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  • Working for Red Light District, not her usual home base, Dana Vespoli delivers a well-crafted set of May-December couplings, in which mature males hump petite females, either in fantasy or reality. Dana's astute direction makes it work in this rather overworked genre (think Piper Perri, Elsa Jean and Riley Reid ad infinitum).

    Borrowing a page from fellow superstar auteur Kayden Kross's playbook, Dana users Manuel Ferrara as her go-to stud, playing his psychiatrist in one segment as he unburdens himself about an uncontrollable urge to hump his daughter's young friend Elena Koshka. Vespoli the shrink gives him advice regarding self-control, but obviously for porn purposes he consummates the affair in a strong scene dominated by his massive cock.

    Ferrara returns as a different character, a writer staying at a friend's mansion (a very famiiiar and oft-used porn location, identifiable by its distinctive front doors design reminiscent of the Dolby Labs logo), who sees a nymphette neighbor girl (Zoe Bloom) using the pool. Like the other incarnation of Ferrara, he can't resist sampling her body, but this segment has a surprise (if corny) ending.

    Speaking of big cocks, Steve Holmes presents his massive member to the camera and to seductive Gia Derza, as he plays a contractor who visits the house to plan a re-do while her parents aren't at home.

    A relatively new face on the scene, one Bambino, is the craggy-faced stud who can't resist cheating on his unseen fiancee (wedding is looming soon) with his lovely secretary Jill Kassidy.

    Hardly Dana's best work given the formulaic structure and purpose of the show, "Covet" nonetheless exhibits her skill and craftsmanship in Adult Cinema once again.