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  • As a 23 year old black dude, I actually liked this show. I honestly thought it was going to be a full on comedy, but it actually had a lot of dramatic themes. I won't lie when i watched the first two episodes, I was very, very confused as to why there were alot of black royals. I thought for a second that this was true, but if memories served me right, it wasn't. But then I began to understand that this is all fiction and a made-up fantasy on what if life was like this.

    And I have to admit, I kinda liked it. Some people don't like the film because of it being politically incorrect. But there are HUNDREDS and HUNDREDS of period dramas that are more accurate than this. So why don't those people just go and watch those? I think people just want to complain about something because human beings are never satisfied. Even some of the greatest period dramas that are pretty historically accurate has it's fair share of haters. I didn't take it seriously. I just turned my brain off and enjoyed the fantasy.
  • Warning: Spoilers
    If you're going to be historically inaccurate in a period romance for the sake of politically correct diversity - fine. You can be forgiven for that.

    If you want to argue that what you're writing is 'fiction' so you're entitled to write whatever you want - fine. It's true. You can.

    But.

    If you do, if you proceed to go where angels fear to tread, then you had better make damn sure the 'fiction' you're writing is amazing.

    Unfortunately, this Bridgerton adaptation by Shondaland is anything but. It has all the 'amazing' of beige wall paper in a beige room with beige furniture. You just get slapped in the face with all the disappointing beige.

    Shondaland has completely rewritten the best parts of "The Duke and I" and turned it into a generic shadow of its former glory. All that remains of the original story are bare bones.

    Just focusing purely on the story - the shows writing is uninspiringly generic, with tired old storylines introduced.

    Why???

    If it ain't broken, why fix it?

    The original story is amazing. It needed nothing. No fixing. And instead, Shondaland broke it.

    Pretty is all well and good on camera, but it's not enough to make a great show. A great show needs more. Where is the humour? Where the sparkling dialogue? Where the personality?

    Muscles, beauty and gratuitous sex do not chemistry create. Personality is sexy. Originality is sexy. Humour is sexy. Sexy things the book has in spades. Things this show has not been able to reproduce.

    But the worst atrocity Shondaland has committed?

    The characters. They lack character.

    They have been recreated as barely there shadows of what they are in the books. Almost all of them.

    Anthony: Unrecognisable. His treatment of Daphne, his surly immature moodiness, and his wanting to run off with an opera singer. Not Anthony. Anthony always put his family first in the books because he thinks he's going to die young like his father did. He would never have forced his sister to marry anyone. Anthony was charming, confident and kind.

    Daphne: In the books she was never "a diamond of the first water". Daphne had been out three seasons already. She was a very likeable, down to earth, easy to get along with, dark haired girl - not a clueless insipid vain blonde. Her friends were the wallflowers. All the gentlemen felt comfortable with her.

    Simon: In the show Simon is a bland generic hero. All muscles no brain. No real conversation. No humour. Simons famous stutter makes no appearance whatsoever, except as a child. Simon in the books is reserved but passionate, super smart, longing for family. He is thoughtful. In my opinion this actor had no emotional range. He was wooden. He actually made me yawn.

    Simon and Daphne together in the show are also uninspired, lacking real chemistry. In the books they sparked. They were funny. They made you love them as a couple.

    Colin: In the books Colin has a way of seeing into people. He is probably the sharpest and most insightful of all the Bridgertons. Colin in the show is a clueless puppy. And his hair is terrible.

    Violet: Where was Violets sparkle? Her moxie? In the books she is admired and adored by all her children. Violet has a sly sense of humour, especially when it comes to match making. She outwitted her children. She knew what she was about. She is a respected leader in society. She made things happen. Violet is not the worried lip-biting unsure mother the show has given us.

    Lady Danbury: In the books Lady D is sassy, opinionated, and scathing. She says things to throw people off balance. She's feared in general. She's a menace with her cane. The shows Lady D is too refined, too tactful, too nice. Lady D did not openly play match maker with Violet.

    Lady Whistledown: She is witty - never truly mean or cruel, which turns out to be Penelopes saving grace in the end. We loved reading Lady Whistledowns humorous observations in the book. The ton eventually see it as a right of passage in society to be mentioned by her. But in the show, they paint her petty, cruel and hated.

    Bridgerton Family: The family in the books is loud, boisterous, irreverent, loving and fun. They joke, tease, talk, play and are fiercely loyal to each other. They are all friends, which makes them differ from the usual ton families. In the show, that family makes very little appearance. The family of the show is (for at least 6 out of the 8 episodes), shallow, vain, fraught, disjointed, uncommunicative, distant and, to be honest, a bit annoying. This is not the Bridgerton family of the books.

    In short, many of the 'read the books once a year for years' fans, will, like me, be very disappointed with this series. Some adaptation is always expected - but an almost complete rewrite?

    Make no mistake about it, Shondaland has rewritten, dismantled or removed the majority of the best parts of 'The Duke and I' for this show.

    Let's hope they do better with season two.
  • taisun2424 February 2021
    This is not a quality Jennifer Ehle/Colin Firth Pride and Prejudice type series, or downton abbey. This show is an exaggeration of those kinds of tales and it is pure fantasy, using the back drop of victorian english high society. Do not take it seriously and enjoy it for what it is. It really highlights the absurdity of that time period as well. I love the pride and prejudice series I mentioned above and to me this movie was like a guilty pleasure version of that kind of genre. Costumes are beautiful and they threw in some modern music played classically, so really, this show is not taking itself seriously as a period piece, and is clearly just having fun. Have fun with it and enjoy the eye candy.
  • Let me just start that I am a fan of the books so I am watching this as I did when I watched all the live actions of Pride and Prejudice, with eyes finally getting my wish of seeing my fave books come to life, and I was not disappointed. Is it a masterpiece? NOT AT ALL. Is it accurate to the books? Not so much but they did get the heart of it. There's a lot of issue I find with it but somehow I still find myself watching it because I love the genre.

    To note: If you are into the ACCURATE retelling of history then I'm telling you right now SKIP THIS. This isn't about the accurate retelling of history. So if the "diversity" and "wokeness", the designs of their costumes, the way they acted takes you away from the story because of inaccuracy then you will have a bad time. This isn't a documentary. This isn't a biography. This isn't a true story.

    Now first of, the books star different siblings so each season will focus on different Bridgerton with splice inserts of side stories. S1 is more steamy and shoves a more lustful play on their romance it's a fake love turned real love trope. S2 is a slow burn and might be boring for some as it is less steamy, it's an enemies to lovers trope.

    Now. If you're into the book series do give this a try! Of course it wouldn't be 100% accurate but I did feel that it was very true in how romance book genre goes. It's like a whimsical romance. Glazed over. Or whatever term. Something like those Hallmark Christmas romance movies but with more mature scenes. Modern music made classical. They really brought to life the family dynamic of the Bridgertons. I love how they interact with one another as a family.

    Finally. If you're just looking for a Pride and Prejudice or historical setting romance show then do give this a try! You might just like it.
  • galatea-413118 January 2021
    Wondering how the overall rating was 7.4 when all the reviews I see are below 3?!! Waisted an hour watching this awful drivel. Enough said.
  • Here are my thoughts

    #1. I have to note that I had reservations about this when I first saw the casting of Simon and other POC actors. As a black women I didn't know if it was pandering to my ethnic group or if it was for genuine inclusivity. And after seeing Simon on screen I must say that he is PERFECT!! I literally can't picture him otherwise (and I've been picturing him for over a decade. (I also have to say the same for lady D))

    #2. I was surprisingly pleased with the Marina character (btw she's not new to the series. Just early). She will fit in like a puzzle.

    #3. I'm enjoying how flushed out Anthony is. I admit he was a little 1D for the first book since he wasn't a main character so I appreciate that tv allows him more dimension and build up.

    #4. The rest of the siblings are excellent too. The seeds of their characters are coming through.

    5. The visuals, directing, and music reminds me of a TRUE historical romance book. This doesn't feel like a made for tv show. I love how they managed to make the colors so beautiful and vibrant unlike other historical romance movies/shows that have everything "accurately" bleak.

    This series was my very first introduction to the romance genre of books when I was a little girl and I could not have asked for a better pilot episode. The characters, the chemistry, the intrigue, the intensity (this list goes on and on) is exactly how I pictured it and how I felt when I first read this series years ago.

    To all those that worked on this series , everyone from the actors to the crew, your artistic talent has not just made beautiful period piece show. No, your artistic talent has magically translated all the beautiful things I love about historical romance books and the writing of arguably the most famous HR author of modern times perfectly to the screen and to that I thank you from the bottom of my heart.
  • Warning: Spoilers
    Last season was fun fun fun, with Episode 6 all sex, but that's another story.

    This season, it's full of older men vying to marry girls who have barely turned 18.

    Also this season, (I'm on Episode 4) it's all watery colors, music and weak story. Nothing is really fun, except for Queen Charlotte, of course. And Penelope. She's still a pip.

    Where's the vibrance and verb and fun? It's gone.

    Another Season 2 where it seems that all the good writers have been dumped and replaced by ersatz staff.
  • esabettie25 December 2020
    10/10
    Dashing
    Eloise and Lady Danbury are by far my favorites but I liked it all overall, quite different than the book but keeping essential plots and the essence. I do love the diverse casting.
  • I am well aware of Quinn's Bridgerton series, but people are not focusing enough on things such as directing, plot, acting, etc. Who cares if there weren't black aristocrats? This point keeps dragging and it's honestly quite pointless. Quinn herself expected a very inclusive cast and a re-interpretation of the series. Stop wasting your energy in worrying about "pc culture." Have some imagination.

    Now, the plot is predictable for a novel series like this. I chose to watch it with my mother and it was enjoyable like an afternoon conversation with friends. Nothing deep really, lack of subtlety. But that doesn't have to be a bad thing. People often forget who are watching series and films, forgetting that some may not understand the undertones of a message. Bridgerton's lack of subtlety is beneficial for them, for my mother who doesn't understand English aristocracy because of our background. She loved the series.

    It is a VERY colorful setting. Wonderful clothes and scenery. There is a lot of individuality represented through that. Some characters certainly felt re-interpreted from the original material. For example, I hadn't imagined anyone with particularly loud personalities, mainly in presentation. The series provides this. Admittedly, Daphne was an absolute bore many times. I was not passionate about Thompson. So basically, some characters were louder, some were more tame when compared to the original. At times I welcomed the change, but not every time.

    Anyway, I look forward to the progress of this series. I also look forward to people relaxing a bit and trying to understand that media enjoyment is different for others. Literature majors may scurry away from the predictable and superficial, but (for example) someone whose main language isn't English and has always lived in a low-middle class neighborhood may feel welcomed into a different culture and may start a learning opportunity. It's not about absolute accuracy, it's about captivating our attention at first sometimes.

    Oh and also, I don't think the subtitles in Spanish are the best. There are words that change tone when translated. I listened as I read the subtitles. I had to re-translate a few times so my mother.
  • I read a lot of negative reviews. Especially about the characters that do not correspond to the era. To be honest, I think you shouldn't be too heavy on that. It's fiction and it just looks good. It is a shame that the first episode is the least fun. This would almost make you stop watching. Fortunately, I looked further, which I certainly do not regret. It seems nice and I am looking forward to season 2.
  • The costumes, settings, music are all beautiful, but we've seen them before. This season lacks the substance and intrigue that led so many to bingewatch the first. A gaping hole is left with the resolution of Simon and Daphne's romance. The love triangle between Anthony, Kate and Edwina feels forced, with none of the actors particularly charismatic. The heightened focus on Eloise is detrimental, with the actress' eyerolls, overreaction, and unrealistic conduct reminiscent of Anna Chlumsky as Vivian in Inventing Anna. The other subplots are so redundant that they could have been crafted from film left on the editing floor in Season 1 and weren't enthralling on the first go-round (e.g., Penelope's unrequited infatuation with Colin).

    My rating of 6 is the average of a 7 for Season 1 and a 5 for Season 2.
  • Warning: Spoilers
    Season 1 was great.

    Season 2 is as follows: I love you, I hate you, you love me, you hate me, we can't be together, we must be together, we love each other but can't be together, let's get married, let's not get married, it's your fault I love you.... no joke 8 episodes of that lol.
  • teja-4937230 March 2022
    Usually I find myself disappointed by second seasons of shows, especially when the first is so good, and as such did not have the highest of hopes heading into season 2. Having recently completed it I can confidently say that it's better than season one. What about it made it better I cannot say, though I am a sucker for forbidden romance and the removal of those awful sideburns made Anthony 10x hotter. The second season is a must watch with a thrilling slow burn and an incising story. I cannot wait to see how this show plays out and stand witness to each Bridgerton siblings season and the pages of gossip it will bring.
  • Knowing nothing about the books or what to expect from the show, I gotta admit that the diversity threw me in the beginning. By the second episode, I became colorblind and grew completely enchanted by it all that I didn't want it to end. Although I loved it, to be quite frank, in a way it made me sad. All the diversity.. well, it made me see how the world COULD have been and needs to be. I eagerly await the second season!
  • I first read the books years ago and this adaption has done it justice. Perfectly cast. The people obsessed with the "diversity" should know that this isn't a factual historical show, but a version of Georgian history that lives in the minds of all of us who love this type of thing and really need to get over it. They also didnt play string quartet versions of "bad guys" or "thank u next" back in the early 1800s. Basically, it's what I've dreamed of and waited for!

    Adore that they've kept the main storylines but complement them with lines that add, rather than subtract to the main line.

    Thank you Shondaland!
  • March 2022: season 2 is better, the acting is so much better and the storyline as well. The actor who plays Anthony (Jonathan Bailey, he deserves bigger on-screen roles) is an outstanding actor. Skip season 1, only watch season 2. This season has the right balance of drama, laughter, character development, and build up. Season 1 was too much s*x, season 2 is good and not too much s*x. Season 1 is worth max a 6 because of the bad acting. Season 2 is worth a 7.5/10. The chemistry that Anthony and Kate had in Season 2 was amazing 😍, I didn't feel that with Daphne + Simon something was off (without the intimacy that was scripted/coached they looked like friends).

    The actor that plays Anthony carries his role well, he's through and through Anthony Bridgerton and a hunk (he has no sideburns in season 2, so much better) . Jonathan Bailey deserves to be on the big screens now. Such a diverse actor that can take on any role. He's very good with his face at expressing emotion.

    Can't wait to see Anthony + Kate in the upcoming seasons helping the other Bridgerton siblings. They confirmed that they will stay.

    December 2020: Phoebe Dynevor (Daphne) deserves more recognition. She carried season 1 and it was mostly shown through her gaze (the female gaze). No wonder most women are having the hots for Simon (Page is such a bad actor, who is overrated and who looks too feminine). Now he's leaving the show what an ungrateful actor. + In the voice of Lady Whistledown: Rumour has it that Page is closeted, has a beard and is not speaking his truth.

    On a positive note, I loved the diversity in the show. Truly amazing how they not only chose white characters to be represented as the rich in society but a diversity of people with different skin colours. Just like it is nowadays.

    Anyone who critiques this period piece, needs to do some research, this show was made by a producer that is renowned to cast a diverse cast. This tv show is fiction and a new period piece on it's own. It's a modern makeover of the Regency period drama and therefore more relatable. Also, stop bullying the fact that a variety of people with different skin colours are represented in the show. Those people lack imagination.
  • The fact that most of the low reviews are for the "historical inaccuracy" it is so beyond laughable. To compare this show to a historically accurate drama would the equivalent of saying that the Lord of the Rings is a documentary . One can not fathom the ineptitude of you withering minds. Of course your comatose racism has been jolted awake in your zealous defence of history and accuracy. Ha I say to you ha! History for the most is made of fantastical manipulations by hose who concurred and won the wars. But I digress since that is besides the point. The point is, this is fantasy . It is a genre. Google it.
  • Claudia Jessie played Eloise with extreme class. Hope she continues to "stun the stage" in her future acting career!
  • Is it entertaining? Yes. Do I expect from fantasy to give me accurate descriptions of the world? No. It is fantasy dear viewer. I am actually disappointed at the reviews, since I am quite convinced people genuinely lack an understanding of the word fantasy. It is scary out there. I expected something light and lovely and with the exception of some scenes it was highly entertaining. Some viewers will deceive you into thinking you must bring reality into fantasy. Since when? Is it revolutionary? No. But it is a piece of heaven and hard work. And it shows.
  • Warning: Spoilers
    Season 1 was exciting, brilliantly written and its acting was very well executed. Season 2 lacks the drama that was captivated in Season 1. Season 2 did not completely win me over: The plot was poor and it dragged out two characters' love for each other without drama or sparkle. While it is nice to expand other characters in the plot, I was expecting so much more, I only hope the writers will redeem themselves in future seasons.
  • Warning: Spoilers
    I loved the first series, and then read the books. Unfortunately, I think this has tainted my view of this series, I keep making comparisons and I don't think I like some of the changes made from the book. Especially to the Edwina character. She falls for someone at The Aubrey Hall party in the books and never falls for Anthony and they never get engaged. They also really pale down Kates fear of storms. It's one of the turning points in the book in their love story when he sees her in the library.

    The whole back story of Kate being a nobody and not being a Sheffield is completely wrong, it makes a mockery of the marriage if she isn't of aristocratic blood. And takes the plot of Benedict's story next series nearly.

    I don't think they needed to change the story as much as they did to make "drama". I understand some changes from book to tv, but this is almost just names that are kept the same. And in fact they changed those.

    If you're not a book reader, you'll probably love it. I love the aesthetic of the show. And it is good escapism.
  • Warning: Spoilers
    I loved season one. Watched it twice in a row I loved it so much. Thought they did a great job and actually improved on the book. Season two, unfortunately, did not. Kate and Anthony's story is by far the best of the novels - the main reason being because it is FUNNY! I was looking forward to season two the most because of this, and while I don't mind the overall massive rewrite and plot changes they added, the writers didn't include any of the funny bits that make this book enjoyable and endearing. (And what a missed opportunity for character growth on the practically non-existent library storm scene!) The show on its own is very well done and the acting is excellent, I just hate when screen writers of book adaptations try to "beef up" the drama and, in so doing, remove all the goodness that made romance readers fall in love with the story in the first place.
  • Warning: Spoilers
    I am writing this review after having watched the series, followed by reading the book "The Viscount who loved me". This season has offended many ardent book fans and I can see why. The Kate Sheffield of the book and the Kate Sharma of the series are two entirely different people. The book was written primarily for female audience. Therefore Kate Sheffield appears to be similar to reader-favourite Elizabeth Bennet- a witty girl next door with some severe insecurities. And she has her feet swept away by the deveilish playboy of the 'ton' i.e. Anthony Bridgerton. Even though he is shown to have physically attracted to her, he always remains in control of the situation- in a way guiding Kate to a whirlwind of challenges and then confusing her feelings.

    The series however was clear about its narrative character, i.e. Bridgerton. Hence Kate Sharma was written for the male audience. It takes a lot more than intelligence to impress a man. Men adore bravery, independence, free spirit and a great deal of selflessness. The charismatic Kate Sharma hence knows how to ride a horse, goes on hunting, remains undeterred by Anthony's or any man's advances, acts completely selfless to the point that she is willing to walk away after leaving her family with Sheffield money. She therefore makes Anthony crazy, as he finds absolutely no control over her. She pushes him to his extremes. When they speak its not just a witty banter, its a display of their strong character arcs. Kate Sharma is far more of a "tough cookie" than in the books. This is why its Anthony who feels swept away by the woman. He tries his best to get rid of his desire for her but she continues to make it harder, by doing , well, nothing. Yeah, its weird. While Anthony takes pride in confusing a woman in order to seduce her, he is maddened that he is unable to do that to Kate Sharma. He is unable to break her to the point until he finally breaks and admits that he loves her. He is forced to do so by his own feelings, as he grows into acknowledging that what he feels for Kate is far more than desire.

    The 2 stars that I have deducted is for the almost dragging subplots of Eloise and Penelope. Even if I forgive Penelope storyline, Eloise perhaps became way more one-dimensional in the 2nd season. That is my opinion.

    Nudity in this season was toned down to almost PG13 level because the content was stronger. Afterall its about a man growing out of his fear for true love and settling down with his muse. The target male audience perhaps appreciates less such scenes and more of the actual adrenaline rush.
  • aaronthumphrey26 December 2020
    A refreshing take on historical drama. The humour is inspired, the costumes are divine and the cast all played their parts perfectly. I was hooked from beginning to end. Definitely recommend.
  • Not only is it an amazingly good series, but it is a beautiful storyline, some incredible characters, that have you crying & laughing (no spoilers here) brilliant acting from all and great cinematography & music.

    Please watch, a history documentary it isn't, but it does have lots of spice!
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