and drugged-up shows Secret Mountain Fort Awesome and Uncle Grandpa. There actually WAS a time where Browngardt had talent, working on Futurama, Venture Brothers, Chowder, and the Marvelous Misadventures of Flapjack.
I have a feeling Looney Tunes Cartoons is not only the best cartoon Browngardt has ever created, but is also the only good one of his creations to date. I can't wait to see it on HBO Max soon. -
The original Looney Tunes and Merrie Melodies (1930-1969) from the Golden Age of American Animation were perhaps the greatest cartoons ever made: the humour, the originality compared to other animated films from that time, the unique and memorable characters, the unforgettable gags that became a basis for animated comedies that came after it...all of these elements make Looney Tunes one of the greatest and most influential series in history of the animated film. Unfortunately, as all the greatest things must come to an end, after the 1964 when the original studio closed, the series went downhill, with a series of low budget animated shorts, new directors, limited animation and obscure characters, the last WB cartoon from the classic era being released in 1969.
Many movies, TV shows, spin-offs and reboots based on the classic cartoons appeared after the original series ended. Some of them were great, for example shows like Duck Dodgers (2003), Taz-Mania, Animaniacs, Tiny Toons, while some of them were not: Baby Looney Tunes missed the point of Looney Tunes trying to appeal to preschoolers and ripping-off Muppet Babies. Loonatics Unleashed was an epic fail and a bad attempt of a futuristic sci-fi version of the Looney Tunes and The Looney Tunes Show wasnt like Looney Tunes at all, the sitcom version change the characters' roles and personalities for the worse. There also was a show named Wabbit/The New Looney Tunes, a series that tried to revive the classic slapstick and screwball spirit of the old shorts, but it failed horribly: the character designs were hideous, the animation looked cheap and the jokes arent that good.
However, Looney Tunes Cartoons that debuted on HBO Max this year is a perfect example of how you revive a classic cartoon series and introduce it to a newer generation. It's remarkable to see beautifully drawn characters, with lots of details and the return to the classic 1940s design and personalities, stunning backgrounds, gorgeous and instense, lively colors and very smooth and realistic animation movements. These shorts look just like the original animators and cartoon directors like Bob Clampett, Tex Avery and Chuck Jones lived today and used modern technology for creating their gems. As I said before the classic characters returned to their Bob Clampett style of design from the early-to mid 1940s, which happens to be my favorite era in Looney Tunes history and they also returned back to their original personality traits and humor, especially Daffy that became in the 1950s a greedy, envious and selfish sourpuss, now our favorite black duck returned to his zanny, energetic, screwball and...daffy roots. Porky returned to his classic Clampett-esque design, after the Wabbit/New Looney Tunes grotesque obese form that doesnt suit him very well in my opinion. The same goes to Bugs Bunny and Tweety. The humor and gags are similar to the spirit of original shorts, without remaking, copying or repeating the old ones after so many episodes previously done. Also, Coyote and Roadrunner shorts are well done and being shorter than a regular cartoon makes them funnier.
What can I say more? That's how a cartoon is done right ! It's clearly that these animated short films are a result of talent, hard work and passion, unlike most of today's cartoons that are simply a commercial product and targeted mostly to young children. If you love the cartoons from the Golden Age of American Animation or if you are a fan of classic slapstick/screwball humor, this is a must see. I recommend it to everyone ! Final score 10 out of 10. -
I only hope that the kids enjoy it as much as I do
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Ah yes, Looney Tunes, a great classic cartoon series, but has had divisive spinoffs over the years like Baby Looney Tunes, Loonatics Unleashed, The Looney Tunes Show, and Wabbit/New Looney Tunes (although I actually really like The Looney Tunes Show and New Looney Tunes). It is now back to its original greatness with this little show.
Animation and Art Style: The art does its best to mimic the original while still being its own thing. The same can be said for the animation. The animation can be stiff at times but most of the times is quite fluid, and really shows what you can do with digital animation.
Writing: Like always, the writing is sharp and snappy, the plots are simple yet executed greatly, the pacing is fast and the characterizations are top-notch. Best of all episodes are bite sized so you have plenty of time to watch them.
Characters: Like always, the characters are the strongest parts, and they're restored to their original personalities. Bugs Bunny is a karmic trickster who always outsmarts his rivals, Daffy Duck is selfish and sassy (and has a great dynamic going on with Porky), Porky Pig is nervous, the list goes on.
Music: The music is just like the original, and the classic themes such as the Merrie Melodies theme make a return.
Enjoyment: Unless you're some stuck up nostalgia purist like Trevor Thompson, you should be able to enjoy this show, no matter if you're young or old. 10/10, one of the best cartoons of the year along with The Owl House and Glitch Techs. -
The episodes are really hilarious, Daffy & Porky in an abandoned jungle temple provided a lot of gags, but all the good points i would make have "alwedy" been told.
The thing is, that the show will become lukewarmly recieved along the lines of New Looney Tunes because Elmer Fudd is missing his gun, -
katie-1946328 May 2020I was very skeptical about this remake since the The Looney Tunes Show remake was a dud. But I love how they kept the humor and animation just like the old ones! And bringing back some characters I forgot about . You won't be disappointed. Keep up the great work!!
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Pete Browngardt's "Looney Tunes Cartoons" is fun, amusing, and ultimately a step in the right direction for the Looney Tunes franchise. The art style is classic eye-candy and the animation is stunning on the foreground characters despite using computer rigs. In terms of voice acting, Eric Bauza gives a hell of a performance playing Daffy and Bugs and the same goes with Bob Bergen voicing Porky, but the other characters don't sound quite right for some odd reason. The music, while decently arranged and composed, isn't played by a full orchestra and instead played by a small ensemble, which makes it sound "empty". The music could be improved by a better sound editing crew as well. Most importantly, the characters and stories fit the spirit and tone of the original cartoons from the early 1940s, however, the more you watch, the cartoons start to wear thin and feel repetitive. The gags and comedic execution are hit and miss, but when the gags hit, it's very funny. The slapstick and visual gags are fairly creative and can push simple ideas to crazy heights, but it needs more of that signature subtle wordplay that made Looney Tunes iconic. It simply just needs a little more wit, satire, and wisecracks. It would also help if this show didn't try to copy Bob Clampett and Tex Avery's work, it needs more influences, especially from Chuck Jones. Instead, why don't these directors experiment with their own distinct styles of art, storytelling, and humor. This is a great return to form, but this is not as mindblowing, unique, or as funny as Paul Rudish's Mickey Mouse Shorts from this past decade. Think of this as a continuation of the cartoons of the '40s, not a reinvention. It guarantees quality, but it lacks a certain "distinction" to make it truly unique on its own. Overall, I highly recommend some great, wholesome fun.
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kof-5307628 November 2020For nearly a century, Warner Brothers has profoundly entertained its audiences with its signature franchise, Looney Tunes. Said franchise has gone on to produce many a continuation and/or spinoff, such as Tiny Toons and Animaniacs (the latter which will receive a reboot on Hulu on November 20th of this very year). Sadly though, things took a turn for the worse in the 2000s decade with awful spinoffs such as Baby Looney Tunes and Loonatics airing on Kids WB, thus tarnishing the name of the popular brand, forcing WB to create two more shows named The Looney Tunes Show (2011 - 2015) and New Looney Tunes (2015 - 2020) as an apology to its faithful viewers. But a new hope came shining through when Warner Bros.' streaming service HBO max launched in the United States of America, and with that launch came the official relaunch of the franchise, the one and only Looney Tunes Cartoons! ... more specifically the first 10 eleven-minute episodes as 70 more have been allegedly planned. So now that the Looney Tunes have entered the complex world of streaming, will it be enthusing enough to make us merrily roll along, or will it force the merry go round to break down? Let's find out!
The Story
As with the classic 1900's incarnation of the franchise, the premise of the show is very simple; the marquee characters of the brand, such as Bugs Bunny, Daffy Duck, Tweety Bird, Road Runner, Porky Pig, and Sam Sheepdog are placed into various situations where they have to outwit adversaries such as Sylvester Pussycat, Elmer Fudd, Yosemite Sam, Beaky Buzzard, Wile E. Coyote, Gossamer, and Ralph Wolf. However, unlike other recent attempts to revive the classic icons, the show actually holds truer to the source material of the original shorts from the 1900s' than ever before as it seems to follow the exquisite qualities of Tex Avery, who created Bugs Bunny and Daffy Duck, Friz Freleng, who created Porky Pig, Sylvester and Yosemite Sam, Bob Clampett, who created Tweety and Beaky Buzzard, and Chuck Jones who created Elmer Fudd, Road Runner, Wile E. Coyote, and Marvin the Martian. The series does tend to have a need to be like the classics at times, something which does not settle well with most fans of the franchise. Fortunately, all of this is overshadowed by the fact that the flair of the old generation comes through with the new generation's take on the classic characters, as directors such as Pete Browngardt (the show's creator), Ryan Kramer, David Gemmill, Michael Ruocco (the voice of Beaky Buzzard), and Kenny Pittenger have succeeded in emulating the character's antics to a newer audience instead of flanderizing them like before, along with the help of talented writers such as Johnny Ryan, Eddie Trigeuros, Andy Gonsalves, Caroline Director, Ryan Khatam, Alex Kirwan (the show's supervising producer), Andrew Dickman, Jacob Fleisher, Charlotte Jackson, and Mike Pelensky. I've never seen such broader comedy in all my existence; this concept is marvellously WONDERFUL!
The Animation
Just like any Looney Tunes related project, the animation must pay homage to that of the original 1000 shorts. Fortunately, in this incarnation, the animation of the shorts does so much more than that as it has hired the talents of four animation studios: Yowza Animation; a Canadian studio known for their slow and puppet-like yet bouncy work on the 2000s Disney shorts and Welcome to Wayne, Yearim Animation; a Korean studio known for their old school work on the Seth MacFarlane universe and New Looney Tunes, Snipple Animation; a Phillipinian studio known for their fluidly digital work on UniKitty and Wacky Races, and Tonic DNA; a French-Canadian studio known for their easily timed and smooth work on DC Superhero Girls and The Old Lady and the Pigeons. All four have different outlooks on animation quality and effortlessly use them to their own advantage in delivering the humour, not to mention the fact that all of the shorts have really detailed and appealing, yet somewhat distracting backgrounds from art director Aaron Spurgeon. However, despite being mostly talented, the studios do take the unneeded opportunity to combine some inappropriate moments in the shorts, i.e., in "Bubble Dum", Daffy Duck unzips his own skin for his skeleton to break free just because he was trying to pull gum out of his feathers, whereupon another Daffy eats the leftover mix of skin and gum. Yowza really made that weakness in their own favourable advantage, though, and thus I can officially declare the animation quality top notch!
The Characters
When the reboot was announced back in 2018, a boatload of characters from the original 1900s' shorts were expected to make their official return to stardom, and this project managed to restore them back to their original glory, thus reintroducing them to a newer audience and making them all more likable and memorable than ever before with character designs by Jim Soper, Kali Fontecchio, Dan Haskett, Carey Yost, and Stephan DeStefano that match the tone of the original shorts and extremely talented voice acting from the likes of Eric Bauza, Jeff Bergman, Bob Bergen, Fred Tatasciore, Michael Ruocco, and many others besides, including a few archival recordings from late animator Paul Julian. Starting off with the marquee tunes, we have Bugs Bunny; who is represented as a likably sadistic trickster, Daffy Duck; who has been reverted back to his original mentally unhinged self, Porky Pig; who is portrayed as the sane restraint to Daffy's lunacy, Sylvester; the persistent pussycat that is extremely prideful, Tweety; the adorable canary who has a similarly likable yet more abusive personality than Bugs' own, Elmer Fudd; Bugs' mild mannered frenemy by whom he is constantly put at mercy to, Yosemite Sam; Bugs' western type archenemy who is more grouchy and violent than Fudd, Road Runner; who just keeps on running with a carefree "beep-beep", Wile E. Coyote; ACME's most loyal customer who purchases their faulty gadgets to capture Road Runner for dinner, and Beaky Buzzard; the dim-witted vulture who is extremely shy. Secondly, we have the supporting tunes, such as Marvin the Martian; who is constantly searching for planets to claim for Mars, Granny; the sweet yet bizarre owner of Tweety and Sylvester, Sam Sheepdog; who treats his role as a sheepdog like a working-class job, and Ralph Wolf; Wile E.'s cousin who works in tandem with Sam by trying to kidnap his flock. Then, we have the recurring tunes, like Gossamer; a vicious monster made entirely out of hair, and Mama Buzzard; Beaky's endearing but overbearing mother. Finally, we have the background tunes, with one them being Doctor Frankenbeans; the villainous creator of Gossamer who prefers his own company. Whilst all 17 of these characters have been reintroduced in the first batch and many more have been confirmed to appear, there has been a missed opportunity surrounding the quantity as characters such as Squeaks the Squirrel, The Warner Brothers, Bosko, The Tiny Toons, Foxy, Pinky and the Brain, The Loonatics, Swackhammer, Tina Russo, and most importantly Lola Bunny.... have either been sidelined to cameos and future media or not been confirmed to appear at all; made even more unbearable by the news that Elmer and Sam have been outlawed in terms of gun usage, something which has gained much controversy. And so, while most of the original tunes will return in the series, the developers could have done more with the quantity.
It's not every day that we get animated content like this, which is why it is important to cherish them when their release date rolls along. Looney Tunes Cartoons is a wonderfully handled piece of animation that takes the entire Looney Tunes franchise by the hand and brings it into a whole new era. Sure, it may attempt to resurrect too much of the classic feel of the originals, but it makes up for it through creatively fluid animation, cleverly written stories, and many zany and lovable characters. As for thy recommendation, I'd say that this is a must watch for anyone who loves Looney Tunes, Warner Brothers Animation, or just the entire cartoon industry altogether. As matter of fact, this is one of those cartoons that if anyone not from the USA gains the opportunity to watch it in the future, they should immediately do so. Cartoonist driven animation is already scarce as it is, but in my book, anything from Warner Brothers is a pure national diamond. It is content like these that truly deserve the Cartoon Critic Seal of Approval!
Story: 8/10
Animation: 9/10
Characters: 10/10
Overall: 10/10 -
richardklepper22 June 2020So Looney Tunes has been brought back a number of times over the years, and this one is certainly better than most. however, the writers/artists watched/integrated way too much Ren and Stimpy for me. great try, but it needed to be more like the classic.
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example12345678910 July 2020What can I say? I tried hard to like this one, but except for nostalgia and beautiful backgrounds, I've been disappointed. I think it's my fault though: every product is part of their time, and The Looney Tunes was born thanks to the artistic atmosphere of the Golden Era of Hollywood and Animation, which cannot be replicated just copying. I think the totally different direction of Looney Tunes Show, or new Mickey Mouse shorts is a batter way to use old characters.
So this new Looney Tunes is what you should expect from a 2020 reboot cartoon show: an honest copy of the original one, with great character models, super fluid and bad (really fake vibe) character animation, and with humor half good and half typical 2010s-animated-show-humor for kids which I honestly never liked: the one that tries so hard to be funny, with gross humor, unfunny fast paced scenes, and predictable unpredictability. Even the most classical slapstick scenes are deprived of any weight. I dunno, they just happen.
Overall these shorts are not the best LT material, but they are better than the greater part of the LT of the 60s. If you are an animation lover, you'll probably find the same problems of mine; if you are mainly a LT lover, you'll probably like this show anyway. -
raifsas22 June 2020I didn't see "Foghorn Leghorn" in the first season, but I'm still glad that looney tunes are back.
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renegadeviking-271-52856811 March 2021What's all the hubbub, bub? Well, the HBO Max streaming service makes its debut Wednesday, offering all the content of HBO's cable service plus new series, the Warner Bros. back catalog and children's programming-which includes, according to the corporate missives, a reboot of "Looney Tunes."
Which gives one pause: As any connoisseur knows, cartoons may well be associated with children, but they were a lot better when they weren't made for children. And anyone whose childhood companions included the vintage Porky, Bugs and Daffy has a right to be concerned.
Looney Tunes Cartoons
As it happens, all is well. The new "Looney Tunes Cartoons" are "good for kids," as my 7-year-old consultant concluded, but they also honor the anarchic spirit of the original "Looney Tunes"-and "Merrie Melodies," which were basically the same. While I've yet to see a reboot "Tune" the equal of "What's Opera, Doc?" or "Duck Amuck" or even "The Great Piggy Bank Robbery"-in which a noirish Duck Twacy faced off against the malevolent Neon Noodle-the spirit is right. The new Porky Pig-Daffy Duck duet "Firehouse Frenzy," for instance, has the two stars riding a firehouse pole that takes them literally to hell and back; it's a surrealist dream. Daffy has a lunatic energy that evokes the original model, which was calmed down considerably before he'd even left the '30s. Bugs Bunny, paragon of cool, suffers some indignities more typical of Wile E. Coyote, but Yosemite Sam, as usual, gets the worst in their most recent encounter ("Harm Wrestling").
The original Warner Bros. "Loony Tunes" and "Merrie Melodies" and Walt Disney's "Silly Symphony" series were made for theaters, as short subjects between features. They were created with a mostly adult audience in mind, with adult jokes and adult references. The new cartoons make some pop-cultural allusions-in the ones I've seen there were nods to "Raiders of the Lost Ark" and "Ghostbusters" and even Boris Karloff, though it's doubtful many kids will pick that up. Most importantly, though, the voices are right: Mel Blanc, who was Bugs Bunny from the start ("A Wild Hare," 1940) and did so many voices for so many animated classics, was incomparable. And yet Eric Bauza -the new Bugs, Daffy, Tweety and Marvin the Martian-comes very close to what Blanc did and, significantly, has the same energy. Likewise, Bob Bergen, who voices Porky Pig. For the "Looney" fringe, it's all very encouraging. -
leumasgoncalvez21 August 2021I must say that unlike Wabbit / New Looney Tunes, this is a much better version and remains 100% true to the classics. I love that they brought back all of our favorite characters like Bugs Bunny, Daffy Duck, Porky Pig, Yosemite Sam, Wile E. Coyote, Roadrunner and all the other characters that have always made generations laugh. I love his amazing new animation, it has that classic, fluid touch and can really get quite creative with his plots. I also really like his running gags; FREAKING FUNNY. The best modern Looney Tunes series without a doubt. Highly recommended for older generations.
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FireHead3221998 June 2020I'm really impressed with the work that went into this show. It's long overdo that Looney Tunes gets an actual remake akin to the original series. With that in mind, while this appeals largely to children it very much appeals to adults as well. The characters in the show are often self aware they are in a cartoon, almost like breaking the fourth wall.
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SouthernViews10 July 2020Wow! All I can say is this is shockingly well done. It's as if I've gone back in time, and suddenly my favorite cartoons from decades ago are now in crystal clear widescreen and surround sound. The best way to describe the series is that they nailed it. They simply hit every note - the animation, the wit, the story, the vocals, the music. I think the Big League Beast ranks just as highly as the classic monster episodes from the past. Kudos to everyone involved for bringing this series back to life. Perfection!
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When it comes to reviving shows, there needs to be elements from what made the original show successful in the new one. This one has everything that made the original show successful as there was never anything negative to say about it. The new version of the classic Looney Tunes follows the original's charm and feel faithfully and has hilarious new skits to boot. Even in the first 10 episodes, we've seen many of the classic characters like Elmer Fudd, Yosemite Sam, Bugs Bunny, Daffy Duck and Porky Pig. Plus they aren't trying too hard at all. They're essentially bringing back the show many of us loved when we were younger and adding new skits to the mix. They're also not straying away from the shorts the characters were known for like Wile E Coyote chasing Road Runner. It's nice to know we still have shows that can be violent but not too violent in an era where everyone seems to have gotten soft and not willing to have even mild violence in TV shows for fears of lawsuits.
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noadds5 June 2020If I didn't know better, I would have thought it was the original artists and voice artists from the 50's/60's/70's.
Well done for those seeking more of this classic series. Perhaps it would be less than a 10 if I wasn't so fond of these loony characters and plots.
Well done... well done. -
These cartoons are such a let down, character has been replaced by yelling, any wit has been replaced by obvious and predictable attempts at random gags. Its too bad the people making this have a love for the classics but are completely unable to find that tone, it comes off as a cheap impression of Looney Tunes. The charm that made these characters iconic is nowhere to be found. These shorts were depressing because it's the best we've gotten in decades and it's a mess lacking anything worthy of the title Looney Tunes.
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piramidaargint30 May 2020I loved Looney toons when I was a kid. Great idea to bring them back. Little kids need this kind of cartoons , not the garbage that we have now.
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jack-433622 June 2020THIS IS WHAT CARTOONS ARE SUPPOSED TO BE LIKE. REALLY GOOD FIRST EPISODE! LOVE IT!
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a34trgv122 July 2021The Looney Tunes have been making audiences laugh one way or another for over 90 years. Under the creative direction of Pete Browngardt (creator of Uncle Grandpa for Cartoon Network), the Looney Tunes find a new home with HBOMax and are just as looney as ever. From the outstanding humor to the very stellar animation, this show would most certainly make long time Looney Tunes creator Chuck Jones very pleased.
Staying true to the original formula, Looney Tunes Cartoons features different segments focusing on the various characters. The segments last up to 7 minutes each and every single second is utilized to deliver classic Looney Tunes slapstick. Pete Browngardt and his crew take full advantage of their creative freedom with the comedy in this show and they certainly don't shy away from being brutal with the slapstick and dark humor. Scenes like Daffy attempting to cut Porky open with a chainsaw or Bugs getting mutilated by a mummy stick in my head for how daring and funny they are. Aside from slapstick, there are also clever one-liners, cute visual gags and witty wordplay to shake things up.
The characters maintain their classic looney selves and each one of them is very entertaining to watch. Bugs Bunny is ever the sly trickster who more often than not gets the upper hand. Daffy is more in lined with his more loonier side as opposed to being Bugs' rival. He's such a chaotic, psychopathic toon who acts before he even thinks and thus leading to some of the funniest jokes. Elmer Fudd appears to be more antagonistic than mild mannered, but is still easily gullible. Yosemite Sam is still a hothead, Porky is a well mannered but short tempered pig, Sylvester is a determined and sneaky cat, Tweety is sweet but secretly devilish and so on and so forth. One character I was pleasantly surprised to see get her own cartoon segment was Petunia Pig. She's a very optimistic little lady, even when things don't go her way and she nearly gets herself killed. I thought she was really funny on her own and I hope to see more of her in the future.
All of these characters are given new life by the amazing vocal talent on display. Eric Bauza is fantastic as the voice of Bugs, Daffy, Tweety and Marvin (among other characters in the show), making them all sound distinct from one another and nailing each of their respective personalities. Jeff Bergman nails both the cunning nature of Sylvester and the antagonistic yet gullible personality of Elmer. Bob Bergen was excellent as Porky and maintains a very convincing studder for the character. Fred Tatasciore perfectly captures the animalistic nature of Taz as well as Yosemite Sam's hot temper. Candi Milo is the perfect fit for Granny, making her sound kind, yet fiesty and full of pep. Then we have Lara Jill Miller as the voice of Petunia. I really liked how she gave Petunia a Brooklyn accent and she nailed her optimistic personality. Major credit should also go to voice director Jack Fletcher, who did an amazing job bringing out the best from these actors.
Visually this show has some top notch animation. The characters maintain their classic designs from the 1930s-1940s with the animation being brought to life by companies such as Yowza! Animation, Yearim Productions, Snipple Animation and Tonic DNA. The character animation is very smooth and makes great use of squash and stretch. The backgrounds are beautifully colored and the effects blend in nicely with the animation.
Looney Tunes Cartoons does these iconic characters more than enough justice. The animation is amazing, it has a whole lot of laughs and the characters maintain their classic selves and then some. If you haven't seen the show, I highly recommend subscribing to HBOMax just to watch this show alone. It's basically classic Looney Tunes in a fresh coat of paint. -
ja_kitty_7117 August 2023Well, I had managed to write a review of an animated series made in 2020. Now that this series is a Looney Tunes remake, I can actually watch it. The other two (The Looney Tunes Show and Wabbit) really stink! As a fan of the original cartoons, I thought this series was what other fans look for-the same nostalgic charm, humor, and appeal, but with a twist right for the 21st century. I had managed to watch episodes of the series on TV. But I didn't get a chance to finish because of a schedule change. Fortunately, I finally watched the series on Amazon Prime Video, but I was really annoyed that so many episodes weren't there. But I find this series funny, and I am happy that they brought Hubie and Bertie back; even if it's for one episode, they're one of my favorite L. T. characters.
You know, from watching the series, it makes me hate Daffy Duck more than I ever did in the original cartoons. I don't have any particular episode or scene I like because I love this series, and that is pretty much all I have to say.